When German Jews considered the various emigration options in January 1938, Palestine might have seemed a dangerous destination. As the Jüdische Rundschau reported, in the same month, attacks against Jewish inhabitants and clashes between Jews and Arabs occurred in numerous places in Palestine. Apart from local resistance, the paper mentioned Syrian terrorists, the smuggling of weapons from Libya, and the refusal of the Egyptian government to conduct direct Arab-Jewish negotiations. In light of these facts, emigrating to Palestine could appear to the prospective emigrants like jumping from the frying pan into the fire rather than finding a safe refuge.
The “Reichsvertretung der Deutschen Juden” (Reich Representation of German Jews) was established in Berlin in September 1933 as an advocacy group. After the passing of the Nuremberg Laws, it had to change its name to “Reichsvertretung der Juden in Deutschland” (Reich Representation of Jews in Germany). Its president was Rabbi Leo Baeck. As a result of the increasing pauperization of the Jewish population, whose possibilities to earn a living were systematically taken away, the Reichsvertretung appealed to the government in January 1938 to desist from additional limitations depriving Jewish professionals of their jobs. The Reichsvertretung argued that not only was the increasing unemployment a burden on the welfare system, but it also made emigration impossible.
The January issue of the Berlin Kulturbund magazine conveys a sense of normalcy—local businesses advertise merchandise and services like cosmetics, women’s apparel and car repairs, while the Kulturbund schedule offers Eugene Scribe’s “The Ladies’ Battle.” The comedy must have provided a welcome respite from the worrisome situation.
As German Jews were getting arrested or being forced to leave the country, the performances put on by the local branches of the Jewish Kulturbund (Culture Association) were among the few places of refuge where Jews could enjoy culture as in earlier days. Among other things, in the winter season of 1937/1938 the Jüdischer Kulturbund Berlin performed Tchaikovsky’s Eugene Onegin (Director: Dr. Kurt Singer) and Scribe’s The Ladies’ Battle (Director: Fritz Wisten). Since 1935, the Kulturbund’s venue had been the theater at 57 Kommandantenstrasse, the former Herrnfeld Theater, where popular Jewish plays had once been staged.
If advertisements in newspapers reflect the main needs of society, then the Berlin Jüdisches Gemeindeblatt (Jewish Community Paper) from January 1938 can serve as a perfect example of such needs in times of crisis. By January 1938, when the majority of German Jews were preparing for emigration or actively looking for ways to leave the country, advertisements for travel agencies and shipping companies dominated the commercial space of the newspaper. The main destinations of German-Jewish emigrants were Palestine as well as North- and South America.
While the Methodists constituted a minority in Germany, they were a major denomination in the English-speaking world. The Nazis began wooing Methodist leaders in Germany as early as 1933, hoping to use them to propagandize fellow Methodists in the United States. German Methodist leaders became willing tools of the Nazis; not only did Methodist bishops avoid criticizing the regime, they explicitly praised what they saw as its successes. Against this background, it is all the more remarkable that the US National Methodist Students Conference adopted a resolution in which it condemned the antisemitic policies of Nazi Germany.