Since the middle of the nineteenth century, Austrian citizens, regardless of ethnicity or religion, were required to keep a Heimatschein, a document testifying to their belonging to a certain locality. In practice, this was of relevance mainly if the holder fell upon hard times: according to the law, it was the home community listed in the Heimatschein that had to support the person in case of poverty or joblessness. The document shown here was issued on July 25, 1938, well over four months since the Nazi takeover, showing that for the time being, at least in this context, the policy had not changed vis-à-vis the country’s Jews.
Ludwig Schönmann, born in Neu-Isenburg in Germany in 1865, had come to Austria early in life and was thus spared the first five years of the Hitler regime. But from the day the German army entered Austria to annex the neighboring country in March 1938, the 73-year-old witnessed all the same persecution that had befallen Jews in Germany – only at an accelerated pace. Jewish businesses were ransacked and their owners expropriated. Jews were publicly humiliated and expelled from the Burgenland region, where they had first settled in the 13th century. Jewish students and teachers were pushed out of the universities, and the infamous Nuremberg Laws were extended to Austria, leading to the removal of Jews from public service. The first page of a memorial album in honor of Ludwig Schönmann lists July 24 as the day of his death.
Immediately after their rise to power in January 1933, the Nazis began to extend their control over every aspect of cultural life in Germany. As a popular medium capable of reaching large numbers of people—and one perceived as being dominated by Jews—film was of central importance to the new regime. Before the production of a new movie could begin, the script had to pass pre-censorship. The final product was scrutinized by the censorship authority for film (Film-Prüfstelle) of the Reich Propaganda Ministry. Under the Nazi regime, the state’s relationship with the film industry changed. While prior to 1933, authorities had primarily sought to censor or suppress material deemed harmful, the Nazi regime actively instrumentalized the film industry to promote National Socialist ideology. The anti-Semitic film “Juden ohne Maske” (“Jews unmasked”), whose authorization card from the censors is shown here, is such a case. It received the rating “valuable to national policy”, but it was also restricted to screenings for adult audiences in the context of NSDAP events.
On July 18, the commissioner of Dillkreis county in Hessen instructed the mayors of the cities Herborn, Dillenburg, and Haigern as well as police officials of the county to conduct a statistical survey of the Jewish population in their communities every three months. An official of the city of Herborn received the memorandum ordering the count and made notes showing that 51 Jews lived in the city on June 30, 1938. Three Jews had left their homes in the prior quarter. These local censuses of the Jewish population complemented other surveys that tracked the movement of Jews on a national level. To monitor and control the Jews in the country, the National Socialists used a variety of administrative tools, such requiring Jews to declare their financial assets, carry identification papers at all times, or change their names.
As a deaf-mute Jew, Ursula Meseritz was doubly inferior in the eyes of the Nazis. Since July 14, 1933, the Law for the Prevention of Genetically Diseased Offspring had been in effect, which legalized the forced sterilization of the deaf, the blind, the cognitively disabled, epileptics, and others. Ursula had attended the only Jewish institution for the deaf-mute in Germany, the “Israelitische Taubstummenanstalt” in Berlin Weißensee. Under the Nazi regime, the use of sign language was forbidden in public schools, and in 1936, Jewish students were excluded from institutions catering to the needs of the deaf-mute. According to a “Questionnaire for Emigrants,” which she had submitted in April 1938, Ursula had been trained as a lab worker for clinical diagnostics and was hoping to work in this field in the United States. The captions on these photographs (dated July 17, 1938) show that in spite of the difficult times, the 19-year-old had not lost her sense of humor. They appear to show Ursula and her sister with their parents celebrating one last time before Ursula departed for the US.
For a dyed-in-the-wool social democrat like the journalist, translator and writer Maurus (Moritz) Mezei, the changes that quickly took hold in Austria after the country’s unimpeded annexation by Nazi Germany must have been doubly troubling. During the period known as “Red Vienna,” the first-ever period of democratic rule in the city from 1918 to 1934, the Mezei family had moved to the “Karl-Marx-Hof,” a public housing project. Starting in 1938, “non-Aryan” families, including the Mezeis, were threatened with expulsion from the compound. Tenant protections initially remained in place for Jews, but they no longer applied to public housing. On June 10, Mezei had applied for immigration to Switzerland, but the reply, written on July 14, was negative. Only if he was to procure an immigration visa from a country overseas would Swiss immigration authorities reconsider his case and possibly grant temporary asylum.
Käthe Hoerlin and Regina Ullmann had at least three things in common: both had Jewish ancestors, both converted to Catholicism, and both had the trajectories of their lives impacted by the Nazi regime. Regina Ullmann, a poetess and writer, was expelled from the Association for the Protection of the Rights of German Authors (Schutzverband Deutscher Schriftsteller) and left Germany to return to her native St. Gallen, Switzerland. Käthe Hoerlin’s first husband, the music critic Willi Schmid, was executed by the regime in 1934 in a case of mistaken identity. Days after this tragedy, Käthe, who was the secretary of the ill-fated Nanga Parbat expedition, got news that nine of its participants had died trying to climb the famed Himalayan peak. In 1938, thanks to the help of a Nazi official who had assisted her with her compensation claims after Schmid’s death, she got permission to get married to the non-Jewish alpinist and physicist Hermann Hoerlin (marriages between “half-Jews,” as she was classified, and “persons of German blood” required special permits which were rarely given). Hoerlin was highly critical of the regime’s interference in scientific research. This letter, which exudes sincere empathy and interest in her friend’s well-being in her new surroundings as well as groundedness in her Catholic identity, was written by Regina Ullmann just after the Hoerlins had emigrated to the United States.
