With the expressiveness of a poet, the jurist Paul Schrag on December 9th, 1938 describes to his friend Max Gutzwiller in Basel his circumstances after emigration. Since July, he had been living in a Manhattan hotel with his wife and baby. Schrag’s background was Christian, but as the husband of a Jewish wife and the father of a Jewish son, he had deemed it advisable to move from exile in Belgium to a destination outside Europe. Apart from emigration and the professional uncertainties it occasioned, Schrag also had simple human matters to cope with. In September, his father had unexpectedly passed away, and now his sick mother needed to be taken care of. He experienced the catastrophe of humanity in the 1930s very profoundly and hoped for the onset of a “profound emotional and moral countercurrent.” A little bit of sanguinity was brought into his life by his little son, whose bliss remained untouched by current events and change of location.
Had Austria’s history taken a normal course, Hanna Spitzer, a private teacher, would probably have stayed in Vienna and grown old there as a respected member of society. As a daughter of the late jurist and patron of the arts, Dr. Alfred Spitzer, she was co-heir to a major art collection comprising works by such greats as Kokoschka and Slevogt. Egon Schiele was represented too – among other works, with a portrait of Alfred Spitzer, who had been his sponsor and lawyer, and later his estate trustee. But the flood of anti-Semitic measures which had been unleashed by the “Anschluss” (the annexation of Austria to Nazi Germany) made it unbearable and dangerous to stay: this copy of a tax clearance certificate dated November 24, 1938 testifies to Hanna Spitzer’s efforts to gather the papers required for emigration. Already in January, she had arranged for the shipping of 11 containers of household effects and paintings to Melbourne and a delivery to the address of her sister, Edith Naumann, in Haifa.
Martha Lippmann, the widow of a wool merchant in Stolzenau/Weser in Lower Saxony, and her mother were the last family members left behind in Germany when the November pogroms (later known as “Kristallnacht” or “Night of Broken Glass”) ravaged German Jewry. Her daughter, Gertrude, fled to Belgium; her older son, Erich, to America; and her younger son, Hans Martin, to England. News of the wave of anti-Jewish violence increased the urgency with which emigrants attempted to intercede on behalf of loved ones left behind in Germany. In a letter dated Nov. 16th, Max Stern, Gertrude’s husband, tells Erich about a planned appointment with a Belgian lawyer on behalf of Martha Lippmann, the goal of which is to obtain a temporary visa for her. Erich himself had contacted William Dodd, the former US Ambassador to Germany, thanks to whom he himself had made it to the US. But so far this appeal was to no avail.
In this watercolor portrait of a young girl, we do not see the artist John Hoexter’s familiar acerbity but rather a much gentler side. The Expressionist and Dadaist was a leftist activist and idealist and was not very good at making money. For years he contributed to the magazine “Der blutige Ernst” (“Bloody Earnest”), which disseminated undogmatic leftist thought with the help of first-rate contributors who were not paid for their efforts. Hoexter’s financial situation also was not helped by the fact that in trying to control his asthma, he had gotten addicted to morphine early in life. In addition to his considerable artistic talent, he was forced to develop his skills as a “shnorrer.” He was at home in the Bohemian circles frequenting places like the “Cafe Monopol” and the “Romanisches Cafe.” After the Nazis were handed power in 1933, Hoexter’s leftist circle of friends shrank more and more, which, along with the ongoing debasement of Jews by the regime, did not fail to take a toll on him. Under the impact of the violence experienced during the night of pogroms (later known as “Kristallnacht” or “Night of Broken Glass”) Hoexter committed suicide on November 15th.
As the Jewish Telegraphic Agency would have it, the English were united in their dismay about the anti-Jewish violence in Germany. Expressing their “indignation and disgust” and referring to the recent anti-Jewish violence in Germany as a “slide back to barbarism” and “inhuman fury,” they condemned the pogroms orchestrated by the Nazis. Some, like the Sunday Times and Sir Archibald Sinclair, leader of the Liberal Party, used the events as an opportunity to reinforce the need for a national home for the Jews.
On November 3rd, 1938, Herszel Grynszpan, a young Jew of Polish extraction, had received a message saying that his parents and two siblings had been expelled from their home in Hannover to Poland. The Polish parliament had recently passed a law according to which citizens who had spent five or more years abroad could be stripped of their citizenship. Fearing to be left irrevocably with over 70,000 Polish Jews, the Nazi regime had deported about 17,000 of them just days earlier. Herszel, who had managed to enter France in 1936, was living with his uncle and aunt at this point. Upset about the fate of his fellow countrymen, he walked into the German embassy in Paris on November 7th, shot to death a German career diplomat, 29 year-old Ernst vom Rath, and was arrested immediately.
