The Austrian-born theater and film director Max Reinhardt emigrated to the US in October 1937, accompanied by his wife Helene Thimig, an actress. By introducing technical innovations and elevating the position of the director, Reinhardt played a pivotal role in the development of modern theater. With his production of H. von Hoffmannsthal’s “Jedermann” in 1920, he became one of the co-founders of the Salzburg Festival. Shortly after he settled down in the US, plans emerged to found “another Salzburg” festival in California. This time, he wrote his friend Arturo Toscanini, he would be working “under more favorable climatic and political conditions, and perhaps with greater financial means.” Among his achievements in the US were staging Werfel’s “The Eternal Road” (1937) and founding the Max Reinhardt Workshop for Stage, Screen and Radio, a theater and film academy in Hollywood (1937–1939). He did not think very highly of US audiences.
Even though expressions of anti-Semitism were common in Austrian vacation resorts decades before the annexation of Austria, a phenomenon that lead to the coining of the term “Summer Resort Anti-Semitism,” they remained popular with Austrian Jews. But when Liesl Teutsch’s uncle spent his vacation in Filzmoor in the Austrian province of Salzburg in August 1938, its spectacular vistas could not distract him from the unsettling circumstances. In this postcard to his niece in Vienna, he makes it very clear that it is not just the poor weather that prevented true rest and relaxation. He seems to be apprehensive of returning to Vienna, where an uncertain future awaits him.
An unidentified author congratulates the German mountain climber and physicist Hermann Hoerlin on his upcoming wedding with Käthe Schmid, who was considered a “Half-Jew” in Nazi parlance. The “Law for the Protection of German Blood and German Honor,” adopted in 1935, forbade marriages between Jews and non-Jews. Despite the law, the couple Hoerlin-Schmid, obtained a special permit and the wedding could go ahead.