The Austrian Adolph Markus had started a diary on January 12, the day Hitler forced the “Berchtesgaden Treaty” on the Austrian chancellor, Schuschnigg. The treaty stipulated the release of National-Socialist prisoners, gave free rein to Nazi political organizing, and granted a greater measure of participation in government activities to their political representatives. Markus personally witnessed the thuggish behaviour of the released prisoners and their reception by sympathizers in the streets of Linz. In his diary entry on February 20, he records the events of the preceding day and reveals his worries for his country.
On November 10th, in the course of the pogroms sweeping the entire Reich, Ernst Aldor, an electrical engineer, was arrested in his own home in Vienna for the crime of being a Jew. He was deported to the Dachau concentration camp 366 kilometers west of his home town. On December 9th, he was released. During the period of his incarceration, his wife Renée received an entry permit for Bolivia and a telegram from her cousin, Emil Deutsch, in America, confirming that an affidavit was being prepared. Australia was a third option the couple had considered as a place of refuge. To prepare for emigration, Renée Aldor, a native of Hungary, procured this document from the registry office at police headquarters in Vienna, dated December 20th, listing all her residences in the city since 1920.
For 19 years, Fritz Feldstein had been working at a bank in Vienna to the full satisfaction of his superiors. But, in 1938, after Nazi Germany annexed neighboring Austria, he lost his position. On July 5th, the family registered with the US consulate in Vienna, but for immigration, affidavits were needed. After months of deeply upsetting political changes, Fritz Feldstein ventured an unusual step. On Oct. 16th, he turned to a Julius Feldstein in Los Angeles who, he hoped, might be a relative, appealing to “the well-known American readiness to help.” Soon, a correspondence developed, also involving Fritz’s wife, Martha, and their daughter, Gerda. The 11-year-old was not only a skillful piano player, she obviously also had a knack for languages. On November 20th, she writes to the Feldsteins in California for the first time – in English.
Hans Joseph Pinkus’s great-grandfather had married into the Fränkel family in Neustadt, Upper Silesia, in the 19th century. The two families joined forces in running the “S. Fränkel” Company, a successful textile factory that became one of the world’s largest manufacturers of linen. Under normal circumstances, Hans Joseph might have followed three generations of Pinkuses in running the affairs of the company, but he was only 16 years old and in boarding school when it was “Aryanized.” On October 20th, 1938, his stepmother, Lili, wrote him a letter to let him know that his father was about to quit and that she would follow him. She didn’t let on as to whether “cooking and ironing at home” was an attractive alternative to her and kept her feelings to herself.
Dr. Ernst Schaumberger was a doctor specializing in skin and sexually-transmitted diseases, a virtually apolitical occupation. However, National-Socialist ideology concerning race and morals interpreted sexual relations as a matter of political interest. Therefore, Dr. Schaumberger’s area of work became political. The confidential request, which he received from the agency of public health in Stuttgart on September 20th, is noteworthy in many ways. He was asked to report whether he had treated any girls or women who were infected with sexually-transmitted diseases due to sexual relations with Italians. So-called “racial hygiene” in National Socialism didn’t shy away from violating medical confidentiality. When Dr. Schaumberger received this letter, his days as a practicing doctor were numbered. He’d already been identified as a “Jewish doctor” in July, and an amendment to the Nazi Reich Citizenship Law decreed that, on the 30th of September, 1938, the licenses of Jewish doctors would expire. Nonetheless, he was still expected to cooperate with the Nazis.
Just a few doors down from the Palestine Office of the Jewish Agency, at No. 2 Meineke Street in Berlin, was the travel agency “Palestine & Orient Lloyd,” which closely cooperated with the Palestine Office in assisting thousands of Jews with emigration from Nazi Germany—and not only to Palestine. One of these emigrants was Dr. Rolf Katzenstein. On August 20th, 1938, the “Palestine & Orient Lloyd” issued this bill to him for passage to New York on August 27th aboard the Columbus from Bremen.
