After six years in Palestine, Alfred Hirsch’s verdict was unequivocal: given the country’s political, climatic and economic structure, even people of the highest intelligence and stamina could not achieve much. He did not mince words in trying to dissuade his nephew, Ulli, from coming. Living in the very secular Haifa, Alfred Hirsch was convinced that for a young, Orthodox Jew like Ulli, life in Palestine would be a big disappointment at that point in history. Between the atmosphere generated by the collective misery of a large number of uprooted, depressed people and the political unrest, which led to major economic problems, the timing just didn’t feel right to Uncle Alfred. (The political unrest mentioned is the 1936-39 Arab Revolt in reaction to the massive influx of European Jews and the prospect of the establishment of a national home for the Jews in Palestine, as stipulated by the Balfour Declaration in 1917.)
While Dr. Hermann Mansbach and his wife, Selma, had left their home in Mannheim and relocated to Haifa in September 1938, their son, Herbert, a dentist like his father, was stuck in Switzerland, trying to join his parents. The young man had left Germany following a Nazi decree according to which the conferment of doctorates to Jews was to cease immediately. Obtaining a certificate for entry into Palestine proved to be difficult, and to make things worse, Herbert had been defrauded of all his money. On December 19th, Hermann Mansbach gave an account of his new life in Palestine to the Frank family in Zurich, who were helping his son, and to Herbert himself. He describes the difficulty of starting over poor as a result of Nazi regulations and his struggle to learn English and Hebrew and to make money. As if that weren’t enough, political unrest was simmering in the background. Mrs. Mansbach adds that she and her husband never leave home at the same time in order to avoid missing a patient. Things are hard, but, as Dr. Mansbach says, their lot is certainly better than being in a concentration camp.
Had Austria’s history taken a normal course, Hanna Spitzer, a private teacher, would probably have stayed in Vienna and grown old there as a respected member of society. As a daughter of the late jurist and patron of the arts, Dr. Alfred Spitzer, she was co-heir to a major art collection comprising works by such greats as Kokoschka and Slevogt. Egon Schiele was represented too – among other works, with a portrait of Alfred Spitzer, who had been his sponsor and lawyer, and later his estate trustee. But the flood of anti-Semitic measures which had been unleashed by the “Anschluss” (the annexation of Austria to Nazi Germany) made it unbearable and dangerous to stay: this copy of a tax clearance certificate dated November 24, 1938 testifies to Hanna Spitzer’s efforts to gather the papers required for emigration. Already in January, she had arranged for the shipping of 11 containers of household effects and paintings to Melbourne and a delivery to the address of her sister, Edith Naumann, in Haifa.
Time and again, unsettling news about sectarian violence in Palestine reached Jewish readers in the diaspora. On May 25, the Jewish Telegraphic Agency, a prime source of information on the situation of the Jews under the Nazis and of developments in the Yishuv, reports under the headline “6 Deaths Added to Terror Toll in Palestine.” It writes about the latest victims in Jerusalem, Haifa and Tiberias—both Jews and Arabs—and the circumstances of their deaths.
Heinrich Stahl, chairman of the Berlin Jewish Community since 1934, was heavily involved in the work of the various Jewish relief organizations, for which there was growing need as Nazism took hold. On April 13, 1938, his 70th birthday, he received a gift from the Ahawah Children’s Home, a photo album which showed the wide range of activities pursued by the charges of this exceptional institution (see March 17). The album included several photographs from the Ahawah’s new branch, which had been opened in Palestine in 1934. A heartfelt warmth and gratitude shine through this rhymed dedication thanking Stahl for his service to the community.
This etching by the German-Jewish artist Hermann Struck depicts the fifth British High Commissioner for Palestine, Harold MacMichael, who took office on March 3, 1938. MacMichael had previously held various positions in Africa. The High Commissioner was the highest-ranking representative of the Empire in Mandatory Palestine. The creator of the portrait, Hermann Struck, an Orthodox Jew and an early proponent of Zionism, had emigrated to Palestine in 1923 and settled in Haifa. He was renowned in particular for his masterful etchings, a technique he had taught to artists such as Chagall, Liebermann, and Ury.
This painting by the artist Hermann Struck, a resident of Haifa and one of the relatively small number of German Jews who emigrated to Palestine already before 1933, shows one of the iconic landscapes of the Holy Land, the Dead Sea. It does not, however, reflect the difficult social situation in Palestine in the late 1930s. Due to the growing influx of Jewish immigrants in general and, after 1933, German Jews in particular, tensions between Jews and Arabs as well as between Arabs and the British mandatory administration were increasing. In 1936, an Arab uprising began which was still in full swing in February 1938.