In his “Remarks about the Feast of Weeks,” published in the June issue of the “Jewish Community Paper for the Rhenish Palatinate Region,” Rabbi Dr. Ernst Steckelmacher of Ludwigshafen poses a real challenge to his readers. He interprets the Book of Ruth, one of the readings during the Feast of Weeks, as an example of Judaism’s emphasis on the precedence of the universal over the particular. Through Ruth, who embodies universal humanity, the book shows that goodness can be found anywhere. This was not an intuitive message at a time when the ostracism of Jews from German society forced them to turn inward. June 6, 1938, was not only the second day of Shavuot, but also the 80th birthday of Claude G. Montefiore, the President of the World Union of Progressive Judaism. Dr. Steckelmacher acknowledges this occasion and reinforces his universalist message by drawing attention to the similar sentiments of Claude Montefiore.
Due to the perception prevalent since the middle of the 19th century that immigrants, preferably from Europe, were needed to populate the vast expanses of Argentina, the country’s immigration policy was comparatively generous. But already following WWI, the country’s needs for manpower were perceived as saturated, and by the 20s, administrative barriers to immigration were put up. With victims of Nazi persecution seeking refuge, immigration policy was tightened even more. Nevertheless, many thousands of German Jews as well as political adversaries of the regime found refuge in Argentina. Among them was Max Busse. His sister, Anna Nachtlicht, had heard about plans of the Argentine government to ease immigration and make it possible to request permits for siblings. Max immediately went to make inquiries, but the results were sobering. In this December 26th letter, he is forced to tell her that no such plans seem to exist. Relatives in France had offered the Nachtlichts to stay with them to wait for their visas for a third country. Perhaps, Max suggests, it would be easier to apply from there.
One of the tools in the hands of the Nazis to terrorize Jews was arbitrary incarceration: the Enabling Act of March 24th, 1933, handed the regime the legal basis for the perfidious institution of “protective custody”: persons deemed to “endanger the security of the people” could be detained without concrete charges. Ostensibly, the policy was aimed at political adversaries. In fact, however, it was frequently used against Jews. The salesman Hans Wilk was among its first victims: in 1933, at 24 years of age, he spent over four months at the Lichtenburg concentration camp. During the November pogroms of 1938, he was among the roughly 30,000 Jewish men incarcerated in concentration camps. On December 16th, he was released from the Sachsenhausen concentration camp in Oranienburg near Berlin. The requirement to report immediately to the State Police in his home town of Potsdam indicated that the harassment was not yet over.
Otto Neubauer was worried that his efforts to facilitate his relatives’ emigration would come to naught. With the US intent on denying entry to refugees “likely to become a public charge,” he knew his developmentally disabled 34-year-old brother, Ernst, might be denied entry. He had no doubt that his father, Maximilian, a resident of Mannheim, would never leave Germany without his other son. On December 6th, 1938, Otto assured Herbert Reich, who had expressed his willingness to help the Neubauers immigrate to the US, that Ern(e)st was “harmless” and that his needs were minimal. To increase his brother’s chances to be admitted, Otto reasoned that it would be helpful to procure two affidavits.
No one reading the November issue of the Aufbau could have missed the front-page editorial message in bold print: under the heading “The Great Trial,” forceful language is employed to decry the abject failure of “the heads of state of the so-called democracies,” who have sacrificed Czechoslovakia to Nazi Germany. Jewish refugees are left stranded in no man’s land in Bohemia, in Germany, the Nazis are dealing an “economic death blow” to the Jews, the British are jeopardizing the Zionist project, and “little more than a faint memory” remains of the Evian Conference, summoned in July to tackle the problem of resettling Jewish refugees from Nazi Germany. Surely, this is “an era of complete sinfulness.” Will those under threat finally brace up?
