Pre-war Jewish life in Hungary from the late 19th through the early 20th centuries was astonishingly diverse in language, religious practice, and lifestyle. Join us for a fascinating evening as scholars of social history delve deeply into the thriving daily lives of these Hungarian, Yiddish, and German-speaking Jews along with author Andras Koerner.
Jan Bürger and George Prochnik will discuss one of the most important and enigmatic writers of the modern era, and provide insights into his astonishing body of work with the aid of manuscripts and letters from the Leo Baeck Institute, New York, and the German Literature Archive, Marbach.
The Leo Baeck Institutes in New York and London sponsored the first international conference on the German-Jewish émigré theater director Kurt Hirschfeld in Zurich in March 2015. Now, LBI will reprise that successful program in New York City.
Phoenix Chamber Ensemble performing Haydn’s Trio in E H:XV:28, the second Mozart Quartet in E flat, a Beethoven violin-piano sonata and more.
The first volume of its kind, “Dislocated Memories: Jews, Music, and Postwar German Culture” draws together three significant areas of inquiry: Jewish music, German culture, and the legacy of the Holocaust. The volume makes powerful arguments about the impact of the Holocaust and its aftermath in changing contexts of musical performance and composition.
Dr. Eric R. Kandel will accept the Leo Baeck Medal during a special evening at the Center for Jewish History in New York. Dr. Kandel is a neuroscientist whose work on the molecular biology of memory opened new methods of inquiry into the study of brain and mind.
Michael Meyer, Adolph S. Ochs Professor of Jewish History Emeritus at Hebrew Union College, will survey the history of German-speaking Jews and the Leo Baeck Institute’s efforts to document it in celebration of LBI’s 60th year.
German-born industrialist Stef Wertheimer discusses his exceptional new biography, “The Habit of Labor” (Overlook Press, 2015) with Jane Eisner, Editor-in-Chief of the Forward.
The recent discovery of more than 10,000 unknown negatives by renowned photographer Roman Vishniac has revealed a far more versatile, innovative and creative artist than previously thought. Join us for a day-long symposium as scholars, photography curators, and cultural critics reappraise Vishniac’s radically diverse body of work that spans the 1920s through the 1970s.
“The Blum Affair” (1948) directed by Erich Engel for the East German Film production studio DEFA, tells the story of a 1926 court case in Magdeburg: Dr. Blum, a Jewish manufacturer, is falsely accused of a murder.
Reconstructing the fate of more than 8,000 companies, this book offers the first comprehensive analysis of Jewish economic activity and its obliteration in Berlin.
A new exhibit, “Allied in the Fight,” on display in The David Berg Rare Book Room at the Center for Jewish History recounts the efforts made by American Jews and African Americans to fight for the fundamental American promise of equality before and during the Civil Rights era. Additionally, “Rosenwald,” a film by Aviva Kempner, tells the remarkable story of a Jewish partnership with African American communities.
This evening’s program features the Festival’s 2015 Anne-Sophie Mutter Foundation artist, violist Vladimir Babeshko, in one of Joseph Joachim’s soaring Hebrew Melodies and in Kodaly’s Serenade for String Trio
Feature documentary Return to a Burning House portrays the life of heroine Haviva Reick (1914-1944), an activist during the Slovak National Uprising, a member of British Intelligence and the Palmach, and a passionate Zionist leader. After joining the Palmach strike force of pre-Israel’s army, she was recruited by the British military in 1944 and sent back to Slovakia to rescue Allied airmen and help the remnant of the Jewish community
A group of elite, cosmopolitan Jewish women played a central role in shaping the dynamic cultural world of late 18th-century Berlin. Sara Levy, an influential salon hostess and performing musician interacted with important composers and intellectuals of her day. Professors Nancy Sinkoff (Rutgers) and Christoph Wolff (Harvard) comment on Levy’s life and times and the music performed in this concert.