The percentage of Jews among German physicians was so high that, initially, a comprehensive employment ban did not seem expedient to the Nazis. Instead, they issued the “Administrative Order regarding the Admission of Jewish Physicians” of April 22, 1933, which excluded “non-Aryan” doctors from working with the Statutory Health Insurance Funds unless they began their practice before WWI or could prove that they or their fathers had been frontline soldiers in the war. Starting in 1937, Jews could no longer obtain doctoral degrees. In an August 3, 1938 notice, the Jewish Telegraphic Agency draws attention to the fourth supplementary regulation added to the Reich Citizenship Law, passed days earlier, according to which, effective September 30, Jewish physicians were to lose their medical licences.
Ruth and Wilhelm Hesse, residents of Hamburg, had two little girls, Helen (b. 1933) and Eva (b. 1936). Wilhelm kept diaries for both girls. Between the May 3 and August 2 entries, there is a long gap (a very brief notice regarding Helen’s birthday on June 30 seems to have been added later). As Wilhelm writes, the seriousness of the times made it hard to write, so much so that 5-year-old Helen, who had been in a children’s home in Wohldorf-Duvenstedt since the middle of May, complained that she was not receiving any letters from her parents. While Wilhelm is generally pleased with his daughter’s development, he mentions that Helen and three of her little friends had taken a beating for picking 20 unripe peaches from a tree and biting into them. Perhaps the children’s blissful lack of awareness of what was brewing around them and their innocent transgression provided the young father with a minimal sense of normalcy.
In the August issue of the Aufbau, an unidentified group of young immigrants was given the opportunity to call for the preservation and activation of democracy in the United States. They argue that the fascist regimes in Europe used the economic crises created by the unbridled military buildup in their countries to legitimize the confiscation of Jewish property. While praising the Roosevelt administration’s generosity and its openness to social reforms for the benefit of those who had escaped fascism, the group warns against the reactionary forces attacking this policy and their attempts to undermine democracy in the United States. The Aufbau editorial board noted its reservations regarding the group’s assessment of the role of economic factors in history but wrote that it was happy to grant the young people space to voice their concerns.
Ludwig Schönmann, born in Neu-Isenburg in Germany in 1865, had come to Austria early in life and was thus spared the first five years of the Hitler regime. But from the day the German army entered Austria to annex the neighboring country in March 1938, the 73-year-old witnessed all the same persecution that had befallen Jews in Germany – only at an accelerated pace. Jewish businesses were ransacked and their owners expropriated. Jews were publicly humiliated and expelled from the Burgenland region, where they had first settled in the 13th century. Jewish students and teachers were pushed out of the universities, and the infamous Nuremberg Laws were extended to Austria, leading to the removal of Jews from public service. The first page of a memorial album in honor of Ludwig Schönmann lists July 24 as the day of his death.
When the Halutz (Pioneer) Movement first began to establish itself in Germany in the 1920s, it had a hard time gaining traction among the country’s mostly assimilated Jews, who saw themselves as “German citizens of Jewish faith.” The Movement, which aimed to prepare young Jews for life in Palestine by teaching the Hebrew language as well as agricultural and artisanal skills, got its first boost during the Great Depression (from 1929), which made emigration more attractive as an opportunity for economic improvement. But even more significant growth took place after the Nazis’ rise to power: so-called “Hachscharot” sprung up all over Germany, instilling young Jews with a meaningful Jewish identity and imparting valuable skills. The photo presented here shows graduates of the Jewish Professional School for Seamstresses on Heimhuderstraße.
After three decades of making his fellow Austrians laugh, cabaret artist Fritz Grünbaum’s career was brought to an abrupt end by the Anschluss. His politics alone would have sufficed to make him intolerable for the new regime: Grünbaum had returned from action in World War I not only a decorated soldier but also an avowed pacifist. As for Nazism, he did not mince words. Since 1933, he had been getting more political, and when during a 1938 performance a power outage caused the stage lights to go out, he commented glibly, “I see nothing, absolutely nothing. I must have accidentally gotten myself into National Socialist culture.” His last performance at the famous cabaret “Simpl” in Vienna just two days before the Anschluss was followed by an artistic ban on Jews. Grünbaum and his wife Lilly, a niece of Theodor Herzl, tried to flee to Czechoslovakia but were turned back at the border. On May 24, he was interned at the Dachau concentration camp. Grünbaum was also known as a serious art collector, mostly of modernist Austrian works, and a librettist.
The diary of Dr. Hertha Nathorff (née Einstein) paints a vivid and at times nightmarish picture of the Jewish physician’s experiences in Nazi Germany. On April 24, she describes a visit with her parents in her native Laupheim in Swabia. Many Jewish shops had been sold, and their owners had emigrated. The Nazis’ efforts to malign and isolate the Jews had been so successful that passers-by were afraid to greet her. Her father had informed her that he was not going to sell the company which had been in the family’s possession for four generations and that he would prefer that it perish along with their name. The degree of isolation experienced by German Jews at the time is also evident in another episode mentioned in the diary: Dr. Nathorff is amazed at the fact that her former professor had the courage to send her regards through a patient.
A mere 20 years had passed since the end of World War I, during which Dr. Max Kirschner, a Frankfurt physician, had been decorated with the Iron Cross—remarkably, for extending aid to enemy infantrymen. Yet the fact that Kirschner had fought in the War as one of 100,000 German Jews, 12,000 of whom lost their lives, did not in the long run improve his standing with the authorities. In his eulogy for Hedwig Wallach, scion of an old Frankfurt family, he praised the deceased’s quiet devotion to her husband, her lively interest in her children and the quiet bravery with which she had borne her illness.
In the traveling exhibition “Degenerate Art,” initiated in Munich in 1937, the Nazis used 650 works of art confiscated from 32 museums in order to force their idea of art upon the populace: newer trends like expressionism, surrealism, or fauvism, to name just a few, were regarded as “Jewish-Bolshevist” and roundly disparaged. The front page of the exhibition catalog shows a piece titled “Large Head” from the workshop of the German-Jewish artist Otto Freundlich, one of the first exponents of abstract art. It was created in 1912 to symbolize hope for a new beginning. Even apart from Freundlich’s Jewish background and his artistic leanings, being a communist made him politically unacceptable in the eyes of the regime.
In the 78th and last year of its existence, the orthodox weekly Der Israelit reports on measures of the anti-semitic, pro-German Goga-Cuza government in Romania: The country’s Jews were subjected to various chicaneries and occupational bans similar to those in Germany. As a result of gains in territory and population in WWI, about 30% of Romanians belonged to minority groups, who were seen as a “Fifth Column.” Jews especially were the object of fears and suspicions which easily turned into violent hatred.