Martha Lippmann, the widow of a wool merchant in Stolzenau/Weser in Lower Saxony, and her mother were the last family members left behind in Germany when the November pogroms (later known as “Kristallnacht” or “Night of Broken Glass”) ravaged German Jewry. Her daughter, Gertrude, fled to Belgium; her older son, Erich, to America; and her younger son, Hans Martin, to England. News of the wave of anti-Jewish violence increased the urgency with which emigrants attempted to intercede on behalf of loved ones left behind in Germany. In a letter dated Nov. 16th, Max Stern, Gertrude’s husband, tells Erich about a planned appointment with a Belgian lawyer on behalf of Martha Lippmann, the goal of which is to obtain a temporary visa for her. Erich himself had contacted William Dodd, the former US Ambassador to Germany, thanks to whom he himself had made it to the US. But so far this appeal was to no avail.
In the meantime, Hedwig Weiler, the blossoming 18-year-old idealist whom Franz Kafka fell in love with during a vacation in Triesch (Moravia) in 1907 has turned into a PhD-holding academic and the wife of the engineer Leopold Herzka. The events of the year 1938 in Austria have caused their circle of friends to drift apart in all directions. On November 6, 1938, in a letter to her former neighbors in Vienna, the Buxspan (later Buxpan) family, she enumerates a long list of relatives and common friends, who have either emigrated already or are preparing to do so. What is especially hard for Hedwig Herzka is the prospect of her daughter, Edith, leaving for South America. It has made Hedwig a bundle of nerves.
Since the early 1880s, federal immigration law in the US included a provision seeking to keep out people likely to become a “public charge.” Under the impact of the Great Depression, President Herbert Hoover reinforced the ban in 1930. Aid organizations were hard pressed to find employment for the newcomers: on October 26, a representative of the Employment Department of the Greater New York Coordinating Committee for German Refugees explains to Willy Nordwind of the Boston Committee for Refugees the challenges of finding work for a man who had managed to enter the country but barely spoke any English and had no work experience to boast save as a candy salesman. Nevertheless, the representative promises to continue his efforts on the immigrant’s behalf.
When Gotthold Ephraim Lessing’s tragedy “Emilia Galotti” was put on at the non-Zionist agricultural training camp run by the Reich Representation of Jews in Germany in Groß-Breesen (Silesia), the talented and energetic Friedel Dzubas, 23, was central to making it happen: not only did he direct the performance, design the costumes and design and create the stage decoration, he also played the role of Odoardo, the tragic heroine’s father. Lessing, the son of a Lutheran pastor and a central figure of the German enlightenment, had taken up the cause of the Jews early on in life and eternalized his close friend, the philosopher Moses Mendelssohn, in his play “Nathan the Wise.” His determined stance earned him a place of honor in the hearts and minds of German Jews as well as in their libraries.
The letter that Joseph Roth sends to his cousin Michael Grübel in Mexico is short. Though written in a familiar tone, it limits itself to the most important matters of organization. Roth thanks him for establishing contact with a Dor. Com. Silvio Pizzarello de Helmsburg. The latter, he hopes, will help him “bring ten comrades to Mexico.” Whom exactly Roth has in mind here remains a question. Moreover, Roth asks his cousin to also obtain a visa for him personally. The famous author and journalist had emigrated to Paris in 1933. From there, he had since published numerous novels and essays and written for emigrant publishers in different countries. However, now Roth too seemed to toy with the thought of leaving Europe.
Would the sisters Helen and Eva Hesse remember this year’s Rosh Hashanah someday? For their parents, Wilhelm and Ruth Hesse, the new year’s celebration of 1938 was a break with tradition. The family had made the decision to emigrate from Hamburg. Helen was five years old at this point in time. Her little sister Eva had just turned two. Their father kept a diary for both his daughters during this period. Over the entry for Rosh ha-Shana 5699 in large, typeprinted letters are the words: “We’re emigrating,” the theme of this year’s new year celebration. The rest of the entry Wilhelm wrote by hand. Until then, however, he wanted his daughters’ lives to be as carefree as possible. That it went very differently for their parents is clear at the end of the diary entry. There Wilhem Hesse wrote: “Later they’ll be amazed what their parents had to suffer in these times. We’re emigrating.”