Immediately after their rise to power in January 1933, the Nazis began to extend their control over every aspect of cultural life in Germany. As a popular medium capable of reaching large numbers of people—and one perceived as being dominated by Jews—film was of central importance to the new regime. Before the production of a new movie could begin, the script had to pass pre-censorship. The final product was scrutinized by the censorship authority for film (Film-Prüfstelle) of the Reich Propaganda Ministry. Under the Nazi regime, the state’s relationship with the film industry changed. While prior to 1933, authorities had primarily sought to censor or suppress material deemed harmful, the Nazi regime actively instrumentalized the film industry to promote National Socialist ideology. The anti-Semitic film “Juden ohne Maske” (“Jews unmasked”), whose authorization card from the censors is shown here, is such a case. It received the rating “valuable to national policy”, but it was also restricted to screenings for adult audiences in the context of NSDAP events.
The first major rupture in artist Gustav Wolf’s biography had occurred during World War I. He had volunteered for frontline duty and was badly injured. His brother Willy was killed in combat. The works in which he processed his wartime experiences leave no doubt about his feelings. Instead of glorifying war, he shows its horrors. His confrontation with antisemitism during and after the war led him to an increased awareness of his own Jewishness. In 1920 he accepted a professorship at the Baden Art School in Karlsruhe, trying to realize his ideal of an equitable partnership between teacher and student. After a year, he quit this “dead activity,” referring to the school as “an academy of schemers.” In 1929, he designed the set for Fritz Lang’s silent film “Woman in the Moon,” an early science-fiction movie. Upon the Nazi rise to power in 1933, he canceled his memberships with all the artists’ associations to which he had belonged. In his letter to the Baden Secession, he explained his decision with the following words: “I must first get my bearings again. The foundations of my existence have been called into question and shaken.” After extended stays in Switzerland, Italy and Greece, he returned to Germany in 1937. In February 1938, he boarded a ship to New York. June 26, 1938 was his 49th birthday.
Section 17 of the Third Supplementary Decree on the Reich Citizenship law (Reichsbürgergesetz), issued on June 14, called for marking Jewish businesses at a date yet to be determined. The Nazis lost no time. According to this article by the Jewish Telegraphic Agency, days later, the word “Jew” and Nazi slogans were smeared on Jewish shop windows throughout Berlin in an organized fashion, with the same red, hard-to-remove oil paint used everywhere. There could be no doubt that the action was carried out with blessings from above. While no opposition from the non-Jewish population is recorded, the correspondent does point out that unlike in Vienna and in less affluent parts of Berlin, the crowd on Kurfürstendamm looked on quietly, without major enthusiasm. Tension among Jews was intensified by reports of plans to build labor camps where Jews apprehended in recent raids were to be put to work.
In today’s release, the Jewish Telegraphic Agency reports that the Deutsches Volksblatt in Vienna urges a “pitiless anti-Jewish boycott.” This, the paper argues, is the line demanded by Hermann Göring in his last speech in Vienna. Highly decorated in WWI as a fighter pilot, Göring had become a member of the NSDAP early on and was a member of its inner circle. He had established the Gestapo in 1933, was commander-in-chief of the German airforce (Luftwaffe) and as Plenipotentiary of the Four-Year Plan, he also wielded power over the German economy. Other than that, he is known for his pivotal role in bringing about the Anschluss and his passion for collecting art, which he often acquired in dubious ways.
Residents of Linz, Adolph Markus, his wife, and their two children were among the relatively few of Austria’s roughly 200,000 Jews not living in Vienna. On April 20, 1938 Markus went to visit his family in the capital in order to discuss the difficult situation and explore options for emigration. While his brother Rudi was prepared to lose his job any day, he opined that Adolph, as WWI combat veteran, had nothing to worry about. Indeed, combat veterans were exempt from certain anti-Jewish measures, as were Jews who had lost their father or a son in combat for Germany or its allies.
