All six sons of the Hamburg industrialist, S. Anker, were among the 85,000 Jewish soldiers who went to battle for Germany in World War I. Two of of them, Heinrich and Richard, belonged to the 457 Hamburg residents among the 12,000 Jewish fallen. Otto Anker, b. 1883, survived, badly wounded. After the Nazis had been voted to power in 1933, his sons left the country and tried to get their parents to do the same. However, decorated with the Iron Cross and married to a non-Jewish woman, Otto Anker felt safe. The gratitude of the Fatherland kept within limits: in 1938, Otto Anker’s business was “aryanized.” This ID, stamped on December 6th, is marked with a conspicuous “J.”
Ernst Patzer, an employee of the criminal investigation department of the Berlin police and seriously disabled in World War I, had lost his job in March 1938. The reason was the Public Service Law of 1937 which barred those married to Jews from public service – and Patzer had been married to a German-Jewish woman for 25 years. This additional move of the Nazi regime to push Jews and their relatives out of all spheres of life hit the Patzers very hard: he was the sole wage earner and, after 25 years of service, lost not only his position but also any claim to his pension. This letter of October 24, 1938, shows how step by step, Ernst Patzer was excluded from civic participation. In vain he wrote, as a former frontline soldier, to Hitler and Göring, in order to obtain continued employment with a government agency. The marriage lasted, and he finally found work as an auditor with AEG (a producer of electrical equipment). The Patzers survived National Socialism.
The letter that Joseph Roth sends to his cousin Michael Grübel in Mexico is short. Though written in a familiar tone, it limits itself to the most important matters of organization. Roth thanks him for establishing contact with a Dor. Com. Silvio Pizzarello de Helmsburg. The latter, he hopes, will help him “bring ten comrades to Mexico.” Whom exactly Roth has in mind here remains a question. Moreover, Roth asks his cousin to also obtain a visa for him personally. The famous author and journalist had emigrated to Paris in 1933. From there, he had since published numerous novels and essays and written for emigrant publishers in different countries. However, now Roth too seemed to toy with the thought of leaving Europe.
Only one day after the “Anschluss” Fritz Löhner was arrested in Vienna and shortly thereafter deported to the concentration camp at Dachau. Löhner was born in Bohemia in 1883. As a young child, he moved with his parents to Vienna. By the 1920s, Beda, as Fritz Löhner sometimes called himself, had become one of the most renowned opera librettists in Vienna. On top of that, he wrote numerous lyrics (some still known today), not to mention satires and pieces for cabaret, always with a clear attitude: his time as an officer in World War I had turned him against the military. On the 23rd of September 1938, the Nazis transferred him from Dachau to the concentration camp at Buchenwald.
Dr. Max Wolf had already found his area of expertise years ago. Since 1922 Wolf practiced as a dermatologist in the Vienna Polyclinic as well as published numerous scientific essays in this field. The Vienna native had studied at the time of the First World War, and shortly thereafter he served on the Italian front as a M.A.S.H. doctor. Now, however, his career was about to end. After the “Anschluss,” the Nazis barred Jewish lawyers and judges in Austria from working. A ban for Jewish doctors was imminent. Meanwhile, Max and his wife Margarata Wolf prepared their emigration. The certificate about Wolf’s membership in the Viennese Society of Physicians makes it clear: Max Wolf did not intend to give up his profession while in exile.
The percentage of Jews among German physicians was so high that, initially, a comprehensive employment ban did not seem expedient to the Nazis. Instead, they issued the “Administrative Order regarding the Admission of Jewish Physicians” of April 22, 1933, which excluded “non-Aryan” doctors from working with the Statutory Health Insurance Funds unless they began their practice before WWI or could prove that they or their fathers had been frontline soldiers in the war. Starting in 1937, Jews could no longer obtain doctoral degrees. In an August 3, 1938 notice, the Jewish Telegraphic Agency draws attention to the fourth supplementary regulation added to the Reich Citizenship Law, passed days earlier, according to which, effective September 30, Jewish physicians were to lose their medical licences.
Hugo Jellinek was a man of many talents. The outbreak of WWI forced him to quit medical school in Vienna. As a soldier, he was severely wounded in Samarkand and fell in love with his nurse, who later became the mother of his three daughters. The couple settled down in Tashkent, Uzbekistan. His young wife having died in 1926, he fled the Soviet Union in 1930 and ultimately returned to Vienna, where he utilized his knowledge of 8 languages as a translator and also worked as a freelance journalist. Thanks to a warning about impending arrest by the Nazis, he was able to escape to Brünn (Czechoslovakia) in June 1938. His eldest daughter, eighteen year-old Gisella Nadja, departed for Palestine the same day. In this colorful letter, Hugo shows fatherly concern for Nadja’s well-being, but also talks at length about the hardship he himself has faced as a refugee and reports that his cousin’s son is interned at the Dachau Concentration Camp. He mentions with gratification what he calls the “League,” probably referring to the aid center of the “League for Human Rights,” which was looking after the refugees, defying Hitler’s sinister goals. Ultimately, however, the most important thing for him was the fight for a country of one’s own.
