Few among the immigrant New York audience expected to attend a trilingual event of the Theodor Herzl Society had ever encountered native speakers of modern Hebrew: Hence, it is no wonder the Aufbau assumed that the Hebrew part would constitute the greatest attraction. The featured artist of the evening, actor Albert Klar (Sklarz), born and raised in Tel Aviv, had begun his career in Berlin under renowned directors such as Reinhardt and Piscator. He had made his way to New York thanks to an invitation from the great Yiddish actor and director, Morris Schwartz, who hired him for his Yiddish Art Theater. The venue was Ansche Chesed, a synagogue on the Upper West Side founded by German immigrants.
In the traveling exhibition “Degenerate Art,” initiated in Munich in 1937, the Nazis used 650 works of art confiscated from 32 museums in order to force their idea of art upon the populace: newer trends like expressionism, surrealism, or fauvism, to name just a few, were regarded as “Jewish-Bolshevist” and roundly disparaged. The front page of the exhibition catalog shows a piece titled “Large Head” from the workshop of the German-Jewish artist Otto Freundlich, one of the first exponents of abstract art. It was created in 1912 to symbolize hope for a new beginning. Even apart from Freundlich’s Jewish background and his artistic leanings, being a communist made him politically unacceptable in the eyes of the regime.
The Austrian Adolph Markus had started a diary on January 12, the day Hitler forced the “Berchtesgaden Treaty” on the Austrian chancellor, Schuschnigg. The treaty stipulated the release of National-Socialist prisoners, gave free rein to Nazi political organizing, and granted a greater measure of participation in government activities to their political representatives. Markus personally witnessed the thuggish behaviour of the released prisoners and their reception by sympathizers in the streets of Linz. In his diary entry on February 20, he records the events of the preceding day and reveals his worries for his country.
Bertha Pappenheim (1859–1936), born and raised in Vienna, was a leading German-Jewish feminist. Better known as the patient Anna O. in Sigmund Freud’s “Studies on Hysteria,” she later moved to Frankfurt a.M., where she gradually shifted the emphasis of her activism from charitable work to women’s empowerment. In 1907, she established a home in Neu-Isenburg for young Jewish women in need of protection, a feat she considered her most important achievement. Under the Nazis, the home had to register all inhabitants with the police. In the letter displayed here, the secretary of the home asks Rabbi Dr. Merzbach at the District Rabbinate in Darmstadt to immediately send the papers of a resident of the home, Esther Kleinmann, who would otherwise face deportation.
Already in 1936, the League of Nations had appointed Sir Neill Malcolm as “High Commissioner for German Refugees.” In light of the increasing stream of refugees from Nazi Germany, an inter-governmental conference was convened in February 1938 in Geneva under the aegis of the League of Nations. The orthodox paper Der Israelit reports on the first day of the gathering, which was attended by delegates from 14 states. Through the Nuremberg Laws, Jews had been downgraded from “citizens of the Reich” to mere “subjects.” As soon as they left Germany, they could be stripped off their citizenship entirely. Two members of the liaison committee, N. Bentwich from London and M. Seroussi from Paris, therefore demanded the extension of refugee status to stateless migrants as well.
The philosopher of religion Martin Buber was born on February 8, 1878, in Vienna. Best known for his 1923 work I and Thou, he also, in collaboration with Franz Rosenzweig, created a new translation of the Hebrew Bible into German. Buber was so popular with German-Jewish youth that the term “Bubertät” (“Buberty”) was coined to describe the phenomenon. Buber was among the proponents of a bi-national state in Palestine and in 1925, together with Gershom Scholem, Robert Weltsch, Hugo Bergmann, Ernst Simon and others, he founded “Brit Shalom,” an organisation that promoted Arab-Jewish coexistence on the basis of justice and equality. On February 8, he celebrated his 50th birthday.