The passport of Martha Braun, a Viennese housewife, was issued on September 16, during the brief time window between the passing of the Executive Order on the Law on the Alteration of Family and Personal Names (August 17, 1938) and its entry into force (January 1939). According to this executive order, Jews were to add the middle name “Sara” or “Israel” to their given names. With the date of issue falling in September, Mrs. Braun received a passport without the stigmatizing addition – for the time being.
Dr. Max Wolf had already found his area of expertise years ago. Since 1922 Wolf practiced as a dermatologist in the Vienna Polyclinic as well as published numerous scientific essays in this field. The Vienna native had studied at the time of the First World War, and shortly thereafter he served on the Italian front as a M.A.S.H. doctor. Now, however, his career was about to end. After the “Anschluss,” the Nazis barred Jewish lawyers and judges in Austria from working. A ban for Jewish doctors was imminent. Meanwhile, Max and his wife Margarata Wolf prepared their emigration. The certificate about Wolf’s membership in the Viennese Society of Physicians makes it clear: Max Wolf did not intend to give up his profession while in exile.
Of the American-Jewish self-help groups assisting Jews in leaving Europe and rebuilding their lives in the United States, the Boston Committee for Refugees was the first. Established in 1933, it consisted entirely of volunteers. Under the leadership of Walter H. Bieringer and Willy Nordwind, the Committee chiefly endeavored to obtain affidavits for would-be immigrants and see to it that they would find employment upon arrival in the U.S. Since the Great Depression, the State Department had orders to keep people “likely to become a public charge” out. It was of great importance to ensure the livelihood of the refugees. The annexation of Austria by Nazi Germany and the colossal failure of the Évian Conference on Refugees reinforced the urgency of helping the desperate asylum seekers. On August 26th, 1938, the Committee’s Acting Executive Secretary sent Bieringer a list of recent arrivals in need of placement.
A classical anti-semitic trope of the 19th century was the notion that Jews are weak, unathletic and effeminate. In order to counter this stereotype, the Zionist physician, writer and politician Max Nordau created the antithetical concept of the “muscular Jew” at the Second Zionist Congress in Basel (1898). Drawing on paragons of Jewish fighting spirit like Bar Kochba and the Maccabees, he called for the regeneration of the Jewish people through physical exercise. Barely two months later, the Jewish sports club Bar Kochba was founded in Berlin. More and more Jewish sports clubs came into being, many of which were affiliated with the Zionist movement. The Frankfurt/Main chapter of the Bar Kochba Club was established in 1904. One of its teams can be seen here posing for the camera.
Until 1933, her Jewishness barely played a role in the life of Anneliese Riess, a thoroughly secular student of classical archeology. Once the Nazis came to power, however, it became clear to her that as a Jew in Germany, there was no future for her. She decided to emigrate to Italy, where she obtained a doctorate (Rome, 1936). With slim chances of finding work in her field in Italy, the young woman enrolled in a rigorous class for childcare assistants in Geneva, Switzerland, in 1937. After surgery in June 1938, she spent several months in Villars-sur-Ollon. In July, the Directorate General for Demographics and Race was established in Italy to formulate the nation’s racial policies. Thus, Rome ceased to be a possible place of refuge. In the same month, Riess’s father had arrived in the US and was making efforts to arrange for her immigration. This postcard, dated August 7th and addressed to Anneliese in Villars, was refreshingly free of any reference to the precarious developments in Europe and provided the welcome prospect of meeting up with a friend amidst all the uncertainty.
