Upheaval hits home and work | OCTOBER 2
In August 1938, Irma Umlauf’s life had begun to unravel: she had been notified that the Jewish-owned company in Breslau for which she worked was going to be liquidated, leaving her jobless. And her landlord had terminated her lease. While there was no law in October 1938 stipulating that non-Jews could not have Jewish tenants, some landlords were eager to get rid of them. In Irma Umlauf’s case, the problem was that her Jewish co-tenants could no longer afford the place and had moved out. The non-Jewish landlord, according to Irma, was afraid to accept other Jewish tenants, and since Jews and non-Jews weren’t allowed to share living space, she had no choice but to leave. Among the other topics broached by Irma in this letter to her friend Hilde Liepelt in Berlin, is her job situation. Luckily, the Landesverband in Berlin gave her permission to do language lessons in the Jewish communities of Münsterberg and Fraustadt, both near Breslau, providing her both with means to live as well as allowing her to continue caring for her mother. A little extra income was generated by singing engagements.
Desecration and devastation | OCTOBER 1
During the night of September 30th going into October 1st, the synagogue of Mellrichstadt in Lower Franconia was completely devastated. In fact, the mob had it in for the congregants: Sudeten German refugees had incited the public to ambush worshippers on their way to the synagogue. However, the Jewish congregation had been warned with sufficient time and services canceled. Now the angry mob of Sudeten Germans and residents of Mellrichstadt stood before the door of the synagogue. Stones were thrown, the door was broken open and the interior destroyed. The mob did not spare the Torah scrolls and other ritual items. After that night, the synagogue could no longer be used.
When the private becomes political | SEPTEMBER 20
Dr. Ernst Schaumberger was a doctor specializing in skin and sexually-transmitted diseases, a virtually apolitical occupation. However, National-Socialist ideology concerning race and morals interpreted sexual relations as a matter of political interest. Therefore, Dr. Schaumberger’s area of work became political. The confidential request, which he received from the agency of public health in Stuttgart on September 20th, is noteworthy in many ways. He was asked to report whether he had treated any girls or women who were infected with sexually-transmitted diseases due to sexual relations with Italians. So-called “racial hygiene” in National Socialism didn’t shy away from violating medical confidentiality. When Dr. Schaumberger received this letter, his days as a practicing doctor were numbered. He’d already been identified as a “Jewish doctor” in July, and an amendment to the Nazi Reich Citizenship Law decreed that, on the 30th of September, 1938, the licenses of Jewish doctors would expire. Nonetheless, he was still expected to cooperate with the Nazis.
650 reichsmarks and 50 pfennigs | AUGUST 20
Just a few doors down from the Palestine Office of the Jewish Agency, at No. 2 Meineke Street in Berlin, was the travel agency “Palestine & Orient Lloyd,” which closely cooperated with the Palestine Office in assisting thousands of Jews with emigration from Nazi Germany—and not only to Palestine. One of these emigrants was Dr. Rolf Katzenstein. On August 20th, 1938, the “Palestine & Orient Lloyd” issued this bill to him for passage to New York on August 27th aboard the Columbus from Bremen.
“Jews Unmasked” | JULY 20
Immediately after their rise to power in January 1933, the Nazis began to extend their control over every aspect of cultural life in Germany. As a popular medium capable of reaching large numbers of people—and one perceived as being dominated by Jews—film was of central importance to the new regime. Before the production of a new movie could begin, the script had to pass pre-censorship. The final product was scrutinized by the censorship authority for film (Film-Prüfstelle) of the Reich Propaganda Ministry. Under the Nazi regime, the state’s relationship with the film industry changed. While prior to 1933, authorities had primarily sought to censor or suppress material deemed harmful, the Nazi regime actively instrumentalized the film industry to promote National Socialist ideology. The anti-Semitic film “Juden ohne Maske” (“Jews unmasked”), whose authorization card from the censors is shown here, is such a case. It received the rating “valuable to national policy”, but it was also restricted to screenings for adult audiences in the context of NSDAP events.
