For 19 years, Fritz Feldstein had been working at a bank in Vienna to the full satisfaction of his superiors. But, in 1938, after Nazi Germany annexed neighboring Austria, he lost his position. On July 5th, the family registered with the US consulate in Vienna, but for immigration, affidavits were needed. After months of deeply upsetting political changes, Fritz Feldstein ventured an unusual step. On Oct. 16th, he turned to a Julius Feldstein in Los Angeles who, he hoped, might be a relative, appealing to “the well-known American readiness to help.” Soon, a correspondence developed, also involving Fritz’s wife, Martha, and their daughter, Gerda. The 11-year-old was not only a skillful piano player, she obviously also had a knack for languages. On November 20th, she writes to the Feldsteins in California for the first time – in English.
The Central Office for Jewish Foster Homes and Adoption took its mandate for protecting mothers and children very seriously. When Frances and Bernard Rosenbaum of New York decided to adopt a German child, the agency offered Mrs. Rosenbaum accommodations in a private home while picking up the boy in Germany, so that the relationship would not have to begin in a hotel. The Central Office for Jewish Foster Homes and Adoption was part of the League of Jewish Women, founded in 1904 by Bertha Pappenheim in order to foster charitable activity while affirming Jewish identity. An outgrowth of this initiative was the development of professional social work.
After stints with various orchestras in Germany and Austria, in 1930, the conductor Erich Erck returned to Munich, where he had studied music. The Nazis forced him to relinquish his stage name and return to his family name, Eisner. His application for membership in the Reichsmusikkammer was rejected, since his Jewishness was seen as more damning than his combat service for Germany in WWI was redeeming. After he was banned from employment in 1935, he initiated the establishment of the Munich branch of the Jüdischer Kulturbund and became the executive director of its Bavarian State Association. He also took over the Orchestra of the Kulturbund (founded in 1926 as the “Jewish Chamber Orchestra”), in which capacity he appears on this photograph from the ensemble’s May 18, 1938 performance at Munich’s monumental Main Synagogue on Herzog-Max-Straße.