Jews were hardly the only “undesirables” the US Immigration Act of 1924 aimed to keep out of the country. When the law was introduced, efforts to exclude certain nationalities, especially Chinese, Japanese, and other Asian immigrants, had been going on for half a century. In the early 1920s, a quota system was introduced that favored immigrants from Northern Europe. The quotas were not adjusted to address the severe refugee crisis created by the persecution of Jews by Nazi Germany. Even for nationals of the favored countries of origin, just doing all the paperwork to get on the waiting list for an American visa was a major headache, and the waiting could be demoralizing. As documented by this ticket issued to Helina Mayer in Mainz by the US Consulate General in Stuttgart, applicants could expect to be summoned for examination according to their number in line, provided they had submitted “satisfactory proof” that their livelihood in the US was secured.
Ruth and Wilhelm Hesse, residents of Hamburg, had two little girls, Helen (b. 1933) and Eva (b. 1936). Wilhelm kept diaries for both girls. Between the May 3 and August 2 entries, there is a long gap (a very brief notice regarding Helen’s birthday on June 30 seems to have been added later). As Wilhelm writes, the seriousness of the times made it hard to write, so much so that 5-year-old Helen, who had been in a children’s home in Wohldorf-Duvenstedt since the middle of May, complained that she was not receiving any letters from her parents. While Wilhelm is generally pleased with his daughter’s development, he mentions that Helen and three of her little friends had taken a beating for picking 20 unripe peaches from a tree and biting into them. Perhaps the children’s blissful lack of awareness of what was brewing around them and their innocent transgression provided the young father with a minimal sense of normalcy.
Hugo Jellinek was a man of many talents. The outbreak of WWI forced him to quit medical school in Vienna. As a soldier, he was severely wounded in Samarkand and fell in love with his nurse, who later became the mother of his three daughters. The couple settled down in Tashkent, Uzbekistan. His young wife having died in 1926, he fled the Soviet Union in 1930 and ultimately returned to Vienna, where he utilized his knowledge of 8 languages as a translator and also worked as a freelance journalist. Thanks to a warning about impending arrest by the Nazis, he was able to escape to Brünn (Czechoslovakia) in June 1938. His eldest daughter, eighteen year-old Gisella Nadja, departed for Palestine the same day. In this colorful letter, Hugo shows fatherly concern for Nadja’s well-being, but also talks at length about the hardship he himself has faced as a refugee and reports that his cousin’s son is interned at the Dachau Concentration Camp. He mentions with gratification what he calls the “League,” probably referring to the aid center of the “League for Human Rights,” which was looking after the refugees, defying Hitler’s sinister goals. Ultimately, however, the most important thing for him was the fight for a country of one’s own.
In May 1938, Betty Blum had contacted her nephew Stanley Frankfurt in New York. Her son Bruno had lost his position in Vienna, and it was unlikely that he would find other employment. She did not elaborate on the situation of Austria’s Jews in general since the country’s annexation by Nazi Germany but wondered whether Stanley could do something for Bruno. When Bruno received Stanley’s July 16 letter, he must have been both relieved and taken aback. While assuring him that he had been active on his behalf doing the paperwork necessary to prepare for his immigration to the US, his cousin in New York also saw fit to point out to him that if his intention was coming to America for the purpose of “living a life of ease,” he was on the wrong track. Was Stanley really so uninformed about the plight of Austrian Jewry under the new authorities? It can be assumed that his sincere efforts on his Austrian cousin’s behalf made up for the bafflement that must have been caused by his inappropriate insinuation.
Lilly Popper (later Lilian Singer) was born in 1898 into a German-speaking family in Brünn (Brno). After graduation from the Gymnasium (high school), she began medical school in Vienna, later transferring to Berlin. There, in 1923, she got her driver’s license, which was just beginning to become socially acceptable for women. After a longer interruption, during which she worked for her father’s business and for a company in Amsterdam, she went back to school and in 1933 graduated from the Friedrich Wilhelm University in Berlin, which had been accepting women as guest auditors since 1892 (and as full-time students since 1908), an opportunity initially seized by a disproportionately large number of Jewish women. With the “Law against the Overcrowding of German Universities” of April 1933, the Nazis limited the access of both Jews and women to higher education, but these regulations did not apply to foreigners. After graduation, Lilian returned to Czechoslovakia. In 1938, she was a resident in surgery at a teaching hospital in Prague. The suitcase shown in the photograph accompanied her on her many journeys.
