“He offered a steed, you bought a hack, the Jews are a deceitful pack” is what is written on this postcard, postmarked on September 21, 1938. Mocking, anti-Semitic postcards were common already during the German Empire and the Weimar Republic and, as an easily replicable means, gained influence on the way people thought. One of the oldest stereotypes may be that of the greedy Jew. In whatever part of the economy Jews were active, anti-Semites would impute usury and fraud. The use of anti-Semitic postcards to impart private messages gave anti-Jewish stereotypes far-reaching societal acceptance and thus created the breeding ground for the solution of the “Jewish question,” which was soon to become a terrible reality.
The negligible number of Jews (50 out of a total of 31,576 in 1933) in the town of Merseburg, in Saxony, did not dissuade local Nazis from terrorizing them. As early as 1934, Bernhard Taitza, a local merchant, reported on Jewish residents’ anguish at Nazis marching past their homes while singing anti-Semitic songs. The atmosphere became so unbearable that in 1938 he made his way out of Germany to Prague. Days later, on August 18th, he submitted this questionnaire to HICEM, founded in 1927 as a coalition of the Hebrew Immigrant Aid Society, the Jewish Colonization Association and Emigdirect, another Jewish migration organization. With two children already residing in America, Taitza was fortunate enough to have an affidavit and didn’t have to worry too much as to whether he would regain possession of the money confiscated from him by the Nazis.
Immediately after their rise to power in January 1933, the Nazis began to extend their control over every aspect of cultural life in Germany. As a popular medium capable of reaching large numbers of people—and one perceived as being dominated by Jews—film was of central importance to the new regime. Before the production of a new movie could begin, the script had to pass pre-censorship. The final product was scrutinized by the censorship authority for film (Film-Prüfstelle) of the Reich Propaganda Ministry. Under the Nazi regime, the state’s relationship with the film industry changed. While prior to 1933, authorities had primarily sought to censor or suppress material deemed harmful, the Nazi regime actively instrumentalized the film industry to promote National Socialist ideology. The anti-Semitic film “Juden ohne Maske” (“Jews unmasked”), whose authorization card from the censors is shown here, is such a case. It received the rating “valuable to national policy”, but it was also restricted to screenings for adult audiences in the context of NSDAP events.
In 1935, the Nazi party press had orchestrated a campaign to exclude Jews from public swimming pools, citing “unpleasant incidents” or warning the public of the “danger” allegedly posed by Jews. Suddenly, signs inscribed with texts like “Jews are not permitted access to this facility” were put up almost everywhere. Stölpchensee, one of the lakes just outside Berlin, was the last public bathing spot to which Berlin Jews had access. Fritz and Friedel F. were married and lived in Berlin, where Fritz owned a lamp store. In June of 1938, their weekend cottage at Stölpchensee was still a family escape from the city and harassment.
In today’s release, the Jewish Telegraphic Agency reports that the Deutsches Volksblatt in Vienna urges a “pitiless anti-Jewish boycott.” This, the paper argues, is the line demanded by Hermann Göring in his last speech in Vienna. Highly decorated in WWI as a fighter pilot, Göring had become a member of the NSDAP early on and was a member of its inner circle. He had established the Gestapo in 1933, was commander-in-chief of the German airforce (Luftwaffe) and as Plenipotentiary of the Four-Year Plan, he also wielded power over the German economy. Other than that, he is known for his pivotal role in bringing about the Anschluss and his passion for collecting art, which he often acquired in dubious ways.
In Austria’s new reality, opinions could change very quickly. In a news item from April 8, the Jewish Telegraphic Agency reports that Catholic clergyman, Pastor Breckle of Trinity Church in Vienna, wrote an article in “Catholic Action,” that referred to the Jews as “uninvited guests” in Europe. Breckle accused the Jews of “pushing themselves to the forefront” and praised Hitler’s approach as “free and humane.” Breckle had until recently been considered friendly toward the Jewish community.
A mere 20 years had passed since the end of World War I, during which Dr. Max Kirschner, a Frankfurt physician, had been decorated with the Iron Cross—remarkably, for extending aid to enemy infantrymen. Yet the fact that Kirschner had fought in the War as one of 100,000 German Jews, 12,000 of whom lost their lives, did not in the long run improve his standing with the authorities. In his eulogy for Hedwig Wallach, scion of an old Frankfurt family, he praised the deceased’s quiet devotion to her husband, her lively interest in her children and the quiet bravery with which she had borne her illness.
In his opening speech at the inauguration ceremony for the new Jewish community center in Hamburg, Max M. Warburg, scion of a renowned family of bankers, describes the challenges the community is facing at the present moment and states the mission of the building and its leadership in troubled times. Describing theater as a source not only of “uplift and joy” but also of “moral fortitude,” Warburg declares the community center to be intended first and foremost as a home for the performances of actors and musicians of the Jewish Kulturbund.