The first volume of its kind, “Dislocated Memories: Jews, Music, and Postwar German Culture” draws together three significant areas of inquiry: Jewish music, German culture, and the legacy of the Holocaust. The volume makes powerful arguments about the impact of the Holocaust and its aftermath in changing contexts of musical performance and composition.
Dr. Eric R. Kandel will accept the Leo Baeck Medal during a special evening at the Center for Jewish History in New York. Dr. Kandel is a neuroscientist whose work on the molecular biology of memory opened new methods of inquiry into the study of brain and mind.
Michael Meyer, Adolph S. Ochs Professor of Jewish History Emeritus at Hebrew Union College, will survey the history of German-speaking Jews and the Leo Baeck Institute’s efforts to document it in celebration of LBI’s 60th year.
German-born industrialist Stef Wertheimer discusses his exceptional new biography, “The Habit of Labor” (Overlook Press, 2015) with Jane Eisner, Editor-in-Chief of the Forward.
The recent discovery of more than 10,000 unknown negatives by renowned photographer Roman Vishniac has revealed a far more versatile, innovative and creative artist than previously thought. Join us for a day-long symposium as scholars, photography curators, and cultural critics reappraise Vishniac’s radically diverse body of work that spans the 1920s through the 1970s.
“The Blum Affair” (1948) directed by Erich Engel for the East German Film production studio DEFA, tells the story of a 1926 court case in Magdeburg: Dr. Blum, a Jewish manufacturer, is falsely accused of a murder.
Reconstructing the fate of more than 8,000 companies, this book offers the first comprehensive analysis of Jewish economic activity and its obliteration in Berlin.
A new exhibit, “Allied in the Fight,” on display in The David Berg Rare Book Room at the Center for Jewish History recounts the efforts made by American Jews and African Americans to fight for the fundamental American promise of equality before and during the Civil Rights era. Additionally, “Rosenwald,” a film by Aviva Kempner, tells the remarkable story of a Jewish partnership with African American communities.
This evening’s program features the Festival’s 2015 Anne-Sophie Mutter Foundation artist, violist Vladimir Babeshko, in one of Joseph Joachim’s soaring Hebrew Melodies and in Kodaly’s Serenade for String Trio
Feature documentary Return to a Burning House portrays the life of heroine Haviva Reick (1914-1944), an activist during the Slovak National Uprising, a member of British Intelligence and the Palmach, and a passionate Zionist leader. After joining the Palmach strike force of pre-Israel’s army, she was recruited by the British military in 1944 and sent back to Slovakia to rescue Allied airmen and help the remnant of the Jewish community
A group of elite, cosmopolitan Jewish women played a central role in shaping the dynamic cultural world of late 18th-century Berlin. Sara Levy, an influential salon hostess and performing musician interacted with important composers and intellectuals of her day. Professors Nancy Sinkoff (Rutgers) and Christoph Wolff (Harvard) comment on Levy’s life and times and the music performed in this concert.
In the decades following Israel’s establishment, subtle variations appeared in the attitudes of key Jewish members of the Frankfurt School toward the Jewish state. In his new book, The Frankfurt School, Jewish Lives and Antisemitism (Cambridge University Press), Jack Jacobs (John Jay College; Graduate Center, CUNY) offers new insights into why.
The 21st century has seen a resurgence of interest in the works of Stefan Zweig, who was amongst the most acclaimed authors worldwide before he fell into obscurity. Mark Gelber (Ben Gurion University) and Birger Vanwesenbeck (SUNY) present two new books that reassess Zweig’s legacy.
Peter Appelbaum will speak about his book, Loyal Sons, which describes, for the first time in English, the experiences of Jews in the German army during the First World War.
At age 98, director Arnon Goldfinger’s grandmother passed away, leaving him the task of clearing out the Tel Aviv flat that she and her husband shared for decades after immigrating from Nazi Germany in the 1930s. Sifting through a mountain of photos, letters, files, and objects, Goldfinger undertook the complex process of making sense of the accumulated ephemera of a lifetime.