“May you continue for a long time to be granted the opportunity to dedicate your tried and tested skills to the welfare and benefit of the city.” With these words, Berlin mayor Heinrich Sahm congratulated Prof. Erich Seligmann, Director of Scientific Institutes at the Public Health Department and an eminent authority on issues of public health, on his 25th year of service in 1932. Barely half a year later, in March 1933, Seligmann was dismissed, despite his recognized scientific achievements and his outstanding knowledge in the field of epidemics control, which he had demonstrated inter alia as a staff surgeon in World War I. In this diary entry dated February 4, 1938, Seligmann writes about “widespread confiscation of passports from Jews” and “an atmosphere of hopelessness.” Seligmann was planning a trip to Rome, where he and his wife Elsa hoped to meet their son Rolf.
This photograph shows a picturesque bird’s-eye view of Vienna’s 1st municipal district. At the beginning of 1938, the Austrian capital was still home to almost 170,000 Jews and 80,000 members of mixed (Christian-Jewish) marriages. Jews made up about 10 percent of Vienna’s population. The majority of local Jews were well integrated into Austrian society: not only was German their native tongue, they also shaped the cultural and social landscape of the city. Among them were the father of psychoanalysis, Sigmund Freud, the Albanologist Norbert Jokl, the author Friedrich Torberg, and the composer Arnold Schoenberg.
This painting by the artist Hermann Struck, a resident of Haifa and one of the relatively small number of German Jews who emigrated to Palestine already before 1933, shows one of the iconic landscapes of the Holy Land, the Dead Sea. It does not, however, reflect the difficult social situation in Palestine in the late 1930s. Due to the growing influx of Jewish immigrants in general and, after 1933, German Jews in particular, tensions between Jews and Arabs as well as between Arabs and the British mandatory administration were increasing. In 1936, an Arab uprising began which was still in full swing in February 1938.
This drawing shows the interior of the Prinzregentenstraße Synagogue in Berlin (Wilmersdorf). Built in 1930, the building was designed to fulfill the needs of a liberal congregation. As shown in the picture, the synagogue boasted a magnificent organ. Rabbi Leo Baeck gave the sermon at the opening ceremony. From 1933, when Jews began to be pushed out of Germany’s cultural life, the synagogue also became a Jewish cultural center.
There are many ways to describe Leo Perutz: novelist, mathematician, native of Prague, chess lover—to name but a few. He was admired by his colleagues and millions of readers. His success as a writer was so great that he decided in 1923 to give up his bread-and-butter job as an actuary. The Great Depression hit him hard, since the crisis not only negatively impacted the bookselling trade but also rendered the family company, in which he had a share, less profitable. To make matters worse, after the Nazis’ rise to power, his Jewish publisher, Paul Szolnay, lost his largest market in Germany. This is one of the last photographs taken before Perutz’s emigration from Vienna to Tel Aviv, Palestine in 1938.
Born in Buttenhausen, Wuerttemberg on January 25, 1890, Karl Adler studied music at the Stuttgart Conservatory, where he became Director in 1921. He was a cofounder of the Verein zur Förderung der Volksbildung, an adult-education organization, and director of its music department. In 1926, he was among the leading forces that built the Jüdisches Lehrhaus Stuttgart. After his dismissal from his position at the conservatory in 1933, he initiated and directed the Stuttgarter Jüdische Kunstgemeinschaft, a branch of the Kulturbund. In 1935, he became the head of the music department of the Mittelstelle für jüdische Erwachsenenbildung, a division of the Reichsvertretung der Juden in Deutschland dealing with adult education.
Markus Wolf (center in the photo above), one of the sons of the communist physician and writer Friedrich Wolf (right), was born in 1923 in Hechingen in the Swabian Alps. After the Nazi seizure of power the family initially emigrated to Switzerland, then to France, and in 1934 to the Soviet Union. The Wolf family resided at the Hotel Lux in Moscow where a large number of communist refugees from Germany had been given shelter. During the years of the Great Terror (1936–38), deeply suspicious of the foreigners, in whom it saw potential spies for the Reich, Stalin’s regime tortured and interrogated many of the German emigrants. Among the approximately 600,000 victims of the purge were 178 German communists, most of them residents of the Hotel Lux. The Wolf family survived.
