Ruth Wertheimer was born in Halberstadt (Saxony Anhalt) in 1915. Thanks to the revenue from a successful corset and lingerie shop with several branches, the family was living comfortably. However, in 1929, several years before the Nazis’ ascent to power, the family business had already suffered economic damage due to a libelous, antisemitically motivated claim against one of its proprietors, Ruth’s aunt Johanna. In 1932, while attending a business school in Berlin, where the family had moved in Ruth’s childhood, she was subjected to such intense antisemitism from teachers and classmates that she decided to quit before graduating. The passport displayed here was issued on May 16 in Paris and also lists Paris as Ruth’s place of residence. Her mother and stepfather had moved there in 1935. In Paris, Ruth resumed her studies.
One of the tools in the hands of the Nazis to terrorize Jews was arbitrary incarceration: the Enabling Act of March 24th, 1933, handed the regime the legal basis for the perfidious institution of “protective custody”: persons deemed to “endanger the security of the people” could be detained without concrete charges. Ostensibly, the policy was aimed at political adversaries. In fact, however, it was frequently used against Jews. The salesman Hans Wilk was among its first victims: in 1933, at 24 years of age, he spent over four months at the Lichtenburg concentration camp. During the November pogroms of 1938, he was among the roughly 30,000 Jewish men incarcerated in concentration camps. On December 16th, he was released from the Sachsenhausen concentration camp in Oranienburg near Berlin. The requirement to report immediately to the State Police in his home town of Potsdam indicated that the harassment was not yet over.
Martha Lippmann, the widow of a wool merchant in Stolzenau/Weser in Lower Saxony, and her mother were the last family members left behind in Germany when the November pogroms (later known as “Kristallnacht” or “Night of Broken Glass”) ravaged German Jewry. Her daughter, Gertrude, fled to Belgium; her older son, Erich, to America; and her younger son, Hans Martin, to England. News of the wave of anti-Jewish violence increased the urgency with which emigrants attempted to intercede on behalf of loved ones left behind in Germany. In a letter dated Nov. 16th, Max Stern, Gertrude’s husband, tells Erich about a planned appointment with a Belgian lawyer on behalf of Martha Lippmann, the goal of which is to obtain a temporary visa for her. Erich himself had contacted William Dodd, the former US Ambassador to Germany, thanks to whom he himself had made it to the US. But so far this appeal was to no avail.
When Gotthold Ephraim Lessing’s tragedy “Emilia Galotti” was put on at the non-Zionist agricultural training camp run by the Reich Representation of Jews in Germany in Groß-Breesen (Silesia), the talented and energetic Friedel Dzubas, 23, was central to making it happen: not only did he direct the performance, design the costumes and design and create the stage decoration, he also played the role of Odoardo, the tragic heroine’s father. Lessing, the son of a Lutheran pastor and a central figure of the German enlightenment, had taken up the cause of the Jews early on in life and eternalized his close friend, the philosopher Moses Mendelssohn, in his play “Nathan the Wise.” His determined stance earned him a place of honor in the hearts and minds of German Jews as well as in their libraries.
The passport of Martha Braun, a Viennese housewife, was issued on September 16, during the brief time window between the passing of the Executive Order on the Law on the Alteration of Family and Personal Names (August 17, 1938) and its entry into force (January 1939). According to this executive order, Jews were to add the middle name “Sara” or “Israel” to their given names. With the date of issue falling in September, Mrs. Braun received a passport without the stigmatizing addition – for the time being.
A classical anti-semitic trope of the 19th century was the notion that Jews are weak, unathletic and effeminate. In order to counter this stereotype, the Zionist physician, writer and politician Max Nordau created the antithetical concept of the “muscular Jew” at the Second Zionist Congress in Basel (1898). Drawing on paragons of Jewish fighting spirit like Bar Kochba and the Maccabees, he called for the regeneration of the Jewish people through physical exercise. Barely two months later, the Jewish sports club Bar Kochba was founded in Berlin. More and more Jewish sports clubs came into being, many of which were affiliated with the Zionist movement. The Frankfurt/Main chapter of the Bar Kochba Club was established in 1904. One of its teams can be seen here posing for the camera.
In May 1938, Betty Blum had contacted her nephew Stanley Frankfurt in New York. Her son Bruno had lost his position in Vienna, and it was unlikely that he would find other employment. She did not elaborate on the situation of Austria’s Jews in general since the country’s annexation by Nazi Germany but wondered whether Stanley could do something for Bruno. When Bruno received Stanley’s July 16 letter, he must have been both relieved and taken aback. While assuring him that he had been active on his behalf doing the paperwork necessary to prepare for his immigration to the US, his cousin in New York also saw fit to point out to him that if his intention was coming to America for the purpose of “living a life of ease,” he was on the wrong track. Was Stanley really so uninformed about the plight of Austrian Jewry under the new authorities? It can be assumed that his sincere efforts on his Austrian cousin’s behalf made up for the bafflement that must have been caused by his inappropriate insinuation.