This stereoscopic image from March 1938 shows a lingerie store in Vienna with a sticker that says “Jewish business” attached to its window. Immediately after the German Army’s entry into Austria, celebrated in many places, on March 12, 1938, the local Jewish population began to suffer from the same kind of defamation as German Jews had since 1933. The picture is part of the Sammlung Schönstein (Schönstein Collection) at the German Historical Museum. At the beginning of the 1930s, Otto Schönstein (1891–1958) of Nuremberg established his Raumbild Verlag, which published albums of stereoscopic photographs. In 1937, Heinrich Hoffmann, Hitler’s “personal photographer,” became involved in the publishing house, which was showing signs of economic difficulties, and used it for the dissemination of NS propaganda.
At the end of February 1938, there still seemed to be at least a few rays of hope for Austrian Jewry. In a sermon at the Vienna Central Synagogue, Chief Rabbi Israel Taglicht expressed the confidence of Austrian Jewry in Chancellor Kurt Schuschnigg. A few days earlier, the Chancellor had asserted that Austria would hold fast to the principles of the Constitution of May 1934, which granted Jews equality before the law and religious freedom. About the same time, the pro-Nazi mayor of Graz had been dismissed for raising a swastika flag over City Hall. To prevent Nazi demonstrations, the University of Graz and the Technical College had been temporarily closed.
Few among the immigrant New York audience expected to attend a trilingual event of the Theodor Herzl Society had ever encountered native speakers of modern Hebrew: Hence, it is no wonder the Aufbau assumed that the Hebrew part would constitute the greatest attraction. The featured artist of the evening, actor Albert Klar (Sklarz), born and raised in Tel Aviv, had begun his career in Berlin under renowned directors such as Reinhardt and Piscator. He had made his way to New York thanks to an invitation from the great Yiddish actor and director, Morris Schwartz, who hired him for his Yiddish Art Theater. The venue was Ansche Chesed, a synagogue on the Upper West Side founded by German immigrants.
Despite the restrictive immigration policy of the British colonial power, twenty-year-old Paul Egon Cahn, a car mechanic from Cologne, managed to flee to Kenya with the help of this passport. Paul’s sisters, Erika and Inge, reached safety in England and Australia respectively. The siblings’ parents, Siegfried and Regina Cahn, remained behind in Germany. In many cases, refugees not only had to cope with the loss of their homes and property and the separation from their relatives but were also forced to take on the challenges posed by foreign climate zones and cultures.
By 1938, the Hirsch family from Hamburg had emigrated to Italy. In light of the volatile situation in Europe, members of the family began to look into options for emigration to the United States or South America. Julius Hirsch had met Elisabeth Schiff on a visit to Belgium in 1935 and fallen in love with her. The Schiff family had no plans to leave Europe, and when visas for El Salvador were procured for Julius and other members of his family, he must have been pained at the prospect of being so distant from his beloved. This letter from a friend in Hamburg reassures him that a temporary separation is not such a bad thing. Forced to remain in Italy because the US denied him the necessary transit visa, Julius ultimately reunited with Elisabeth in England.
In the traveling exhibition “Degenerate Art,” initiated in Munich in 1937, the Nazis used 650 works of art confiscated from 32 museums in order to force their idea of art upon the populace: newer trends like expressionism, surrealism, or fauvism, to name just a few, were regarded as “Jewish-Bolshevist” and roundly disparaged. The front page of the exhibition catalog shows a piece titled “Large Head” from the workshop of the German-Jewish artist Otto Freundlich, one of the first exponents of abstract art. It was created in 1912 to symbolize hope for a new beginning. Even apart from Freundlich’s Jewish background and his artistic leanings, being a communist made him politically unacceptable in the eyes of the regime.
This view of Ben Yehuda Street in Tel Aviv shows some of the typical buildings in the background to which it owes its unofficial name, “The White City.” Since 1933 and especially after the “Reichsbürgergesetz” came into effect in 1935, Bauhaus-trained architects had left Germany and were now putting their mark on Tel Aviv, either through their own creations or through their influence on others. The photo is dominated by the Migdalor building, which was built in 1935 and housed the city’s first air-conditioned movie theater. On the external wall there is a huge advertisement for Jean Renoir’s 1937 movie “Grand Illusion,” which due to its pacifist message was banned in Nazi Germany.
