Already under the short-lived Goga-Cuza government, half of the Jews living in Romania had been condemned to statelessness by having their citizenship revoked. The city of Iași, where in 1855 Romania’s first Yiddish newspaper had been printed and in which Yiddish theater saw its beginnings with the opening of Goldfaden’s theater in 1876, had an especially high percentage of Jewish inhabitants. In February 1938, George Gedye, a reporter dispatched by the New York Times, reports on excesses against Jewish citizens by “a brutal and unscrupulous minority.”
Among the many kinds of physical activity offered to the readers of the Aufbau by the German-Jewish Club, such as ping-pong, skiing, swimming and even a Katerbummel (a morning stroll after a night of heavy drinking), there was also an invitation to go ice-skating in Tibbetts Brook Park in Yonkers, New York. A familiar activity among sympathetic fellow German-speakers at a venue featuring a Tudor revival bathhouse may have awakened memories of better days in Europe. Despite their traumatic experiences under Nazism and their forced departure, many German Jews continued to feel a profound cultural connection to the country they had called their home.
In this short missive from Turin, written in a casual, sisterly tone to her sister Anneliese in Rome, Elsa Riess communicates her worries about their parents, who have remained in Berlin. Elsa is concerned about her father’s employment situation and declares her intention to find out about possible ways to help their parents, from whom she hasn’t heard for a while. Anneliese had come to Italy in 1933 to study archeology, earning her PhD in 1936. Because of her own uncertain material situation, she was not in a position to help her parents financially. Unemployable as a foreigner in Italy and hoping to increase her opportunities by adding a practical skill, she had decided to take a course as a baby and child nurse in Geneva in 1937.
“May you continue for a long time to be granted the opportunity to dedicate your tried and tested skills to the welfare and benefit of the city.” With these words, Berlin mayor Heinrich Sahm congratulated Prof. Erich Seligmann, Director of Scientific Institutes at the Public Health Department and an eminent authority on issues of public health, on his 25th year of service in 1932. Barely half a year later, in March 1933, Seligmann was dismissed, despite his recognized scientific achievements and his outstanding knowledge in the field of epidemics control, which he had demonstrated inter alia as a staff surgeon in World War I. In this diary entry dated February 4, 1938, Seligmann writes about “widespread confiscation of passports from Jews” and “an atmosphere of hopelessness.” Seligmann was planning a trip to Rome, where he and his wife Elsa hoped to meet their son Rolf.
This photograph shows a picturesque bird’s-eye view of Vienna’s 1st municipal district. At the beginning of 1938, the Austrian capital was still home to almost 170,000 Jews and 80,000 members of mixed (Christian-Jewish) marriages. Jews made up about 10 percent of Vienna’s population. The majority of local Jews were well integrated into Austrian society: not only was German their native tongue, they also shaped the cultural and social landscape of the city. Among them were the father of psychoanalysis, Sigmund Freud, the Albanologist Norbert Jokl, the author Friedrich Torberg, and the composer Arnold Schoenberg.
Months after leaving Germany, 12-year old Herbert Friedmann (later Freeman) was still in Zurich waiting to reunite with his family already in the USA. Because of the previous, apparently intentional, misdiagnosis at the US consulate in Stuttgart stating that the boy was a “carrier of tuberculosis,” he had not been able to immigrate with his mother and brother. Finally, on February 2, 1938 a local physician attested to the boy’s “significantly above average” state of health, ascribing the previous diagnosis to an error. Ironically, the physician who issued this critical medical certificate was Dr. Ernst Hanhart, a geneticist and eugenicist who during the Nazi period published extensively on “racial hygiene” and wrote articles in support of the forced sterilization of deaf-mutes.
As German Jews were getting arrested or being forced to leave the country, the performances put on by the local branches of the Jewish Kulturbund (Culture Association) were among the few places of refuge where Jews could enjoy culture as in earlier days. Among other things, in the winter season of 1937/1938 the Jüdischer Kulturbund Berlin performed Tchaikovsky’s Eugene Onegin (Director: Dr. Kurt Singer) and Scribe’s The Ladies’ Battle (Director: Fritz Wisten). Since 1935, the Kulturbund’s venue had been the theater at 57 Kommandantenstrasse, the former Herrnfeld Theater, where popular Jewish plays had once been staged.