The first major rupture in artist Gustav Wolf’s biography had occurred during World War I. He had volunteered for frontline duty and was badly injured. His brother Willy was killed in combat. The works in which he processed his wartime experiences leave no doubt about his feelings. Instead of glorifying war, he shows its horrors. His confrontation with antisemitism during and after the war led him to an increased awareness of his own Jewishness. In 1920 he accepted a professorship at the Baden Art School in Karlsruhe, trying to realize his ideal of an equitable partnership between teacher and student. After a year, he quit this “dead activity,” referring to the school as “an academy of schemers.” In 1929, he designed the set for Fritz Lang’s silent film “Woman in the Moon,” an early science-fiction movie. Upon the Nazi rise to power in 1933, he canceled his memberships with all the artists’ associations to which he had belonged. In his letter to the Baden Secession, he explained his decision with the following words: “I must first get my bearings again. The foundations of my existence have been called into question and shaken.” After extended stays in Switzerland, Italy and Greece, he returned to Germany in 1937. In February 1938, he boarded a ship to New York. June 26, 1938 was his 49th birthday.
In Anni Buff’s personal recipe book, dated June 25, 1938, traditional Bavarian dishes, like liver dumplings, Christmas stollen, and cottage cheese doughnuts, certainly outweighed traditional Jewish ones, such as matzo balls. The Jewish community in her native Krumbach was well integrated. Since its peak in the early 19th century, when it constituted about 46% of the population, its ranks had declined considerably, and by 1933, only 1,5% of Krumbachers were Jewish. In spite of this negligible presence of Jews, National Socialism with its rabidly antisemitic message took hold fast, and even before it became national policy, Jews in the little town were harassed by SA men. By 1938, the abuse had become so unbearable that Anni’s father Julius, who dealt in upholstery material, began to explore possibilities to find a new home on safer shores, such as the US, the Dominican Republic, or Shanghai. Not even the fact that he had lost a brother in WWI and had himself served in the 16. Bavarian Reserve Infantry Regiment—along with a young Austrian named Adolf Hitler—did anything to improve his standing with Nazi authorities.
Since discussing the possibility of emigration with his relatives in Vienna on April 20, Adolph Markus of Linz had taken up English lessons at the synagogue twice to three times a week. On April 29, his brother-in-law had been picked up by the Gestapo, and the Markuses’ tension and nervousness was beginning to rub off on the children. Two weeks later, Mrs. Markus was questioned by the Gestapo about the value of a house she owned and all her other property. Finally, on June 18, two Gestapo officers appeared at the family’s home: While going over the contents of some boxes, one of them tried to frame Adolph Markus by sneaking in a communist leaflet. Markus mustered the calm and self-assurance to point out to the officers that he had never been politically active in any way. His allusion to his frontline service in World War I, combined with the remark that if they were to arrest him, they would have to take along his two little boys, since their mother was in the hospital, made them change their mind. They left – threatening to return after six weeks if he wasn’t going to leave the country on his own accord.
After three decades of making his fellow Austrians laugh, cabaret artist Fritz Grünbaum’s career was brought to an abrupt end by the Anschluss. His politics alone would have sufficed to make him intolerable for the new regime: Grünbaum had returned from action in World War I not only a decorated soldier but also an avowed pacifist. As for Nazism, he did not mince words. Since 1933, he had been getting more political, and when during a 1938 performance a power outage caused the stage lights to go out, he commented glibly, “I see nothing, absolutely nothing. I must have accidentally gotten myself into National Socialist culture.” His last performance at the famous cabaret “Simpl” in Vienna just two days before the Anschluss was followed by an artistic ban on Jews. Grünbaum and his wife Lilly, a niece of Theodor Herzl, tried to flee to Czechoslovakia but were turned back at the border. On May 24, he was interned at the Dachau concentration camp. Grünbaum was also known as a serious art collector, mostly of modernist Austrian works, and a librettist.
In April 1938, Rabbi Leo Baeck, the president of the Reich Representation of Jews in Germany and as such the main representative of German Jewry, had presciently written, “And this year will be a difficult year; the wheel is turning faster and faster. It will really test our nerves and our capacity for careful thought.” Baeck had been an army chaplain in World War I and as a patriot must have been extremely pained by the persecution of German Jewry. With large parts of the community reduced to poverty, Jewish rights curtailed, Jews pushed to the margins of society, and no prospects for improvement, Rabbi Baeck’s 65th birthday on May 23 probably was quite a somber affair.
