Events by location: Center for Jewish History

Dr. Yael Sela-Teichler discusses the 1791 edition of Moses Mendelssohn’s German translation of Psalms, The Book of the Songs of Israel, exploring maskilic renderings of the music of the Hebrews that reclaim biblical poetry as Jewish musical heritage and challenge traditional notions of exile.

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Join us for a talk by NEH Senior Scholar Naomi Seidman exploring the role played by Yiddish and other Jewish languages in Freud’s writing, from the Yiddish of his parents “behind” his Viennese German to the translations and adaptations of his work in Eastern Europe.

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Supported by more than two hundred photographs, the second volume of Andras Koerner’s history, “How They Lived – The Everyday Lives of Hungarian Jews, 1867-1940” shows how the diverse groups of Hungarian Jews lived their everyday lives—how they raised their children, spent their leisure time, practiced their religion, performed their charity work, and more.

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In the new history, We’ll Always Have Casablanca, film historian Noah Isenberg gives a rich account of this beloved movie’s origins. Through extensive research and interviews with filmmakers, film critics, family members of the cast and crew, and diehard fans, Isenberg reveals the myths and realities behind Casablanca’s production, focusing in particular on the central role of refugees—nearly all the actors were immigrants from Hitler’s Europe.

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Join us for an evening of musical performance exploring the history of Jewish Austrian émigrés who transplanted the music of Viennese cafes to New York City. Esther Wratschko (Prins Foundation Fellow at the Center for Jewish History) will share her discoveries in the archives.

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Ismar Schorsch, former President of the Leo Baeck Institute, will engage in conversation with David Ellenson about the former’s newly published book, a biography of 19th century academic Leopold Zunz.

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One of the jewels of the collection of the National Library of Israel is Ms. Heb. 8o6527, a stunningly illuminated High-Holiday Mahzor from the second quarter of the fourteenth century. Librarians and curators have long sought ways to provide access to unique works like this, which remain untouchable when exhibited and offer none of the physical pleasures of books when digitized. World-class craftsmen like Michael and Linda Falter of Facsimile Editions offer yet another solution: the production of facsimiles of important manuscripts as a one-to-one reproduction, designed to imitate the original down to the last detail. The event will focus on the Falters’ stunning recreation of the Catalan Mahzor as well as the original book’s remarkable journey.

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In conjunction with the exhibition, Stolen Heart, which deals with the expropriation of Berlin’s Jews, historian Elazar Barkan (Columbia University) will lead a panel discussion of the historical, legal, moral, and emotional aspects of restitution featuring journalist Sarah Wildman and psychiatrist and author Joanne Intrator.

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At a luxurious Berlin hotel between the wars, the once-wealthy Baron Felix von Gaigern (John Barrymore) supports himself as a thief and gambler among a cast of other colorful characters. Film scholar Noah Isenberg (The New School) introduces this lavish adaptation of the Austrian-Jewish writer Vicki Baum’s genre-defining 1929 novel, Menschen im Hotel.

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He drew sketches on tiny pieces of paper and sent them from the trenches to a young cellist who was waiting for him in Berlin. She thought he was a genius, and after WWI she helped him become the busiest architect in Germany. Historian Gavriel Rosenfeld (Fairfield University) introduces this cinematic meditation on the architect Erich Mendelsohn.

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