In the meantime, Hedwig Weiler, the blossoming 18-year-old idealist whom Franz Kafka fell in love with during a vacation in Triesch (Moravia) in 1907 has turned into a PhD-holding academic and the wife of the engineer Leopold Herzka. The events of the year 1938 in Austria have caused their circle of friends to drift apart in all directions. On November 6, 1938, in a letter to her former neighbors in Vienna, the Buxspan (later Buxpan) family, she enumerates a long list of relatives and common friends, who have either emigrated already or are preparing to do so. What is especially hard for Hedwig Herzka is the prospect of her daughter, Edith, leaving for South America. It has made Hedwig a bundle of nerves.
Mr. Wachsmann, an industrialist in Königshütte, Upper Silesia, tried to talk his gifted son, Franz, out of embarking on an unprofitable career as a musician. He imagined a more solid career for the youngest of his seven children. But Franz would not be dissuaded. While briefly working as a bank teller, he used his salary to pay for his real interests: piano; music theory; and composition lessons. After two years in this disagreeable position, he went to Dresden, later to Berlin to study music. Recognizing the young man’s talent, the composer Friedrich Hollaender asked him to orchestrate his score for the legendary 1930 movie, “The Blue Angel” with Marlene Dietrich. When in 1934, Franz was beaten up by Nazi hoodlums, he needed no further persuasion to leave the country and boarded a train to Paris the same evening. In 1935, he moved on to the United States, where, under the name “Waxman,” he quickly became a sought-after composer of film music. On November 3, 1938, Richard Wallace’s movie “The Young in Heart” was launched, with a soundtrack by Franz Waxman.
At the end of October, Adolph Markus looked back on an eventful month. Preceded by the Munich Conference, at which representatives of Germany, Great Britain, France and Italy decided that Czechoslovakia was to cede its borderlands (“Sudetenland”) to Germany in exchange for peace, German troops had occupied these areas, which had a sizeable German population totaling about 3 million. As Markus points out, with the Sudetenland, Czechoslovakia had lost its line of defense. According to his diary entry, both in Britain and in France, people’s relief that war had been averted was soon followed by deep suspicion regarding Hitler’s true intentions. On a more personal note, the author mentions a hair-styling course and English classes which he has been taking in Vienna, clearly in preparation for emigration. Meanwhile, due to the expectation that soon all Jews would be expelled from his home town, Linz, half of the contents of his apartment had been sold.
Thanks to the intervention of William E. Dodd, U.S. Ambassador to Germany from 1933 to 1937, Erich M. Lipmann managed to immigrate to the U.S. in 1936. By the time the 26-year-old made this impassioned plea to Dodd to help his mother, Martha Lipmann, leave Germany and join him in Cleveland, he had already spent two years in the US. The letter displayed here is but one in a long series of increasingly frantic attempts by Lippmann to save his mother. Over the course of several years, he tirelessly approached anyone who might be of help.
Since the early 1880s, federal immigration law in the US included a provision seeking to keep out people likely to become a “public charge.” Under the impact of the Great Depression, President Herbert Hoover reinforced the ban in 1930. Aid organizations were hard pressed to find employment for the newcomers: on October 26, a representative of the Employment Department of the Greater New York Coordinating Committee for German Refugees explains to Willy Nordwind of the Boston Committee for Refugees the challenges of finding work for a man who had managed to enter the country but barely spoke any English and had no work experience to boast save as a candy salesman. Nevertheless, the representative promises to continue his efforts on the immigrant’s behalf.
In a year marred by numerous alarming anti-Jewish measures, the wedding of Frieda Ascher and Bernhard Rosenberg on October 23rd in Berlin must have provided a much needed reprieve for their families and friends. The officiant at the ceremony was Dr. Moritz Freier, an orthodox rabbi. Many young Jews, unable to find work as a result of the intensification of antisemitism in Germany, approached Rabbi Freier since his wife Recha had already come up with the idea of helping Jewish youth to immigrate to Mandatory Palestine and settle in Kibbutzim, a project known as “Youth Aliyah,” in January 1933.
