For a dyed-in-the-wool social democrat like the journalist, translator and writer Maurus (Moritz) Mezei, the changes that quickly took hold in Austria after the country’s unimpeded annexation by Nazi Germany must have been doubly troubling. During the period known as “Red Vienna,” the first-ever period of democratic rule in the city from 1918 to 1934, the Mezei family had moved to the “Karl-Marx-Hof,” a public housing project. Starting in 1938, “non-Aryan” families, including the Mezeis, were threatened with expulsion from the compound. Tenant protections initially remained in place for Jews, but they no longer applied to public housing. On June 10, Mezei had applied for immigration to Switzerland, but the reply, written on July 14, was negative. Only if he was to procure an immigration visa from a country overseas would Swiss immigration authorities reconsider his case and possibly grant temporary asylum.
Despite the patriotism often espoused by German Jews and their manifold contributions to society, the Reichsbürgergesetz (“Reich Citizen Law”) of 1935 officially assigned an inferior status to Jews, declaring them to be mere “nationals” and further segregating them from the rest of the population. Over time, supplementary decrees were issued that provided the exact Nazi definition of what made a person a Jew and forced Jewish public servants into retirement. On June 14, 1938, the third such supplementary decree stipulated that Jewish-owned businesses were to be marked as such.
On May 14, 1938, American moviegoers lined up to see Errol Flynn in his latest swashbuckling adventure produced by Warner Brothers. Flynn’s turn as Robin Hood was especially thrilling thanks to the lush film score by an Austrian Jew whose music was no longer welcome at home. Although a citizen and resident of Austria, composer and conductor Erich Wolfgang Korngold felt the effects of Nazi cultural policy soon after 1933, since he had often worked in Germany. In this climate, he did not have to think twice about Max Reinhardt’s invitation in 1934 to compose the score for his Hollywood production of “A Midsummer Night’s Dream.” Korngold’s symphonic film scores broke new ground and established the typical “Hollywood sound.” In 1937, while on an extensive visit to Vienna to complete the orchestration of his opera “Die Kathrin,” he received an invitation from Warner Brothers to compose the score for “The Adventures of Robin Hood.” This assignment spared him the turmoil of the Anschluss. He returned to the US well before March 12, 1938. This photograph shows what appears to be a recording session for the Robin Hood score. The actor in the photograph is Basil Rathbone, who played Robin Hood’s nemesis, Sir Guy of Gisbourne. Korngold won an Academy Award for his compelling score—his second after “Anthony Adverse” (1937).
Little more than a month after the Nazi takeover of Austria, a cascade of new regulations and actions taken by the new regime leaves little room for optimism. The Jewish Telegraphic Agency reports for April 14 from Vienna that Jews within 50 kilometers of the Czechoslovak border are to be expelled. Nazi commissars will be put in charge of Austrian businesses at the latter’s expense. According to the JTA, in the case of hundreds of Jewish-owned businesses, this provision has already been enforced. Finally, a law has been introduced establishing new procedures for determining the racial status of illegitimate children. The one positive item in this substantial dispatch is the prospect that all Jews currently interned at the Dachau concentration camp will not only be released but will also receive permits to enter Palestine.
After the tribulations of their forced emigration, often accompanied by a loss of status, property, and basic faith in humanity, German Jews might not have been expected to feel particularly nostalgic for their former home. This ad from the Aufbau, the New York-based German-Jewish paper published by the German-Jewish Club, shows that nevertheless, Jewish refugees from Nazi Germany were not necessarily in a hurry to give up their eating habits.
Kibbutz Giv’at Brenner was established in 1928 by young immigrants from Poland and Lithuania who were soon joined by a group from Germany. As in many other kibbutzim, conditions at Giv’at Brenner were initially harsh, causing some members to leave. In the 1930s, due to the absorption of new immigrants, the kibbutz grew. Over time, a thriving agriculture and various industrial enterprises, including a cannery and a factory for irrigation equipment developed. The picture presented here shows the carpentry shop of the kibbutz in 1938. A unique feature was Beit Yesha, a vegetarian convalescent home established in the mid thirties—the first of its kind in a kibbutz.