Between the Nazis’ rise to power in 1933 and the year 1938, about 16.000 Jews had immigrated to the United States. Many German Jews had made their home in New York, especially in the neighborhood of Washington Heights in northern Manhattan, gaining it the nickname “Frankfurt on the Hudson.” The event schedule of the German-Jewish Club lists a “Family evening with Kaffee-Klatsch” which offers “artistic and musical interludes.” The event is geared towards the needs of the older members of the community, as “a substitute for lodge, singing club, social club and other associations,” promising participants an opportunity to discuss what they had on their minds. In addition to cultural activities in German, the massive influx of German-speaking Jews to Washington Heights led to the establishment of numerous new synagogues, beginning with “Tikvoh Chadoshoh”—“New Hope.”
In light of the looming danger, a young jazz musician from Breslau, Werner Dambitsch, considered various options for emigration. Like many others, he viewed Cuba, a destination for which it was significantly easier to obtain a visa, as a “waiting room” on the way to the final destination for many, the United States. While his application for immigration to Cuba was being processed, Dambitsch, to be on the safe side, seems to also have applied for a visa at the Colombian Embassy in Berlin. The document presented here is a doctor’s notice written by the doctor of the Colombian Embassy and attesting the perfect health of the prospective emigrant, one of the indispensable preconditions for receiving a visa.
Not wishing to leave behind the family business and hoping that the Jews’ situation would improve over time, Alfred Rahn had initially been reluctant to consider emigration. However, in 1937 the family obtained US visas and sold the business to a non-Jew. Since they had not officially approved the sale, the Nazis accused Rahn of trying to hide funds. As a result, he had to serve a 14-month prison term. From prison, Rahn writes to his wife Lilli in a matter-of-fact way about his hope to be transferred to a different section of the prison, the work imposed on him, and the books he reads. He manages to create the impression that nothing much is amiss.
The orthodox Jüdische Presse quotes the state-run Austrian wire service Amtliche Nachrichtenstelle with a reassuring assessment of the situation of Jews in Italy: While there was an antisemitic movement “like everywhere else,” it was very moderate, and rather than targeting Italian Jewry, it opposed “World Jewry” due to the latter’s notoriously anti-fascist stance. Interestingly, the moderate nature of the antisemitic movement in Italy is seen as a result of the absence of a “Jewish movement” in the country. Indeed, Zionism had attracted very few followers in Italy, and between 1926 and 1938, only 151 Italian Jews had emigrated to Palestine.
Immediately after the Nazis seized power, on January 30, 1933, Berlin-based Recha Freier founded the Jüdische Jugendhilfe (“Committee for the Assistance of Jewish Youth”) soon to be known as Jugend-Alija (“Youth Aliyah”). The organization’s goal was to bring Jewish children past the age of elementary school to safety in Palestine. In the youth supplement of the Israelitisches Familienblatt of February 17, 1938, the children’s feelings are described as they depart for Palestine: Not only did they have to cope with the separation from their parents and families, but also with the uncertainty about their future.
In mid-February 1938, the Jewish Telegraphic Agency, for years an attentive observer of the situation of German Jews, reports once again on the precarious position of Jews in Germany and the struggle of the Jewish Winter Relief to do justice to the acute needs of the community’s poorest. While the new, obligatory contribution addressed ongoing needs and made it easier to survive the winter, the numerous laws imposed by the Nazis since 1933 that banned Jews from various professions lead to an irreversible deterioration of their material situation.