Amalia Carneri had seen better days. Once a celebrated opera and concert singer, she now had to cope with the death of her husband, the mine inspector Heinrich Pollak, as well as being forced to leave her family home of many years in Vienna and the distressing political situation all at once. In this letter, dated October 19th, to the elder of her two sons, Fritz, who had fled to America, she describes at great length her difficulties selling her possessions. Even with the assistance of a dubious helper, she is forced to sell below value. Not knowing what her widow’s pension will be and with only a vague hope to join Fritz in America one day, she is in a state of palpable restlessness, and her boys are her only comfort.
When Gotthold Ephraim Lessing’s tragedy “Emilia Galotti” was put on at the non-Zionist agricultural training camp run by the Reich Representation of Jews in Germany in Groß-Breesen (Silesia), the talented and energetic Friedel Dzubas, 23, was central to making it happen: not only did he direct the performance, design the costumes and design and create the stage decoration, he also played the role of Odoardo, the tragic heroine’s father. Lessing, the son of a Lutheran pastor and a central figure of the German enlightenment, had taken up the cause of the Jews early on in life and eternalized his close friend, the philosopher Moses Mendelssohn, in his play “Nathan the Wise.” His determined stance earned him a place of honor in the hearts and minds of German Jews as well as in their libraries.
Since the “Anschluss,” Czechoslovakia had enormously tightened its policy towards refugees from Austria, specifically Jewish ones. The official border crossings were closed to Austrian Jews – many had no choice but to enter Czechoslovakia via the dangerous paths of what was known as the “Green Border,” stretches of land not secured by checkpoints along the course of the border. Even international diplomatic interventions, such as those of the International League of Human Rights (as reported by the Jewish Telegraphic Agency on October 13th, 1938), couldn’t sway Czechoslovakia from its restrictive course. Sir Neill Malcolm, the Commissioner of Refugees for the League of Nations, had called on the Czechoslovakian prime minister to reconsider the practice of deporting Austrian refugees. Without success.
Since 1876, the Prager Tagblatt was known as a bastion of liberal- democratic positions. Over time, it acquired a staff of first-rate writers, including greats such as Franz Kafka, Max Brod, Kurt Tucholsky, Egon Erwin Kisch and Alfred Döblin – to name but a few. The paper was valued for its excellent reporting, its outstanding feuilleton and its unique style: even the political reporting was not devoid of humor. As a liberal-democratic paper with a predominantly Jewish staff, the Tagblatt had unequivocally positioned itself against the Nazi regime. Several of the roughly 20,000 political adversaries of the Nazis who had escaped to Czechoslovakia joined the ranks of the publication’s contributors. After the entry of the German Army to the Sudetenland in early October of 1938, the situation of German-speaking democrats came to a head in Czechoslovakia, too: according to this report from the Jewish Telegraphic Agency, dated October 11, the editor-in-chief of the Prager Tagblatt, Rudolf Thomas, and his wife committed suicide out of despair over the situation.
The letter that Joseph Roth sends to his cousin Michael Grübel in Mexico is short. Though written in a familiar tone, it limits itself to the most important matters of organization. Roth thanks him for establishing contact with a Dor. Com. Silvio Pizzarello de Helmsburg. The latter, he hopes, will help him “bring ten comrades to Mexico.” Whom exactly Roth has in mind here remains a question. Moreover, Roth asks his cousin to also obtain a visa for him personally. The famous author and journalist had emigrated to Paris in 1933. From there, he had since published numerous novels and essays and written for emigrant publishers in different countries. However, now Roth too seemed to toy with the thought of leaving Europe.
When on September 29th the so-called “Munich Agreement” between Hitler, the British Premier Chamberlain, the French Premier Daladier, and the Italian dictator Mussolini was concluded, over 20,000 Jews had already fled from the regions of the Sudetenland. This was reported by the Jewish Telegraph Agency on the day of the Agreement. With a months-long propaganda campaign by the Nazis and raucous threats that the Wehrmacht would invade Czechoslovakia, it had already been clear to many Jews for weeks that they would have no future in the Sudetenland. With the Agreement, the Czech regions, in which the Sudeten German minority lived, would be surrendered to the German Reich. Czechoslovakia did not sit at the bargaining table in Munich.
