On August 13th, 1869, the synagogue on Michelsberg in Wiesbaden had been officially opened in a festive ceremony. The building was meant to serve the increased spatial needs of the congregation but also testified to its increased wealth and civic self-assurance. In the presence of representatives of other faith communities, Rabbi Süskind had referred to the liberal house of worship as a “planting ground for patriotic virtues” which was to prove its unifying power not only within the circle of one’s own co-religionists, but “also in the wider circles of humanity.” After the pogrom that took place through the night of November 9th into 10th, 1938 (later known as “Kristallnacht” or “Night of Broken Glass”), all that was left of the magnificent building in Moorish-Byzantine style was the external wall. The interior was entirely gutted.
The first major rupture in artist Gustav Wolf’s biography had occurred during World War I. He had volunteered for frontline duty and was badly injured. His brother Willy was killed in combat. The works in which he processed his wartime experiences leave no doubt about his feelings. Instead of glorifying war, he shows its horrors. His confrontation with antisemitism during and after the war led him to an increased awareness of his own Jewishness. In 1920 he accepted a professorship at the Baden Art School in Karlsruhe, trying to realize his ideal of an equitable partnership between teacher and student. After a year, he quit this “dead activity,” referring to the school as “an academy of schemers.” In 1929, he designed the set for Fritz Lang’s silent film “Woman in the Moon,” an early science-fiction movie. Upon the Nazi rise to power in 1933, he canceled his memberships with all the artists’ associations to which he had belonged. In his letter to the Baden Secession, he explained his decision with the following words: “I must first get my bearings again. The foundations of my existence have been called into question and shaken.” After extended stays in Switzerland, Italy and Greece, he returned to Germany in 1937. In February 1938, he boarded a ship to New York. June 26, 1938 was his 49th birthday.
Three prominently placed ads on the front page of the “Jüdisches Gemeindeblatt für Baden” make amply clear what is on people’s minds in April 1938: emigration looms large. Three businesses in Karlsruhe are offering related goods and services, such as passage to South America, Africa, and Asia, furniture for emigrants, and home sales. In the April 27 issue, the topic comes up from various perspectives: the shrinkage of congregations as a result of members going abroad, English classes for prospective emigrants, the departure of esteemed leaders, practical advice on how to get support from Jewish aid organizations during the emigration process, and more. Other parts of life seem to be taking their normal course. Lehrhaus activities, student concerts, Kulturbund events, personal ads and other topics counter-balance the abnormality of the situation.
Charles Manshel, a wealthy businessman and himself a native of Austria, promises his cousin in Baden near Vienna to prepare affidavits for her and her family once he has all the required personal information. The letter shows Manshel’s sincere efforts to not only pave the way to immigration for his relatives but also do something for the professional integration of his niece’s husband, Dr. Eduard Ehrlich. Manshel was no stranger to hardship himself, having provided for his family since his father’s premature death when he was 16 years old.
On January 5, 1938, Kuno Fleischer wrote to the shareholders of his family’s paper factory in the small Baden-Wurttemberg town of Eislingen about a recent business dispute and alluded darkly to a time when “grave decisions will have to be made swiftly.” He told his fellow owners—his brother and nephews—that he would soon travel to the United States to “orient himself” adding, “No one of us can predict how things will turn out, and no one can take offense at our holding on for as long as possible to what we have built together.”