The crowd looked on quietly | JUNE 20
Section 17 of the Third Supplementary Decree on the Reich Citizenship law (Reichsbürgergesetz), issued on June 14, called for marking Jewish businesses at a date yet to be determined. The Nazis lost no time. According to this article by the Jewish Telegraphic Agency, days later, the word “Jew” and Nazi slogans were smeared on Jewish shop windows throughout Berlin in an organized fashion, with the same red, hard-to-remove oil paint used everywhere. There could be no doubt that the action was carried out with blessings from above. While no opposition from the non-Jewish population is recorded, the correspondent does point out that unlike in Vienna and in less affluent parts of Berlin, the crowd on Kurfürstendamm looked on quietly, without major enthusiasm. Tension among Jews was intensified by reports of plans to build labor camps where Jews apprehended in recent raids were to be put to work.
Pitiless | MAY 20
In today’s release, the Jewish Telegraphic Agency reports that the Deutsches Volksblatt in Vienna urges a “pitiless anti-Jewish boycott.” This, the paper argues, is the line demanded by Hermann Göring in his last speech in Vienna. Highly decorated in WWI as a fighter pilot, Göring had become a member of the NSDAP early on and was a member of its inner circle. He had established the Gestapo in 1933, was commander-in-chief of the German airforce (Luftwaffe) and as Plenipotentiary of the Four-Year Plan, he also wielded power over the German economy. Other than that, he is known for his pivotal role in bringing about the Anschluss and his passion for collecting art, which he often acquired in dubious ways.
Safe for now | APRIL 20
Residents of Linz, Adolph Markus, his wife, and their two children were among the relatively few of Austria’s roughly 200,000 Jews not living in Vienna. On April 20, 1938 Markus went to visit his family in the capital in order to discuss the difficult situation and explore options for emigration. While his brother Rudi was prepared to lose his job any day, he opined that Adolph, as WWI combat veteran, had nothing to worry about. Indeed, combat veterans were exempt from certain anti-Jewish measures, as were Jews who had lost their father or a son in combat for Germany or its allies.
A second Salzburg? | MARCH 29
The Austrian-born theater and film director Max Reinhardt emigrated to the US in October 1937, accompanied by his wife Helene Thimig, an actress. By introducing technical innovations and elevating the position of the director, Reinhardt played a pivotal role in the development of modern theater. With his production of H. von Hoffmannsthal’s “Jedermann” in 1920, he became one of the co-founders of the Salzburg Festival. Shortly after he settled down in the US, plans emerged to found “another Salzburg” festival in California. This time, he wrote his friend Arturo Toscanini, he would be working “under more favorable climatic and political conditions, and perhaps with greater financial means.” Among his achievements in the US were staging Werfel’s “The Eternal Road” (1937) and founding the Max Reinhardt Workshop for Stage, Screen and Radio, a theater and film academy in Hollywood (1937–1939). He did not think very highly of US audiences.
Branded | MARCH 20
This stereoscopic image from March 1938 shows a lingerie store in Vienna with a sticker that says “Jewish business” attached to its window. Immediately after the German Army’s entry into Austria, celebrated in many places, on March 12, 1938, the local Jewish population began to suffer from the same kind of defamation as German Jews had since 1933. The picture is part of the Sammlung Schönstein (Schönstein Collection) at the German Historical Museum. At the beginning of the 1930s, Otto Schönstein (1891–1958) of Nuremberg established his Raumbild Verlag, which published albums of stereoscopic photographs. In 1937, Heinrich Hoffmann, Hitler’s “personal photographer,” became involved in the publishing house, which was showing signs of economic difficulties, and used it for the dissemination of NS propaganda.
Imminent danger | FEBRUARY 20
The Austrian Adolph Markus had started a diary on January 12, the day Hitler forced the “Berchtesgaden Treaty” on the Austrian chancellor, Schuschnigg. The treaty stipulated the release of National-Socialist prisoners, gave free rein to Nazi political organizing, and granted a greater measure of participation in government activities to their political representatives. Markus personally witnessed the thuggish behaviour of the released prisoners and their reception by sympathizers in the streets of Linz. In his diary entry on February 20, he records the events of the preceding day and reveals his worries for his country.
The “Harrods of Berlin” | JANUARY 20
This picture-postcard shows Berlin’s oldest and for some time largest department store, named after the founder of the business, Nathan Israel. The Israel family had taken up residence in Berlin in the 18th century. The business was last located at 28 Spandauer Straße, across from the Rotes Rathaus (“Red City Hall”). Under its last director, Wilfrid Israel, the department store distinguished itself by providing uncommonly generous benefits to its employees, such as health and social insurance.