Only one day after the “Anschluss” Fritz Löhner was arrested in Vienna and shortly thereafter deported to the concentration camp at Dachau. Löhner was born in Bohemia in 1883. As a young child, he moved with his parents to Vienna. By the 1920s, Beda, as Fritz Löhner sometimes called himself, had become one of the most renowned opera librettists in Vienna. On top of that, he wrote numerous lyrics (some still known today), not to mention satires and pieces for cabaret, always with a clear attitude: his time as an officer in World War I had turned him against the military. On the 23rd of September 1938, the Nazis transferred him from Dachau to the concentration camp at Buchenwald.
Jewish refugee organizations had wide networks. This was due to individuals such as Kurt Grossmann, who steadily made more connections with contacts and developed cooperation on an international level. Kurt Grossmann, a journalist and General Secretary of the German League of Human Rights from 1926 until 1933, had escaped from Berlin just before an arrest. He fled to Prague, where he established and developed Democratic Relief for Refugees. Grossmann knew how to use his network for the increasing number of Jewish refugees, who had reached Prague. Even in Paris, where he had lived since 1938, he campaigned for support from the local refugee aid organizations. For example, in a letter from Grossmann on September 19th, 1938, he urges M. Gaston Kahn of the Parisian Comité d’Assistance aux Réfugiés juifs to help Erna Winter and her child.
Erika Mann begins her book with a captivating description. She tells of a meeting with a Mrs. M. from Munich. At this time, Erika lived with her parents Thomas and Katia Mann in exile. Mrs. M. wanted to emigrate with her family too. This wish was incomprehensible to Erika Mann. After all, as affluent “Aryans,” Mrs. M. and her family had nothing to fear. But Mrs. M. made a more convincing statement: “I want the boy to become a decent human being–a man and not a Nazi.” This sentence would become the jumping-off point for Erika Mann’s study of indoctrination and the National-Socialist educational system. Her well-respected book appeared under the title “School for Barbarians : Education Under the Nazis” in the United States in 1938.
Arnold Schoenberg was a pioneer of modern compositional techniques. However, his music also polarized listeners. Some freneticially celebrated it, other rejected it as noise. On September 13th, the Vienna native celebrated his 62nd birthday. At this time the musician had been living in the United States for almost five years. Schoenberg, a son of Jewish parents, lost his position at the Prussian Academy of Art soon after the Nazis took power. Thereafter he fled first to Paris, then emigrated to the United States. In Los Angeles, he was able to resume his teaching at the University of California.
In her short life, Hilde Lachmann-Mosse already had a few relocations behind her. The 26-year-old grew up in Berlin. Other stops were Woodbrooke in Great Britain (school), Freiburg (studies in medicine) and Basel (medical doctorate). Now she was facing another move: to the United States. She had already had the certificate of employment regarding her time as an assistant gynecologist at the university hospital in Basel translated into English, although that was only one step of many. Even if the actual certificate is only a few lines long, the three stamps of authentication from various institutions is evidence of how many appointments with authorities must have been necessary for Hilde Lachmann-Mosse finally to hold this document in her hands.
The League of Nation’s report was alarming. Sir Neill Malcom, the High Commissioner for German Refugees in the League, estimated that 550,000 more people would soon be forced to leave the German Reich. Non-governmental refugee organizations were already completely overwhelmed. What to do? The conference of Evian just two months earlier had failed. Large host countries, such as the United States, had not adjusted their immigration quotas. On September 5th, the JTA reported on Sir Malcom’s proposals – which, in light of the international situation, were themselves inadequate: countries which had not so far given refugees permission to work were encouraged to more strongly cooperate with each other and at least allow people to earn a small sum for a new start in exile.
“A traitor!” The journalist and author Joseph Bornstein left no doubt with regard to his opinion of the former Austrian chancellor Kurt Schuschnigg. Indeed, with friendly but very pointed words, he made it clear in a letter to his friend Bosch that Bosch’s “faith in the good faith in Schuschnigg” is totally wrong. Many Austrian Jews had long placed their hopes in Schuschnigg, who had tried as Chancellor to defend Austria from the influence of National-Socialist Germany. After the sender of this letter, Joseph Bornstein, lost his German citizenship in 1933, he immigrated to Paris. There he very quickly joined the intellectual milieu of other German journalists and authors in exile. He continued his collaboration with Leopold Schwarzschild and was active as editor-in-chief for the intellectual journal “Das neue Tagebuch” (The New Diary).