Erika Langstein was a young English teacher living in Vienna. In June 1938, having experienced the persecution of Jews in the Austrian capital for several months already, Erika sent a letter to Donald Biever, an American citizen, imploring him to help her and her Jewish father flee Austria by issuing an affidavit for them. Nothing would be unusual about this, except for the fact that the young woman had met Biever just once, briefly, on a train ride a year earlier, and had not communicated with him since. Despite the tenuous nature of their relationship, Erika describes to Biever the hopeless of the situation in Vienna. She also attaches a photo, in case Biever does not remember their encounter.
The Central Office for Jewish Foster Homes and Adoption took its mandate for protecting mothers and children very seriously. When Frances and Bernard Rosenbaum of New York decided to adopt a German child, the agency offered Mrs. Rosenbaum accommodations in a private home while picking up the boy in Germany, so that the relationship would not have to begin in a hotel. The Central Office for Jewish Foster Homes and Adoption was part of the League of Jewish Women, founded in 1904 by Bertha Pappenheim in order to foster charitable activity while affirming Jewish identity. An outgrowth of this initiative was the development of professional social work.
Herbert Mansbach, a German dentistry student temporarily based in Switzerland, was lucky. A friend of his worked for the “Sick Fund” (Kupat Holim) of the General Workers’ Association in Israel (Histadrut) and was able to share valuable information with him pertaining to acceptance as a kibbutz member and employment in Palestine. The main prerequisites for kibbutz membership were affiliation with the HeHalutz pioneer youth movement and some knowledge of Hebrew. However, in order to be hired as a dentist in Tel Aviv, total mastery of Hebrew was a must. Herbert’s friend painted a sobering picture of the mental state of the new immigrants. The majority, he writes, come without enthusiasm—determination to succeed is more important.
Depicted here is the facade of the Jewish Hospital in Hamburg. The photograph is part of an album preceded by the above inscription dated May 29, 1938. The hospital was endowed by merchant and banker Salomon Heine, also known as the “Rothschild of Hamburg,” in memory of his late wife Betty and inaugurated in 1843. The poet Heinrich Heine, Salomon’s nephew and beneficiary, honored the occasion with his poem Das neue israelitische Hospital zu Hamburg, in which he called it “A hospital for poor, sick Jews, for human beings who are thrice miserable, afflicted with three vicious ailments, with poverty, bodily pain, and Jewishness!” Even though the Nazi regime had been undermining the hospital’s finances since 1933, it had withstood these measures and was still able to take care of its patients in May 1938.
In 1933, the distinguished philosopher of religion Martin Buber decided to relinquish his honorary professorship at Goethe University in Frankfurt/Main in protest against the Nazi rise to power. Consequently, the regime forbade him to give public lectures. In the years to follow, Buber founded the Central Office for Jewish Adult Education and countered the Nazis’ efforts to marginalize and destroy German Jewry by strengthening Jewish identity through education. It was not until May 1938 that he followed a call to the Hebrew University to assume the new chair for Social Philosophy and moved to Jerusalem with his wife Paula, a writer. The couple settled down in the Talbiyeh neighborhood in the Western part of the city, which at the time was inhabited by both Jews and Arabs. It borders on Rehavia, then a major stronghold of immigrants from Germany. Buber was among those envisioning peaceful coexistence in a bi-national state.
On May 27, 15 year-old Heinz Alfred (later Henry) Kissinger celebrated his birthday in his native Fürth one last time. Heinz had attended the Jewish elementary school and a Gymnasium in his home town. From 1933, Jewish children were no longer allowed to attend public schools, so that only the Israelitische Realschule was open to him and his younger brother, Walter. Elsewhere, too, the new times made themselves felt in the children’s lives. Suddenly, they were no longer allowed to join the other kids and swim in the river Altmühl when they were visiting with their grandparents in Leutershausen. Heinz was an avid fan of the local soccer team and a player himself, but under the Nazis, Jews were prohibited from attending their games. Even though his father, Louis, had been put on permanent furlough from his job as a teacher at a girls school when the Law for the Restoration of the Professional Civil Service came into effect in 1933, he was inclined to stick it out in Germany. It was thanks to his resolute mother, Paula (née Stern), that in April 1938, Louis Kissinger applied for passports. By May, the family’s preparations for emigration were in full gear. Relatives of hers had emigrated to the US already before 1933 and were now helping with the bureaucratic groundwork.
