“A traitor!” The journalist and author Joseph Bornstein left no doubt with regard to his opinion of the former Austrian chancellor Kurt Schuschnigg. Indeed, with friendly but very pointed words, he made it clear in a letter to his friend Bosch that Bosch’s “faith in the good faith in Schuschnigg” is totally wrong. Many Austrian Jews had long placed their hopes in Schuschnigg, who had tried as Chancellor to defend Austria from the influence of National-Socialist Germany. After the sender of this letter, Joseph Bornstein, lost his German citizenship in 1933, he immigrated to Paris. There he very quickly joined the intellectual milieu of other German journalists and authors in exile. He continued his collaboration with Leopold Schwarzschild and was active as editor-in-chief for the intellectual journal “Das neue Tagebuch” (The New Diary).
In August 1938 a new decree had been issued. Jewish people with names that were—in the perspective of the Nazis—not “typically Jewish” were to bear (starting January 1, 1939, the latest) a second given name: “Sara” for women, “Israel” for men. The September issue of Aufbau put the perfidy of this regulation in a nutshell: “If the motives on which this regulation is based were not so abysmally cruel, there would be nothing from its content about which to complain. ‘Israel’ means ‘Fighter for God’ and ‘Sarah’ or ‘Sara’ […] means ‘Princess.’” Not only did the Nazis help themselves to the content of Jewish culture, but they also misused it in order to restrict the private sphere of Jews on a massive scale.
Of the American-Jewish self-help groups assisting Jews in leaving Europe and rebuilding their lives in the United States, the Boston Committee for Refugees was the first. Established in 1933, it consisted entirely of volunteers. Under the leadership of Walter H. Bieringer and Willy Nordwind, the Committee chiefly endeavored to obtain affidavits for would-be immigrants and see to it that they would find employment upon arrival in the U.S. Since the Great Depression, the State Department had orders to keep people “likely to become a public charge” out. It was of great importance to ensure the livelihood of the refugees. The annexation of Austria by Nazi Germany and the colossal failure of the Évian Conference on Refugees reinforced the urgency of helping the desperate asylum seekers. On August 26th, 1938, the Committee’s Acting Executive Secretary sent Bieringer a list of recent arrivals in need of placement.
Hugo Jellinek was a man of many talents. The outbreak of WWI forced him to quit medical school in Vienna. As a soldier, he was severely wounded in Samarkand and fell in love with his nurse, who later became the mother of his three daughters. The couple settled down in Tashkent, Uzbekistan. His young wife having died in 1926, he fled the Soviet Union in 1930 and ultimately returned to Vienna, where he utilized his knowledge of 8 languages as a translator and also worked as a freelance journalist. Thanks to a warning about impending arrest by the Nazis, he was able to escape to Brünn (Czechoslovakia) in June 1938. His eldest daughter, eighteen year-old Gisella Nadja, departed for Palestine the same day. In this colorful letter, Hugo shows fatherly concern for Nadja’s well-being, but also talks at length about the hardship he himself has faced as a refugee and reports that his cousin’s son is interned at the Dachau Concentration Camp. He mentions with gratification what he calls the “League,” probably referring to the aid center of the “League for Human Rights,” which was looking after the refugees, defying Hitler’s sinister goals. Ultimately, however, the most important thing for him was the fight for a country of one’s own.
The first major rupture in artist Gustav Wolf’s biography had occurred during World War I. He had volunteered for frontline duty and was badly injured. His brother Willy was killed in combat. The works in which he processed his wartime experiences leave no doubt about his feelings. Instead of glorifying war, he shows its horrors. His confrontation with antisemitism during and after the war led him to an increased awareness of his own Jewishness. In 1920 he accepted a professorship at the Baden Art School in Karlsruhe, trying to realize his ideal of an equitable partnership between teacher and student. After a year, he quit this “dead activity,” referring to the school as “an academy of schemers.” In 1929, he designed the set for Fritz Lang’s silent film “Woman in the Moon,” an early science-fiction movie. Upon the Nazi rise to power in 1933, he canceled his memberships with all the artists’ associations to which he had belonged. In his letter to the Baden Secession, he explained his decision with the following words: “I must first get my bearings again. The foundations of my existence have been called into question and shaken.” After extended stays in Switzerland, Italy and Greece, he returned to Germany in 1937. In February 1938, he boarded a ship to New York. June 26, 1938 was his 49th birthday.
Since 1937, Lina and Siegmund Günzburger of Lörrach in southwest Germany and their son, Herbert, had been preparing their paperwork for emigration. The requirements amounted to nothing short of a nightmare. Prospective emigrants had to procure numerous personal documents, letters of recommendation, and affidavits. They were also required to prepare an inventory of all their belongings and to document that they had paid all their taxes. Apparently, the required documents also included this copy of the marriage certificate for Siegmund’s grandparents. Especially perfidious was the so-called “Reich Flight Tax.” Originally introduced in the waning days of the Weimar Republic to prevent capital flight in reaction to the government’s austerity policy, under the Nazis, it became a tool to cynically punish the Jews for leaving a country that was doing everything it could to make it unbearable for them to stay.
Marseille was one of the most important ports of departure for the refugees on their way overseas. It was here that Moses Wainstein obtained the papers he still needed for his emigration to Uruguay. This certificate of vaccination was written in Spanish for submission to the authorities there. The former Berliner had already had his belongings shipped to Marseille by a German company. Wainstein was 40 years of age at this point.
The passage in July 1933 of a law allowing the government to revoke the citizenship of those naturalized after the end of WWI had given Nazi officials a tool to deprive “undesirables” of their citizenship. The law targeted the Nazis’ political adversaries as well as Jews; 16,000 Eastern European Jews had gained German citizenship between the proclamation of the republic on November 9, 1918 and the Nazi rise to power in January 1933. Among those whose names appear on the expatriation list dated March 26, 1938 are Otto Wilhelm, his wife Katharina and the couple’s three children, residents of Worms and all five of them natives of Germany.
Despite the restrictive immigration policy of the British colonial power, twenty-year-old Paul Egon Cahn, a car mechanic from Cologne, managed to flee to Kenya with the help of this passport. Paul’s sisters, Erika and Inge, reached safety in England and Australia respectively. The siblings’ parents, Siegfried and Regina Cahn, remained behind in Germany. In many cases, refugees not only had to cope with the loss of their homes and property and the separation from their relatives but were also forced to take on the challenges posed by foreign climate zones and cultures.
There are many ways to describe Leo Perutz: novelist, mathematician, native of Prague, chess lover—to name but a few. He was admired by his colleagues and millions of readers. His success as a writer was so great that he decided in 1923 to give up his bread-and-butter job as an actuary. The Great Depression hit him hard, since the crisis not only negatively impacted the bookselling trade but also rendered the family company, in which he had a share, less profitable. To make matters worse, after the Nazis’ rise to power, his Jewish publisher, Paul Szolnay, lost his largest market in Germany. This is one of the last photographs taken before Perutz’s emigration from Vienna to Tel Aviv, Palestine in 1938.