The existential crisis of Jewish doctors in Germany, which had passed through various stages (exclusion from public service and health insurance funds, prohibition of cooperation between Jewish and “Aryan” physicians, etc.) escalated with the employment ban in July 1938 and required a creative approach. On August 25th, Dr. Felix Pinkus, a renowned Berlin dermatologist, wrote to his friend, Dr. Sulzberger, in America, in order to win him over as a fellow campaigner in an aid project. The sociologist and national economist Franz Oppenheimer had come to the idea of establishing a kind of residential colony for former doctors from Germany. The funding for this would be covered by contributions from American-Jewish doctors. According to Oppenheimer’s calculations, roughly 1,000 physicians would use this remedy. (Dr. Pinkus estimated that it was closer to 3,000).
A classical anti-semitic trope of the 19th century was the notion that Jews are weak, unathletic and effeminate. In order to counter this stereotype, the Zionist physician, writer and politician Max Nordau created the antithetical concept of the “muscular Jew” at the Second Zionist Congress in Basel (1898). Drawing on paragons of Jewish fighting spirit like Bar Kochba and the Maccabees, he called for the regeneration of the Jewish people through physical exercise. Barely two months later, the Jewish sports club Bar Kochba was founded in Berlin. More and more Jewish sports clubs came into being, many of which were affiliated with the Zionist movement. The Frankfurt/Main chapter of the Bar Kochba Club was established in 1904. One of its teams can be seen here posing for the camera.
Hitler’s plans for Czechoslovakia could not have been clearer: on May 30th, 1938, he declared to the Wehrmacht (German army) that it was his “immutable resolve” to shatter the country “in the foreseeable future.” Already months before, he had incited the leader of the Sudeten German Party, which was partly bankrolled by Nazi Germany, to conjure up a confrontation by making unreasonable demands on behalf of the German minority in the country. Under the influence of events in Germany, anti-Semitism had increased. But, so far, it had only led to boycotts and physical violence in the border areas of Northern and Western Bohemia, which were predominantly inhabited by Germans. While this crisis was brewing in the background, the psychiatrist and writer Josef Weiner, his wife, Hanka, and their two young daughters were on vacation in the central Bohemian town of Nespeky. Hanka’s letter (in Czech) to her father, the renowned Prague lawyer Oskar Taussig, smacks of a perfectly idyllic holiday atmosphere and spares its reconvalescent recipient anything unpleasant.
Ellis Levy, a Jewish attorney who lived in New York, decided to take up the cause of the immigrants fleeing Nazi persecution. In a letter to Mayor LaGuardia, an excerpt of which was published in the August issue of Aufbau, he pointed out that many of the newcomers were arriving in the country penniless, often after having been forced to abandon their studies or professional training. At the time of Mr. Ellis’s intervention, a bill regarding the possibility of opening city colleges to non-citizens was about to be brought before the Board of Higher Education. The attorney asked Mayor LaGuardia to exercise his influence on the Board to bring about a positive decision. This, he argued, would serve both the needs of the immigrants and the interests of U.S. democracy. And, indeed, it was decided, effective September 1 of that year, to admit to city colleges persons with adequate prior education who were in the process of naturalization.
Barely one month after the collapse of the Weimar Republic, a “democracy without a user’s manual,” as he called it in “The German Masked Ball,” and one day after the Reichstag fire, the writer and Social Democrat Alfred Döblin left Germany. After a brief interlude in Switzerland, he moved to Paris with his wife and three sons in September 1933. Occasional publications in the German-language “publisher-in-exile” (Exilverlag) Querido (Amsterdam) yielded minimal income, and Döblin’s lack of French language skills were a major stumbling block to his gaining a foothold professionally. From 1936 on, the Döblins were French citizens. The 10th of August was the author’s 60th birthday.
After the Anschluss, the problem of refugees from Germany and Austria became even more pressing. In order to address the issue, US President Franklin D. Roosevelt had called for an international conference in Évian in July, 1938. The conference was anticipated with great hopes by the German-Jewish community but, due to the refusal of the international community to adjust immigration quotas to actual needs, the impact of Évian was extremely limited. Nevertheless, the Jüdisches Gemeindeblatt für Rheinland und Westfalen (Jewish Community Newsletter for Rhineland and Westphalia) tried to present some positive results by pointing out the readiness of several South American countries to absorb Jewish refugees. Regardless of the palpable attempt to remain hopeful, the underlying tone of this front page article in the July 23 issue is not one of excessive optimism.