Since 1937, Lina and Siegmund Günzburger of Lörrach in southwest Germany and their son, Herbert, had been preparing their paperwork for emigration. The requirements amounted to nothing short of a nightmare. Prospective emigrants had to procure numerous personal documents, letters of recommendation, and affidavits. They were also required to prepare an inventory of all their belongings and to document that they had paid all their taxes. Apparently, the required documents also included this copy of the marriage certificate for Siegmund’s grandparents. Especially perfidious was the so-called “Reich Flight Tax.” Originally introduced in the waning days of the Weimar Republic to prevent capital flight in reaction to the government’s austerity policy, under the Nazis, it became a tool to cynically punish the Jews for leaving a country that was doing everything it could to make it unbearable for them to stay.
Time and again, unsettling news about sectarian violence in Palestine reached Jewish readers in the diaspora. On May 25, the Jewish Telegraphic Agency, a prime source of information on the situation of the Jews under the Nazis and of developments in the Yishuv, reports under the headline “6 Deaths Added to Terror Toll in Palestine.” It writes about the latest victims in Jerusalem, Haifa and Tiberias—both Jews and Arabs—and the circumstances of their deaths.
After three decades of making his fellow Austrians laugh, cabaret artist Fritz Grünbaum’s career was brought to an abrupt end by the Anschluss. His politics alone would have sufficed to make him intolerable for the new regime: Grünbaum had returned from action in World War I not only a decorated soldier but also an avowed pacifist. As for Nazism, he did not mince words. Since 1933, he had been getting more political, and when during a 1938 performance a power outage caused the stage lights to go out, he commented glibly, “I see nothing, absolutely nothing. I must have accidentally gotten myself into National Socialist culture.” His last performance at the famous cabaret “Simpl” in Vienna just two days before the Anschluss was followed by an artistic ban on Jews. Grünbaum and his wife Lilly, a niece of Theodor Herzl, tried to flee to Czechoslovakia but were turned back at the border. On May 24, he was interned at the Dachau concentration camp. Grünbaum was also known as a serious art collector, mostly of modernist Austrian works, and a librettist.
In April 1938, Rabbi Leo Baeck, the president of the Reich Representation of Jews in Germany and as such the main representative of German Jewry, had presciently written, “And this year will be a difficult year; the wheel is turning faster and faster. It will really test our nerves and our capacity for careful thought.” Baeck had been an army chaplain in World War I and as a patriot must have been extremely pained by the persecution of German Jewry. With large parts of the community reduced to poverty, Jewish rights curtailed, Jews pushed to the margins of society, and no prospects for improvement, Rabbi Baeck’s 65th birthday on May 23 probably was quite a somber affair.
The writer of this letter was a young man from Hildesheim, Fritz Schürmann (later Frank Shurman), born in 1915. Even though he is said to have struggled with antisemitism well before the Nazis rose to power, he joined the Deutscher Vortrupp (“German Vanguard”) in 1934, a group of young, extremely nationalistic Jews whose slogan was “Ready for Germany” and who hailed National Socialism as a force preventing Germany’s downfall. Given these views, it must have been especially painful for him to confront the bitter reality of rejection by German society. In this letter, he thanks a Mr. Dilthey in Berlin for the distinction of having spent time with him and dramatically informs him of his Jewish identity. “I am a Jew! A Jew in a desperate position: a Jewish German who in spite of everything that has befallen him or perhaps because of it cannot shed his ties to Germany […].” Denied his identity as a German by the Nazi regime, the writer communicates the crippling effects of the political situation on his psyche and the absurd notion of having to leave Germany in order to be able to be German.
It is hard to imagine that the guiding hand of an adult was not involved in writing the toast that Heinz Neumann made at his bar mitzvah celebration on May 21 in Berlin: the way in which the boy expresses his gratitude for having been granted a carefree life by his parents despite the difficult times scarcely comes across as the style of a 13 year-old. Heinz promises to “keep in mind the ethical commandments of Judaism” and wishes everyone health, contentment and happier times. Luckily, in order to brighten things up a bit, one of his grandmothers and an aunt had composed a song with light-hearted lyrics based on the melody of a familiar German oompah tune in honor of the bar mitzvah. It can be assumed that the festive meal, crowned by a “Fürst Pückler Icecream Cake,” also raised the celebrants’ spirits.