Although one could imagine 1938 as a very gloomy and tense year for German Jews, some events, such as vacations, bore a semblance of normalcy. In this postcard from a trip to the “sunny South,” no political thunderclouds appear on the horizon. The writer tells the recipient in Frankfurt, Rosel Lehrberger, about an afternoon dance at the Palais de la Jetée in Nice, an elegant Moorish Revival casino from the Belle Epoque, which for decades was a tourist magnet.
The C.V.-Zeitung, Paper for German and Jewish Culture was the organ of the “Central Association of German Citizens of Jewish Faith.” The Central Association’s political bent was liberal-conservative and it strove to represent the interests of all Jews, regardless of religious affiliation. The newspaper aimed to raise the self-confidence of German Jews as well as to deepen their love of “both German and Jewish culture.” (Jüdisches Lexikon 1927). January 30, 1938 was the last day of ordinary operations for the C.V.-Zeitung. On the 31st, the Nazis ordered its temporary suspension until February 24 with no reason given.
This drawing shows the interior of the Prinzregentenstraße Synagogue in Berlin (Wilmersdorf). Built in 1930, the building was designed to fulfill the needs of a liberal congregation. As shown in the picture, the synagogue boasted a magnificent organ. Rabbi Leo Baeck gave the sermon at the opening ceremony. From 1933, when Jews began to be pushed out of Germany’s cultural life, the synagogue also became a Jewish cultural center.
When Julius Ostberg visited Palestine in January 1938, his daughter Ilse had been living in the country for four years. She was born in 1912 and spent her first 22 years in Essen. After emigrating from Germany to Palestine in 1934, she, like many other German Jewish emigrants in Palestine, continued to visit Europe in the following years. The photos shown here were taken in 1937 during a stopover in Venice on the way back to Palestine.
As the situation of Jews in Nazi Germany deteriorated from day to day, the anti-Semitic atmosphere in other countries became increasingly tense. In neighboring Poland, anti-Semitic voices became louder and louder. As the C.V.-Zeitung, the organ of the Central Association of German Citizens of Jewish Faith, reported, the Lower House of the Polish Parliament expressed its anti-Jewish sentiments in the form of a plan to remove Jews from the country: it called for the emigration of at least 100,000 Jews annually. Besides Palestine, Madagascar was discussed as a possible destination. The case of Polish Prime Minister Sławoj Składkowski shows how widely antisemitism was accepted: commenting on the “unpleasant events” (presumably, the numerous cases of physical violence against Jews), he claimed that Jews themselves were to blame, due to their lack of understanding of Polish peasantry, which, just as the Jews themselves, was striving for a higher standard of living.
There are many ways to describe Leo Perutz: novelist, mathematician, native of Prague, chess lover—to name but a few. He was admired by his colleagues and millions of readers. His success as a writer was so great that he decided in 1923 to give up his bread-and-butter job as an actuary. The Great Depression hit him hard, since the crisis not only negatively impacted the bookselling trade but also rendered the family company, in which he had a share, less profitable. To make matters worse, after the Nazis’ rise to power, his Jewish publisher, Paul Szolnay, lost his largest market in Germany. This is one of the last photographs taken before Perutz’s emigration from Vienna to Tel Aviv, Palestine in 1938.
Born in Buttenhausen, Wuerttemberg on January 25, 1890, Karl Adler studied music at the Stuttgart Conservatory, where he became Director in 1921. He was a cofounder of the Verein zur Förderung der Volksbildung, an adult-education organization, and director of its music department. In 1926, he was among the leading forces that built the Jüdisches Lehrhaus Stuttgart. After his dismissal from his position at the conservatory in 1933, he initiated and directed the Stuttgarter Jüdische Kunstgemeinschaft. In 1935, he became the head of the music department of the Mittelstelle für jüdische Erwachsenenbildung, a division of the Reichsvertretung der Juden in Deutschland dealing with adult education.
In the 78th and last year of its existence, the orthodox weekly Der Israelit reports on measures of the anti-semitic, pro-German Goga-Cuza government in Romania: The country’s Jews were subjected to various chicaneries and occupational bans similar to those in Germany. As a result of gains in territory and population in WWI, about 30% of Romanians belonged to minority groups, who were seen as a “Fifth Column.” Jews especially were the object of fears and suspicions which easily turned into violent hatred.