Bertha Pappenheim (1859–1936), born and raised in Vienna, was a leading German-Jewish feminist. Better known as the patient Anna O. in Sigmund Freud’s “Studies on Hysteria,” she later moved to Frankfurt a.M., where she gradually shifted the emphasis of her activism from charitable work to women’s empowerment. In 1907, she established a home in Neu-Isenburg for young Jewish women in need of protection, a feat she considered her most important achievement. Under the Nazis, the home had to register all inhabitants with the police. In the letter displayed here, the secretary of the home asks Rabbi Dr. Merzbach at the District Rabbinate in Darmstadt to immediately send the papers of a resident of the home, Esther Kleinmann, who would otherwise face deportation.
Kibbutz Giv’at Brenner was established in 1928 by young immigrants from Poland and Lithuania who were soon joined by a group from Germany. As in many other kibbutzim, conditions at Giv’at Brenner were initially harsh, causing some members to leave. In the 1930s, due to the absorption of new immigrants, the kibbutz grew. Over time, a thriving agriculture and various industrial enterprises, including a cannery and a factory for irrigation equipment developed. The picture presented here shows the carpentry shop of the kibbutz in 1938. A unique feature was Beit Yesha, a vegetarian convalescent home established in the mid thirties—the first of its kind in a kibbutz.
In early 1938, a variety of assumptions regarding the future of the Jews circulated. The official SS organ Das Schwarze Korps (The Black Corps), for example, surmises that after the exclusion of Jews from “the spiritual and political life of the nation,” the physical separation from the majority of Jews within about twenty years will be no chimera. According to this notice disseminated by the Jewish Telegraphic Agency (JTA), Das Schwarze Korps, claims that the Jews are not willing to leave Germany and that the “small number” of Jewish emigrants should not be ascribed to “foreign exchange and other problems” but rather to the unwillingness of Jews in other countries to “lift a finger to give the emigrants or would-be emigrants a home.” In fact, by 1937, as many as 130,000 (out of a total of 600,000) Jews had left the country.
One month before Anschluss, the Austrian-Jewish weekly Die Wahrheit, exhorts Austrian Jews to learn from the development of antisemitism in Poland. The Vienna-based paper, which, since the twenties had increasingly advocated integration and distanced itself from Zionism, perceived Zionism as a dangerous breach with Polish-Jewish history: in the past, says the author of this article, Jews in Poland stood out with their patriotism and commitment to matters of national concern. He opines that their turning towards Palestine creates the impression of a lack of loyalty, thus giving ammunition to Jew-haters. Moreover, the article accuses Zionists of exerting undue pressure upon dissenters.
In February 1938, two brothers living in two different continents, Joszi Josefsberg in Europe (Chelles, France) and Arthur Josefsberg (New York) discuss in their correspondence how best to proceed to obtain affidavits to rescue their parents, who are still in Germany. But not only the fact that their parents’ emigration has not yet been secured worries Joszi—he is also concerned about their material survival. Such concerns were common among Jews who had left behind parents, siblings, and often spouses. Nazi efforts to force Jews out of numerous professions had made it harder and harder for those remaining in Germany to earn a living.
Already in 1936, the League of Nations had appointed Sir Neill Malcolm as “High Commissioner for German Refugees.” In light of the increasing stream of refugees from Nazi Germany, an inter-governmental conference was convened in February 1938 in Geneva under the aegis of the League of Nations. The orthodox paper Der Israelit reports on the first day of the gathering, which was attended by delegates from 14 states. Through the Nuremberg Laws, Jews had been downgraded from “citizens of the Reich” to mere “subjects.” As soon as they left Germany, they could be stripped off their citizenship entirely. Two members of the liaison committee, N. Bentwich from London and M. Seroussi from Paris, therefore demanded the extension of refugee status to stateless migrants as well.
The figures computed by the registry office of the Vienna Jewish Community and published here in the Jewish paper Die Stimme paint a bleak picture: between 1923 and 1937, the number of Jews in Vienna had decreased from 201,208 to around 167,000. The notice specifically mentions emigration between 1935 and 1936. Moreover, probably as a result both of the general insecurity and the changed age structure of the community, the number of births among Austrian Jews had gone down from 2,733 in 1923 to a mere 720 in 1937. Among the 2,824 deaths in 1937, 105 are entered as suicides.