In today’s release, the Jewish Telegraphic Agency reports that the Deutsches Volksblatt in Vienna urges a “pitiless anti-Jewish boycott.” This, the paper argues, is the line demanded by Hermann Göring in his last speech in Vienna. Highly decorated in WWI as a fighter pilot, Göring had become a member of the NSDAP early on and was a member of its inner circle. He had established the Gestapo in 1933, was commander-in-chief of the German airforce (Luftwaffe) and as Plenipotentiary of the Four-Year Plan, he also wielded power over the German economy. Other than that, he is known for his pivotal role in bringing about the Anschluss and his passion for collecting art, which he often acquired in dubious ways.
Nothing in this May 19 Jewish Telegraphic Agency report from its Jerusalem correspondent could provide German or Austrian Jews eager to leave for safer shores with the hope that life in Palestine would grant them peace and quiet. Between Arab attacks on Jewish workers or Jewish-built infrastructure and labor unrest among unemployed Jews, the only reassuring aspect of Palestine was its distance from the epicenter of Nazi activity. Since the beginning of the Great Revolt, Arabs, British, and Jews in Palestine had been embroiled in an often violent conflict—scarcely an attraction for weary Central-European Jews eager for peace.
After stints with various orchestras in Germany and Austria, in 1930, the conductor Erich Erck returned to Munich, where he had studied music. The Nazis forced him to relinquish his stage name and return to his family name, Eisner. His application for membership in the Reichsmusikkammer was rejected, since his Jewishness was seen as more damning than his combat service for Germany in WWI was redeeming. After he was banned from employment in 1935, he initiated the establishment of the Munich branch of the Jüdischer Kulturbund and became the executive director of its Bavarian State Association. He also took over the Orchestra of the Kulturbund (founded in 1926 as the “Jewish Chamber Orchestra”), in which capacity he appears on this photograph from the ensemble’s May 18, 1938 performance at Munich’s monumental Main Synagogue on Herzog-Max-Straße.
A few inconspicuous lines in today’s issue of the Jüdische Rundschau advertise a lecture in Berlin’s “Ohel Jizchak” Synagogue by “Miss Regina Jonas” on the topic “Religious problems of the Jewish Community today.” Regina Jonas had studied with much dedication at the Hochschule für die Wissenschaft des Judentums in Berlin and fought hard to reach her goal of becoming a rabbi. Not wishing to rock the boat in these troubled times, even liberal rabbis who might have been positively inclined toward the ordination of women, such as Leo Baeck, were not willing to ordain her. Her final thesis was a halakhic treatise on the topic “May a Woman Hold Rabbinic Office?” It was Rabbi Max Dienemann who in 1935 made her the first female rabbi in history. Interestingly, in spite of the passionate opposition in some quarters and doubts regarding the validity of Regina Jonas’s ordination, she enjoyed the respect even of some orthodox rabbis, who henceforth addressed her as Fräulein Rabbiner or “colleague.” The Jüdische Rundschau apparently preferred to play it safe.
After the so-called “Aryan Paragraph” of the “Law for the Restoration of the Professional Civil Service” of April 7, 1933 came into effect, members of certain professions were required to prove their “purely Aryan descent” in order to continue practicing their professions. The 38 year-old surgeon Dr. Walter Bernhard Kunze of Freiberg in Saxony was among those who had to fill in a form regarding his lineage for the “Aryan certificate.” The form, dated May 15, 1938, contains personal data reaching back to the generation of his grandparents. To the form, the corresponding documents from the civil registry office and the parish office had to be attached. Obtaining the numerous copies from the church and communal offices in the places of birth and residence of the grandparents often entailed a significant bureaucratic burden to the individual. The “Aryan certificate” was an effective tool of National Socialist racial policy by which persons seen as “non-Aryan” could be stigmatized and increasingly marginalized.
On May 14, 1938, American moviegoers lined up to see Errol Flynn in his latest swashbuckling adventure produced by Warner Brothers. Flynn’s turn as Robin Hood was especially thrilling thanks to the lush film score by an Austrian Jew whose music was no longer welcome at home. Although a citizen and resident of Austria, composer and conductor Erich Wolfgang Korngold felt the effects of Nazi cultural policy soon after 1933, since he had often worked in Germany. In this climate, he did not have to think twice about Max Reinhardt’s invitation in 1934 to compose the score for his Hollywood production of “A Midsummer Night’s Dream.” Korngold’s symphonic film scores broke new ground and established the typical “Hollywood sound.” In 1937, while on an extensive visit to Vienna to complete the orchestration of his opera “Die Kathrin,” he received an invitation from Warner Brothers to compose the score for “The Adventures of Robin Hood.” This assignment spared him the turmoil of the Anschluss. He returned to the US well before March 12, 1938. This photograph shows what appears to be a recording session for the Robin Hood score. The actor in the photograph is Basil Rathbone, who played Robin Hood’s nemesis, Sir Guy of Gisbourne. Korngold won an Academy Award for his compelling score—his second after “Anthony Adverse” (1937).