As the number of Jewish emigrants from Germany was constantly growing, so was the number of letters exchanged between friends and relatives who had already left and those who stayed behind. In his handwritten letter from January 23, Mikloś Ehrenfeld suggests to his friend Kunibert in Berlin that it would be a good idea for him to leave Germany in spite of his good position and come to America, as Ehrenfeld himself did. Self-actualization and the fulfillment of personal dreams, Ehrenfeld wrote, were possible in America but hopeless in Germany.
With Adolphe Adam’s comic opera “If I were King” and Ladislaus Bus-Fekete’s “Cape of Good Hope,” the Berlin Kulturbund offered its guests lighthearted distractions. The Jewish audience in Berlin in 1938 must have been receptive to an opera in which the powerless but honest hero wins and the bad guy gets his well-deserved punishment.
After the Nazis’ rise to power, the economic historian and journalist Kurt Zielenziger fled to Amsterdam with his wife and son. There he co-founded the “Jewish Central Information Office,” the goal of which was to document the persecution of Jews by the Nazis and to spread the information. In this release, the Jewish Telegraphic Agency quotes his computation of Jewish emigrants from Germany according to destination countries. According to Zielenziger, by the end of 1937, a total of 135,000 Jews had left the country.
This picture-postcard shows Berlin’s oldest and for some time largest department store, named after the founder of the business, Nathan Israel. The Israel family had taken up residence in Berlin in the 18th century. The business was last located at 28 Spandauer Straße, across from the Rotes Rathaus (“Red City Hall”). Under its last director, Wilfrid Israel, the department store distinguished itself by providing uncommonly generous benefits to its employees, such as health and social insurance.
Markus Wolf (center in the photo above), one of the sons of the communist physician and writer Friedrich Wolf (right), was born in 1923 in Hechingen in the Swabian Alps. After the Nazi seizure of power the family initially emigrated to Switzerland, then to France, and in 1934 to the Soviet Union. The Wolf family resided at the Hotel Lux in Moscow where a large number of communist refugees from Germany had been given shelter. During the years of the Great Terror (1936–38), deeply suspicious of the foreigners, in whom it saw potential spies for the Reich, Stalin’s regime tortured and interrogated many of the German emigrants. Among the approximately 600,000 victims of the purge were 178 German communists, most of them residents of the Hotel Lux. The Wolf family survived.
When German Jews considered the various emigration options in January 1938, Palestine might have seemed a dangerous destination. As the Jüdische Rundschau reported, in the same month, attacks against Jewish inhabitants and clashes between Jews and Arabs occurred in numerous places in Palestine. Apart from local resistance, the paper mentioned Syrian terrorists, the smuggling of weapons from Libya, and the refusal of the Egyptian government to conduct direct Arab-Jewish negotiations. In light of these facts, emigrating to Palestine could appear to the prospective emigrants like jumping from the frying pan into the fire rather than finding a safe refuge.
An unidentified author congratulates the German mountain climber and physicist Hermann Hoerlin on his upcoming wedding with Käthe Schmid, who was considered a “Half-Jew” in Nazi parlance. The “Law for the Protection of German Blood and German Honor,” adopted in 1935, forbade marriages between Jews and non-Jews. Despite the law, the couple Hoerlin-Schmid, obtained a special permit and the wedding could go ahead.
The “Reichsvertretung der Deutschen Juden” (Reich Representation of German Jews) was established in September 1933 as an advocacy group. After the passing of the Nuremberg Laws, it had to change its name to “Reichsvertretung der Juden in Deutschland” (Reich Representation of Jews in Germany). Its president was Rabbi Leo Baeck. As a result of the increasing pauperization of the Jewish population, whose possibilities to earn a living were systematically taken away, the Reichsvertretung appealed to the government in January 1938 to desist from additional limitations depriving Jewish professionals of their jobs. The Reichsvertretung argued that not only was the increasing unemployment a burden on the welfare system, but it also made emigration impossible.
Julius Ostberg was the owner of a uniform and coat factory in Essen. In January 1938, he visited his daughter Ilse in Palestine. Similar to other German Jews in Palestine, Ostberg did not think about giving up his outfit – associated among German Jews with correctness and good taste and often ridiculed by Jews of other nationalities. In this picture, taken on the beach, despite the casual environment, Mr. Ostberg presents himself in formal attire consisting of a suit and a tie.