Wilhelm Hesse was a loving and profoundly involved father. Since the births of his daughters, Helen (1933) and Eva (1936), he had meticulously documented the girls’ development in diaries which he kept for them. In addition to little texts and poems he composed, he included numerous photographs as well as material referring to Jewish holidays. Occasionally, the frequently humorous, sometimes even childlike tone is interrupted by material documenting the political situation, such as a call by Rabbi Leo Baeck for Jewish unity and solidarity in the name of the Reich Representation of German Jews. But Helen and her sister Eva were lucky enough to be too young to grasp what was looming around them. June 30 was Helen’s 5th birthday.
The Gestapo warrant for protective custody dated June 29, 1939 confirmed the hitherto merely formal arrest of the Jewish and communist painter Lina (Lea) Grundig (also see June 1). After her conviction of high treason, she was held at the Dresden Court Jail.
The observance of Shabbat, holidays, and kashrut was so deeply ingrained in the life of the Lamm family in Munich that even the Catholic cook, Babett, saw to it that the traditional customs were adhered to. While traditional in their understanding of Judaism, the Lamms were open to worldly matters. After high school, Hans briefly studied law, but, understanding that in the new political climate, there was no way a Jew could advance in the field, he embarked on a career in journalism instead. The career paths of Jewish jounalists at the time were also stymied by the fact that non-Jewish papers would not hire them and Jewish ones were forced to close down one by one. In 1937, Lamm relocated to Berlin, where he studied with Leo Baeck and Ismar Elbogen at the Lehranstalt für die Wissenschaft des Judentums, in order to deepen his understanding of Judaism. Deeply rooted in German culture as he was, it was difficult for him to decide to emigrate. Yet eventually, his older brother convinced him that there was no future for Jews in Germany. In this letter, the 25 year-old Lamm cordially and politely, yet without palpable emotion, bids farewell to the editors of the Jewish monthly, Der Morgen, a high-level publication to which he had been contributing, expressing his gratitude for their support.
While antisemitism was by no means a new phenomenon in Yugoslavia—as a matter of fact, especially since World War I, the entire political spectrum found reasons to attack Jews—under the impact of events in Germany, the situation deteriorated in the 1930s. Fritz Schwed from Nuremberg was under no illusions regarding his and his family’s temporary refuge. In this lengthy letter to his old friend from Nuremberg days, Fritz Dittmann, who had fled to New York, Schwed describes the dismal situation of emigrants in Yugoslavia, who are routinely expelled with just 24 hours’ notice. Even older people who have resided in the country for decades are not exempt from this cruel policy. Emigrants are forbidden to work, and when they are caught flouting the prohibition, they have to be prepared for immediate expulsion. Concluding that “There no longer is room for German Jews in Yugoslavia, and it seems to me, nowhere else in Europe, either,” Schwed explores possibilities to immigrate to Australia or South America.
The first major rupture in artist Gustav Wolf’s biography had occurred during World War I. He had volunteered for frontline duty and was badly injured. His brother Willy was killed in combat. The works in which he processed his wartime experiences leave no doubt about his feelings. Instead of glorifying war, he shows its horrors. His confrontation with antisemitism during and after the war led him to an increased awareness of his own Jewishness. In 1920 he accepted a professorship at the Baden Art School in Karlsruhe, trying to realize his ideal of an equitable partnership between teacher and student. After a year, he quit this “dead activity,” referring to the school as “an academy of schemers.” In 1929, he designed the set for Fritz Lang’s silent film “Woman in the Moon,” an early science-fiction movie. Upon the Nazi rise to power in 1933, he canceled his memberships with all the artists’ associations to which he had belonged. In his letter to the Baden Secession, he explained his decision with the following words: “I must first get my bearings again. The foundations of my existence have been called into question and shaken.” After extended stays in Switzerland, Italy and Greece, he returned to Germany in 1937. In February 1938, he boarded a ship to New York. June 26, 1938 was his 49th birthday.
