Events by location: Center for Jewish History

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George Salter (1897-1967) was one of the most prolific and influential book designers of the 20th century whose distinguished career included works for all the major publishing houses in both the United States and Germany.

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Kurt Tucholsky is one of Weimar Germany’s most celebrated literary figures, loved by his many readers and hated by the Nazis. A forthcoming re-issue of long out-of-print English translations by Harry Zohn will re-introduce Tucholsky’s satirical masterpieces to today’s readers.

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Dr. Yael Sela-Teichler discusses the 1791 edition of Moses Mendelssohn’s German translation of Psalms, The Book of the Songs of Israel, exploring maskilic renderings of the music of the Hebrews that reclaim biblical poetry as Jewish musical heritage and challenge traditional notions of exile.

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Join us for a talk by NEH Senior Scholar Naomi Seidman exploring the role played by Yiddish and other Jewish languages in Freud’s writing, from the Yiddish of his parents “behind” his Viennese German to the translations and adaptations of his work in Eastern Europe.

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The Grammy-nominated New Budapest Orpheum Society performs Jewish songs from the Holocaust, gathered from the cabarets, camps, ghettos, theater, and films.

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Through a close reading of key paintings and by a discussion of his many cultural networks across Germany and throughout Europe, this new study by Marion Deshmukh illuminates the painter Max Liebermann’s importance as a pioneer of German modernism.

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Supported by more than two hundred photographs, the second volume of Andras Koerner’s history, “How They Lived – The Everyday Lives of Hungarian Jews, 1867-1940” shows how the diverse groups of Hungarian Jews lived their everyday lives—how they raised their children, spent their leisure time, practiced their religion, performed their charity work, and more.

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On this evening, George Prochnik presents his bildungsroman on Gershom Scholem, one of the twentieth century’s most important humanist thinkers. Prochnik traces the lifeline of Scholem, and weaves it with an intimate story of his own youth, marriage, and spiritual quest in Jerusalem.

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The dream of refuge from antisemitism, freedom from the arbitrary dictates of despots, and a place for Jewish religion and culture to flourish gained in popularity in the context of 19th-century discrimination against Jews. Yet some of the most potent and enduring expressions of the Zionist vision emanated from assimilated Jews in cities like Vienna and Berlin, where Jews enjoyed unprecedented rights and prosperity in this period.

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In the new history, We’ll Always Have Casablanca, film historian Noah Isenberg gives a rich account of this beloved movie’s origins. Through extensive research and interviews with filmmakers, film critics, family members of the cast and crew, and diehard fans, Isenberg reveals the myths and realities behind Casablanca’s production, focusing in particular on the central role of refugees—nearly all the actors were immigrants from Hitler’s Europe.

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