The January issue of the Berlin Kulturbund magazine conveys a sense of normalcy—local businesses advertise merchandise and services like cosmetics, women’s apparel and car repairs, while the Kulturbund schedule offers Eugene Scribe’s “The Ladies’ Battle.” The comedy must have provided a welcome respite from the worrisome situation.
A representative of the New York office of Intria International Trade & Investment Agency Ltd., London, advises a client in New York to use the “Haavaramark” for “transfers to persons of Jewish descent residing in Germany.” The Haavara (transfer) Agreement had been made between Zionist representatives and the Nazis in 1933. It enabled emigrants to deposit money in a German account, which was used to pay for the import of German goods to Palestine. The proceeds from the sales of these goods in Palestine, after the deduction of costs, was disbursed to the new immigrants.
Herbert Freeman was born Herbert Friedmann on December 13, 1925 in Frankfurt/Main, Germany. His father, Leo Friedmann, immigrated to the United States first. Herbert, his mother, and his brother applied for a US visa in Stuttgart. During the obligatory health check-up, the perfectly healthy Herbert was diagnosed as a “tuberculosis carrier” and was unable to join his mother and brother on their journey to the United States in 1936. After repeated unsuccessful attempts, in order to circumvent the Stuttgart US Consulate, 12-year-old Herbert was sent to Zurich (permission to file an application outside Germany was obtained in no small part thanks to the intervention of Albert Einstein). The letter was written during Herbert’s stay in Switzerland. He mentions his upcoming visit to the US Consulate and reapplying for the visa, and describes his days while separated from his relatives.
As German Jews were getting arrested or being forced to leave the country, the performances put on by the local branches of the Jewish Kulturbund (Culture Association) were among the few places of refuge where Jews could enjoy culture as in earlier days. Among other things, in the winter season of 1937/1938 the Jüdischer Kulturbund Berlin performed Tchaikovsky’s Eugene Onegin (Director: Dr. Kurt Singer) and Scribe’s The Ladies’ Battle (Director: Fritz Wisten). Since 1935, the Kulturbund’s venue had been the theater at 57 Kommandantenstrasse, the former Herrnfeld Theater, where popular Jewish plays had once been staged.
If advertisements in newspapers reflect the main needs of society, then the Berlin Jüdisches Gemeindeblatt (Jewish Community Paper) from January 1938 can serve as a perfect example of such needs in times of crisis. By January 1938, when the majority of German Jews were preparing for emigration or actively looking for ways to leave the country, advertisements for travel agencies and shipping companies dominated the commercial space of the newspaper. The main destinations of German-Jewish emigrants were Palestine as well as North- and South America.
In his opening speech at the inauguration ceremony for the new Jewish community center in Hamburg, Max M. Warburg, scion of a renowned family of bankers, describes the challenges the community is facing at the present moment and states the mission of the building and its leadership in troubled times. Describing theater as a source not only of “uplift and joy” but also of “moral fortitude,” Warburg declares the community center to be intended first and foremost as a home for the performances of actors and musicians of the Jewish Kulturbund.
Preparing for emigration to the United States, Alfred Rahn sold the family business, the M.S. Farrnbacher Ironmongery, in November 1937 without the consent of the Nazi authorities. Instead of leaving for the US at the end of December as planned, he therefore had to serve a 14 months prison term. From his prison cell in Fürth, Alfred Rahn expresses gratitude to his wife for gifts already received and asks for further necessities. His wife Lilly was a literary scholar and the last Jewish doctoral student to have graduated from the University of Erlangen (in 1934).
Werner Wilhelm Dambitsch was born on June 23, 1913 in Breslau (today Wroclaw, Poland). Werner was interested in music from an early age, but he had to purchase his first instrument, a saxophone, with money he had earned himself. He did this in 1932 at the age of 19 and founded with four friends the ‘Excentric [sic] Jazz Orchester’. In order to perform, the combo had to join the “Reichsverband der jüdischen Kulturbünde in Deutschland” (Reich Association of Jewish Cultural Federations) and was forced to change the name to “Erstes Jüdisches Jazz-Orchester” (First Jewish Jazz Orchestra). While the association did not guarantee steady income or employment, at least it allowed the artists to perform at events attended by Jewish audiences.