In Anni Buff’s personal recipe book, dated June 25, 1938, traditional Bavarian dishes, like liver dumplings, Christmas stollen, and cottage cheese doughnuts, certainly outweighed traditional Jewish ones, such as matzo balls. The Jewish community in her native Krumbach was well integrated. Since its peak in the early 19th century, when it constituted about 46% of the population, its ranks had declined considerably, and by 1933, only 1,5% of Krumbachers were Jewish. In spite of this negligible presence of Jews, National Socialism with its rabidly antisemitic message took hold fast, and even before it became national policy, Jews in the little town were harassed by SA men. By 1938, the abuse had become so unbearable that Anni’s father Julius, who dealt in upholstery material, began to explore possibilities to find a new home on safer shores, such as the US, the Dominican Republic, or Shanghai. Not even the fact that he had lost a brother in WWI and had himself served in the 16. Bavarian Reserve Infantry Regiment—along with a young Austrian named Adolf Hitler—did anything to improve his standing with Nazi authorities.
When the Halutz (Pioneer) Movement first began to establish itself in Germany in the 1920s, it had a hard time gaining traction among the country’s mostly assimilated Jews, who saw themselves as “German citizens of Jewish faith.” The Movement, which aimed to prepare young Jews for life in Palestine by teaching the Hebrew language as well as agricultural and artisanal skills, got its first boost during the Great Depression (from 1929), which made emigration more attractive as an opportunity for economic improvement. But even more significant growth took place after the Nazis’ rise to power: so-called “Hachscharot” sprung up all over Germany, instilling young Jews with a meaningful Jewish identity and imparting valuable skills. The photo presented here shows graduates of the Jewish Professional School for Seamstresses on Heimhuderstraße.
After his first official attempt to immigrate had failed under adventurous circumstances, 20 year-old Heinz Ries of Berlin made another effort to get permission to live in the US permanently and legally. For months, he had struggled in the shadows as an undocumented immigrant in New York. After obtaining an affidavit of support, Ries traveled to Havana and visited the US consulate there on June 23, 1938. Finally, he was admitted legal entry into the United States. After the war he returned to Germany for some time, first in the employment of the Allies, then as a photo journalist for the New York Times. The photographs of the Berlin Blockade and the Airlift, taken during these years, made him world-famous under the name Henry Ries.
Samuel (later “Billy”) Wilder had a mind of his own: born in 1906 into an Austrian-Jewish family in the Galician town of Sucha Beskidzka, then part of the Austro-Hungarian Empire, he was expected to join his father’s business, which consisted mainly of a chain of railroad restaurants. But after the Realgymnasium and a brief stint at law school in Vienna (he dropped out after three months), he decided to follow his true leanings. At the paper Die Stunde, a tabloid of questionable repute, he got his first shot at practicing his writing skills. In 1926, an opportunity arose for him to move to Berlin, where he freelanced for various tabloids and took up screenwriting. After the Nazis’ ascent to power, Wilder first moved to Paris and was given the opportunity to direct his first movie, Mauvaise graine. In 1934 he entered the US on a visitors visa. From 1936, he was under contract at Paramount Pictures. June 22, 1938 was his 32nd birthday – the sixth he celebrated in exile.
As the influx of refugees from Nazi Germany intensified, what had begun in 1934 as the anniversary brochure of the German Jewish Club in New York quickly turned into a professional publication and a lifeline for the uprooted. With its offer of a wide range of cultural and athletic activities, the monthly was an emotional anchor for the newcomers, but it also offered practical help getting settled in the new country. This issue of the Aufbau from June 1938 features a large number of rental ads, mostly for fully furnished rooms, often in the Washington Heights neighborhood of Northern Manhattan, thereby giving some extra income to the owners or main tenants while providing affordable housing to refugees who usually arrived with very little money and property.