Already under the short-lived Goga-Cuza government, half of the Jews living in Romania had been condemned to statelessness by having their citizenship revoked. The city of Iași, where in 1855 Romania’s first Yiddish newspaper had been printed and in which Yiddish theater saw its beginnings with the opening of Goldfaden’s theater in 1876, had an especially high percentage of Jewish inhabitants. In February 1938, George Gedye, a reporter dispatched by the New York Times, reports on excesses against Jewish citizens by “a brutal and unscrupulous minority.”
Among the many kinds of physical activity offered to the readers of the Aufbau by the German-Jewish Club, such as ping-pong, skiing, swimming and even a Katerbummel (a morning stroll after a night of heavy drinking), there was also an invitation to go ice-skating in Tibbetts Brook Park in Yonkers, New York. A familiar activity among sympathetic fellow German-speakers at a venue featuring a Tudor revival bathhouse may have awakened memories of better days in Europe. Despite their traumatic experiences under Nazism and their forced departure, many German Jews continued to feel a profound cultural connection to the country they had called their home.
In this short missive from Turin, written in a casual, sisterly tone to her sister Anneliese in Rome, Elsa Riess communicates her worries about their parents, who have remained in Berlin. Elsa is concerned about her father’s employment situation and declares her intention to find out about possible ways to help their parents, from whom she hasn’t heard for a while. Anneliese had come to Italy in 1933 to study archeology, earning her PhD in 1936. Because of her own uncertain material situation, she was not in a position to help her parents financially. Unemployable as a foreigner in Italy and hoping to increase her opportunities by adding a practical skill, she had decided to take a course as a baby and child nurse in Geneva in 1937.
“May you continue for a long time to be granted the opportunity to dedicate your tried and tested skills to the welfare and benefit of the city.” With these words, Berlin mayor Heinrich Sahm congratulated Prof. Erich Seligmann, Director of Scientific Institutes at the Public Health Department and an eminent authority on issues of public health, on his 25th year of service in 1932. Barely half a year later, in March 1933, Seligmann was dismissed, despite his recognized scientific achievements and his outstanding knowledge in the field of epidemics control, which he had demonstrated inter alia as a staff surgeon in World War I. In this diary entry dated February 4, 1938, Seligmann writes about “widespread confiscation of passports from Jews” and “an atmosphere of hopelessness.” Seligmann was planning a trip to Rome, where he and his wife Elsa hoped to meet their son Rolf.
This photograph shows a picturesque bird’s-eye view of Vienna’s 1st municipal district. At the beginning of 1938, the Austrian capital was still home to almost 170,000 Jews and 80,000 members of mixed (Christian-Jewish) marriages. Jews made up about 10 percent of Vienna’s population. The majority of local Jews were well integrated into Austrian society: not only was German their native tongue, they also shaped the cultural and social landscape of the city. Among them were the father of psychoanalysis, Sigmund Freud, the Albanologist Norbert Jokl, the author Friedrich Torberg, and the composer Arnold Schoenberg.
Months after leaving Germany, 12-year old Herbert Friedmann (later Freeman) was still in Zurich waiting to reunite with his family already in the USA. Because of the previous, apparently intentional, misdiagnosis at the US consulate in Stuttgart stating that the boy was a “carrier of tuberculosis,” he had not been able to immigrate with his mother and brother. Finally, on February 2, 1938 a local physician attested to the boy’s “significantly above average” state of health, ascribing the previous diagnosis to an error. Ironically, the physician who issued this critical medical certificate was Dr. Ernst Hanhart, a geneticist and eugenicist who during the Nazi period published extensively on “racial hygiene” and wrote articles in support of the forced sterilization of deaf-mutes.
This painting by the artist Hermann Struck, a resident of Haifa and one of the relatively small number of German Jews who emigrated to Palestine already before 1933, shows one of the iconic landscapes of the Holy Land, the Dead Sea. It does not, however, reflect the difficult social situation in Palestine in the late 1930s. Due to the growing influx of Jewish immigrants in general and, after 1933, German Jews in particular, tensions between Jews and Arabs as well as between Arabs and the British mandatory administration were increasing. In 1936, an Arab uprising began which was still in full swing in February 1938.
The C.V.-Zeitung, Paper for German and Jewish Culture was the organ of the “Central Association of German Citizens of Jewish Faith.” The Central Association’s political bent was liberal-conservative and it strove to represent the interests of all Jews, regardless of religious affiliation. The newspaper aimed to raise the self-confidence of German Jews as well as to deepen their love of “both German and Jewish culture.” (Jüdisches Lexikon 1927). January 30, 1938 was the last day of ordinary operations for the C.V.-Zeitung. On the 31st, the Nazis ordered its temporary suspension until February 24 with no reason given.
This drawing shows the interior of the Prinzregentenstraße Synagogue in Berlin (Wilmersdorf). Built in 1930, the building was designed to fulfill the needs of a liberal congregation. As shown in the picture, the synagogue boasted a magnificent organ. Rabbi Leo Baeck gave the sermon at the opening ceremony. From 1933, when Jews began to be pushed out of Germany’s cultural life, the synagogue also became a Jewish cultural center.
Markus Wolf (center in the photo above), one of the sons of the communist physician and writer Friedrich Wolf (right), was born in 1923 in Hechingen in the Swabian Alps. After the Nazi seizure of power the family initially emigrated to Switzerland, then to France, and in 1934 to the Soviet Union. The Wolf family resided at the Hotel Lux in Moscow where a large number of communist refugees from Germany had been given shelter. During the years of the Great Terror (1936–38), deeply suspicious of the foreigners, in whom it saw potential spies for the Reich, Stalin’s regime tortured and interrogated many of the German emigrants. Among the approximately 600,000 victims of the purge were 178 German communists, most of them residents of the Hotel Lux. The Wolf family survived.
In his opening speech at the inauguration ceremony for the new Jewish community center in Hamburg, Max M. Warburg, scion of a renowned family of bankers, describes the challenges the community is facing at the present moment and states the mission of the building and its leadership in troubled times. Describing theater as a source not only of “uplift and joy” but also of “moral fortitude,” Warburg declares the community center to be intended first and foremost as a home for the performances of actors and musicians of the Jewish Kulturbund.