By May 1938, emigration seemed to be on the mind of every German and Austrian Jew. This article in the <i>Hannover Jüdisches Gemeindeblatt</i>, for example, exhorts prospective emigrants to lose no time and start studying English as soon as possible. According to the paper, at least two-thirds of German-Jewish emigrants were likely to settle down in English-speaking countries, and even those heading to Latin America would profit from a solid knowledge of English. On the other hand, proficiency in Spanish could be useful because of extensive trade relations between North and South America. The answer to the question “Spanish or English?” therefore was an emphatic “Both!”
Unlike his older brother Hermann, the holder of several senior positions in the NS government and a notoriously brutal hater of Jews and dissidents, the engineer Albert Göring abhorred Nazism and was prepared to act on his convictions. He refused to join the party and demonstratively adopted Austrian citizenship. A resident of Vienna, he is said to have joined Jews, who after the Anschluss were forced to perform the humiliating task of scrubbing the pavement, and he did not hesitate to help victims and political opponents of the regime. In this letter to the Jewish lawyer, Dr. Hugo Wolf, he communicates his impression that “a significant calming” had taken place and his assumption that the danger was past. He also promises help in case of need.
From its inception, the Horthy government had made no secret of its antisemitism. As a matter of fact, in 1920, Hungary was the first European country after World War I to introduce a numerus clausus to limit Jews’ access to higher education. First in reaction to territorial and demographic losses in WWI, later in the wake of the Great Depression, there was a striking proliferation of fascist and right wing extremist movements in Hungary, some calling themselves “national-socialist.” One such group was the rabidly antisemitic Arrow Cross Party, founded in 1935. In 1938 a bill was introduced to restrict the economic and cultural freedom of Jews in the country. This May 11 report from the Jewish Telegraphic Agency describes Count Apponyi’s vehement critique of the bill in the Chamber of Deputies. Dr. Istvan Milotaj, deputy of a right-wing party, defended the bill, claiming that Jews could not be assimilated and that even figures such as Disraeli and Blum had “spiritually remained Jews.”
The annexation of Austria by Nazi Germany in March 1938 had brought an abrupt end to 1,000 years of Jewish life in the Burgenland region, Austria’s easternmost state. The expulsion of the small Jewish population, carried out by the SS, local Nazi officials, and civilian collaborators, commenced immediately. This article by the Jewish Telegraphic Agency reports on the League of Nations’ intervention on behalf of 56 expellees who had ended up in “no man’s land” in the border area between Austria and Yugoslavia. The League’s High Commissioner for German Refugees requested the temporary accommodation of the displaced persons by Yugoslavia, to be followed by permanent resettlement elsewhere.
On May 9, the Ärztegruppe of the German-Jewish Club (an informal association of physicians within the city’s main German émigré organization) in New York offered a lecture on the topic of abortion. During the Weimar Republic, repeated efforts had been made to abolish or at least reform the anti-abortion paragraph (§218). Its opponents pointed out that it put the working class at a disadvantage, since poverty was the chief motivation for abortion. In 1926, a member of the Reichstag representing a coalition of three right-wing parties, including the NSDAP, proposed legalizing abortion for Jews only. Under the Nazi regime, which promoted the production of “racially valuable” offspring, abortion was illegal unless it prevented the birth of children considered “undesirable.” In the US, the depression had led to an increased demand for abortion, and by the beginning of the 1930s hundreds of birth control clinics had sprung up. Poverty and the lack of access to qualified practitioners often led to the injury or death of pregnant women through self-induced miscarriage. The lecturer, Dr. Walter M. Fürst, was a recent arrival from Hamburg.
After Polish-born Shulamit Gutgeld’s return to Palestine from several years of study in Berlin with the greats of German theater, Erwin Piscator and Max Reinhardt, she changed her name to Bat Dori – “daughter of my generation” or “contemporary.” And that she certainly was in a very conscious way: her plays were highly political and attuned to the events of the day—so much so that the British mandatory authorities forbade the performance of her 1936 play, “The Trial,” which called for peace between Jews and Arabs and was critical of the British. The Berlin branch of the Jüdischer Kulturbund, however, decided to produce the play. The document shown here is an invitation to the May 8 performance at the Kulturbund-Theater on Kommandantenstraße under the direction of Fritz Wisten.