In today’s release, the Jewish Telegraphic Agency reports that the Deutsches Volksblatt in Vienna urges a “pitiless anti-Jewish boycott.” This, the paper argues, is the line demanded by Hermann Göring in his last speech in Vienna. Highly decorated in WWI as a fighter pilot, Göring had become a member of the NSDAP early on and was a member of its inner circle. He had established the Gestapo in 1933, was commander-in-chief of the German airforce (Luftwaffe) and as Plenipotentiary of the Four-Year Plan, he also wielded power over the German economy. Other than that, he is known for his pivotal role in bringing about the Anschluss and his passion for collecting art, which he often acquired in dubious ways.
After stints with various orchestras in Germany and Austria, in 1930, the conductor Erich Erck returned to Munich, where he had studied music. The Nazis forced him to relinquish his stage name and return to his family name, Eisner. His application for membership in the Reichsmusikkammer was rejected, since his Jewishness was seen as more damning than his combat service for Germany in WWI was redeeming. After he was banned from employment in 1935, he initiated the establishment of the Munich branch of the Jüdischer Kulturbund and became the executive director of its Bavarian State Association. He also took over the Orchestra of the Kulturbund (founded in 1926 as the “Jewish Chamber Orchestra”), in which capacity he appears on this photograph from the ensemble’s May 18, 1938 performance at Munich’s monumental Main Synagogue on Herzog-Max-Straße.
Residents of Linz, Adolph Markus, his wife, and their two children were among the relatively few of Austria’s roughly 200,000 Jews not living in Vienna. On April 20, 1938 Markus went to visit his family in the capital in order to discuss the difficult situation and explore options for emigration. While his brother Rudi was prepared to lose his job any day, he opined that Adolph, as WWI combat veteran, had nothing to worry about. Indeed, combat veterans were exempt from certain anti-Jewish measures, as were Jews who had lost their father or a son in combat for Germany or its allies.
For Arthur Wolf, a fervent Austrian patriot and veteran of WWI, the Nazi takeover of Austria in March meant the collapse of his world, the loss of his homeland and equal rights. Wolf was the manager of a textile factory in Tannwald (then Czechoslovakia). His Russian-born wife, Maria, had stayed behind in Austria with the couple’s son, Erich (b. 1923). Given recent events, the tone of Maria’s April 19 letter to Arthur is remarkably playful. She marvels about 15 year-old Erich’s poetry, speaks warmly about their mother-son relationship and expresses longing for Arthur, avoiding any obvious references to current events.
A WWI veteran, Alfred Schütz had studied law, sociology, and philosophy at the University of Vienna. Since the late 1920s, he had worked for the international banking house Reitler & Co. During the German invasion of Austria, he happened to be on a business trip to France. He opted to stay abroad, leaving behind his wife and child. A friend who had visited Vienna from London writes about his conversation with Schütz’s wife, Ilse. In his letter, he dissuades Alfred from returning to Austria due to the new regime’s attitude of suspicion towards the international banking industry. In light of the impending danger, a temporary separation from his family seemed like a better option to Schütz than coming back to Vienna.
A mere 20 years had passed since the end of World War I, during which Dr. Max Kirschner, a Frankfurt physician, had been decorated with the Iron Cross—remarkably, for extending aid to enemy infantrymen. Yet the fact that Kirschner had fought in the War as one of 100,000 German Jews, 12,000 of whom lost their lives, did not in the long run improve his standing with the authorities. In his eulogy for Hedwig Wallach, scion of an old Frankfurt family, he praised the deceased’s quiet devotion to her husband, her lively interest in her children and the quiet bravery with which she had borne her illness.
“May you continue for a long time to be granted the opportunity to dedicate your tried and tested skills to the welfare and benefit of the city.” With these words, Berlin mayor Heinrich Sahm congratulated Prof. Erich Seligmann, Director of Scientific Institutes at the Public Health Department and an eminent authority on issues of public health, on his 25th year of service in 1932. Barely half a year later, in March 1933, Seligmann was dismissed, despite his recognized scientific achievements and his outstanding knowledge in the field of epidemics control, which he had demonstrated inter alia as a staff surgeon in World War I. In this diary entry dated February 4, 1938, Seligmann writes about “widespread confiscation of passports from Jews” and “an atmosphere of hopelessness.” Seligmann was planning a trip to Rome, where he and his wife Elsa hoped to meet their son Rolf.