An unidentified author congratulates the German mountain climber and physicist Hermann Hoerlin, based in Stuttgart, on his upcoming wedding with Käthe Schmid, who was considered a “Half-Jew” in Nazi parlance. The “Law for the Protection of German Blood and German Honor,” adopted in 1935, forbade marriages between Jews and non-Jews. Despite the law, the couple Hoerlin-Schmid obtained a special permit and the wedding could go ahead.
The “Reichsvertretung der Deutschen Juden” (Reich Representation of German Jews) was established in Berlin in September 1933 as an advocacy group. After the passing of the Nuremberg Laws, it had to change its name to “Reichsvertretung der Juden in Deutschland” (Reich Representation of Jews in Germany). Its president was Rabbi Leo Baeck. As a result of the increasing pauperization of the Jewish population, whose possibilities to earn a living were systematically taken away, the Reichsvertretung appealed to the government in January 1938 to desist from additional limitations depriving Jewish professionals of their jobs. The Reichsvertretung argued that not only was the increasing unemployment a burden on the welfare system, but it also made emigration impossible.
Herbert Freeman was born Herbert Friedmann on December 13, 1925 in Frankfurt/Main, Germany. His father, Leo Friedmann, immigrated to the United States first. Herbert, his mother, and his brother applied for a US visa in Stuttgart. During the obligatory health check-up, the perfectly healthy Herbert was diagnosed as a “tuberculosis carrier” and was unable to join his mother and brother on their journey to the United States in 1936. After repeated unsuccessful attempts, in order to circumvent the Stuttgart US Consulate, 12-year-old Herbert was sent to Zurich (permission to file an application outside Germany was obtained in no small part thanks to the intervention of Albert Einstein). The letter was written during Herbert’s stay in Switzerland. He mentions his upcoming visit to the US Consulate and reapplying for the visa, and describes his days while separated from his relatives.
As German Jews were getting arrested or being forced to leave the country, the performances put on by the local branches of the Jewish Kulturbund (Culture Association) were among the few places of refuge where Jews could enjoy culture as in earlier days. Among other things, in the winter season of 1937/1938 the Jüdischer Kulturbund Berlin performed Tchaikovsky’s Eugene Onegin (Director: Dr. Kurt Singer) and Scribe’s The Ladies’ Battle (Director: Fritz Wisten). Since 1935, the Kulturbund’s venue had been the theater at 57 Kommandantenstrasse, the former Herrnfeld Theater, where popular Jewish plays had once been staged.
In his opening speech at the inauguration ceremony for the new Jewish community center in Hamburg, Max M. Warburg, scion of a renowned family of bankers, describes the challenges the community is facing at the present moment and states the mission of the building and its leadership in troubled times. Describing theater as a source not only of “uplift and joy” but also of “moral fortitude,” Warburg declares the community center to be intended first and foremost as a home for the performances of actors and musicians of the Jewish Kulturbund.
The people on both sides of the camera shared a fate that was common to many thousands of German Jews: shortly after the Nazis seized power in 1933, Albert Einstein decided to immigrate permanently to the United States. He took the position of professor of theoretical physics at the Institute for Advanced Study in Princeton, where this picture was taken five years later. In light of the increasing difficulties after the Nazi seizure of power, the photographer Lotte Jacobi also left Germany and emigrated to the United States in 1935. Jacobi was unpersuaded by the Nazis’ offer to grant her the status of “Honorary Aryan.” She left behind a studio in Berlin which she had run together with her sister, Ruth, also an accomplished photographer. Among the many prominent figures Jacobi photographed were Marc Chagall, Martin Buber, Eleanor Roosevelt, Thomas Mann, and Kurt Weill.