“The position under discussion has been filled,” was the terse answer Johanna Rosenthal, a former postal clerk, received to her application for a job as a telephone operator. After 14 years of service with the Deutsche Reichspost, she had been dismissed at the end of 1933. As she points out in her letter, her employment in public service as a Jew has been made impossible by the “Law for the Restoration of the Professional Civil Service.” The provisional pension of 68 Reichsmark that she had been granted was not enough to live on, so she sought new employment.
Until its forcible closure, reported on by the Jewish Telegraphic Agency on July 7, 1938, the Loew Sanatorium served as a private hospital for the well-heeled in Vienna. Prominent Jewish and non-Jewish patients came here for treatment and surgery. Among the institution’s many illustrious patients were the philosopher Ludwig Wittgenstein, the composer Gustav Mahler, the painter Gustav Klimt and the socialite and composer Anna Mahler-Werfel. The JTA notice specifically mentions the Jewish physicians who lost their livelihood due to the hospital’s closure. According to the criteria established by the Nazis, there were no less than 3,200 Jews or “mixed-blood descendents of Jews” among Vienna’s 4,900 physicians, whereas about one third of the physicians in the country as a whole were Jewish.
Lilly Popper (later Lilian Singer) was born in 1898 into a German-speaking family in Brünn (Brno). After graduation from the Gymnasium (high school), she began medical school in Vienna, later transferring to Berlin. There, in 1923, she got her driver’s license, which was just beginning to become socially acceptable for women. After a longer interruption, during which she worked for her father’s business and for a company in Amsterdam, she went back to school and in 1933 graduated from the Friedrich Wilhelm University in Berlin, which had been accepting women as guest auditors since 1892 (and as full-time students since 1908), an opportunity initially seized by a disproportionately large number of Jewish women. With the “Law against the Overcrowding of German Universities” of April 1933, the Nazis limited the access of both Jews and women to higher education, but these regulations did not apply to foreigners. After graduation, Lilian returned to Czechoslovakia. In 1938, she was a resident in surgery at a teaching hospital in Prague. The suitcase shown in the photograph accompanied her on her many journeys.
The “Aid Society of German Jews,” founded in Berlin in 1901, mainly supported Jewish immigrants to Germany. After the Nazis came into power, the association, now forced to call itself “Aid Society of Jews in Germany,” helped to facilitate Jewish emigration from Germany. In this context, it offered help with questions concerning government agencies, passport issues, or vocational retraining and also granted financial support. An important organ for its work was the periodical Jüdische Auswanderung (“Jewish Emigration”), which informed its readers about general living and work conditions but also about specific questions regarding Jewish culture in various countries. In the July 1938 issue, the US, Cuba, and the Philippines were introduced.
This letter from a father to his children is dominated almost entirely by concerns about transferring people and goods out of Germany. According to the writer, regulations were changing so rapidly that it was hard to keep track. Lately it had been decreed that both for articles to be shipped and for personal baggage, itemized lists had to be submitted which were subject to authorization. This could be rather time-consuming. The writer of the letter points out that the speed with which answers are given is not keeping up with the speed of the changes necessitating inquiries.
The Gestapo warrant for protective custody dated June 29, 1939 confirmed the hitherto merely formal arrest of the Jewish and communist painter Lina (Lea) Grundig (also see June 1). After her conviction of high treason, she was held at the Dresden Court Jail.
In Anni Buff’s personal recipe book, dated June 25, 1938, traditional Bavarian dishes, like liver dumplings, Christmas stollen, and cottage cheese doughnuts, certainly outweighed traditional Jewish ones, such as matzo balls. The Jewish community in her native Krumbach was well integrated. Since its peak in the early 19th century, when it constituted about 46% of the population, its ranks had declined considerably, and by 1933, only 1,5% of Krumbachers were Jewish. In spite of this negligible presence of Jews, National Socialism with its rabidly antisemitic message took hold fast, and even before it became national policy, Jews in the little town were harassed by SA men. By 1938, the abuse had become so unbearable that Anni’s father Julius, who dealt in upholstery material, began to explore possibilities to find a new home on safer shores, such as the US, the Dominican Republic, or Shanghai. Not even the fact that he had lost a brother in WWI and had himself served in the 16. Bavarian Reserve Infantry Regiment—along with a young Austrian named Adolf Hitler—did anything to improve his standing with Nazi authorities.
Section 17 of the Third Supplementary Decree on the Reich Citizenship law (Reichsbürgergesetz), issued on June 14, called for marking Jewish businesses at a date yet to be determined. The Nazis lost no time. According to this article by the Jewish Telegraphic Agency, days later, the word “Jew” and Nazi slogans were smeared on Jewish shop windows throughout Berlin in an organized fashion, with the same red, hard-to-remove oil paint used everywhere. There could be no doubt that the action was carried out with blessings from above. While no opposition from the non-Jewish population is recorded, the correspondent does point out that unlike in Vienna and in less affluent parts of Berlin, the crowd on Kurfürstendamm looked on quietly, without major enthusiasm. Tension among Jews was intensified by reports of plans to build labor camps where Jews apprehended in recent raids were to be put to work.
On June 17, the Jewish Telegraphic Agency reports that in the last four days, the Nazi authorities have re-intensified their raids on cafés in Berlin and elsewhere in the country, which between June 13 and 17 have led to the arrests of 2,000 Jews. During the Weimar Republic, there had been a thriving Kaffeehauskultur—artists and intellectuals practically saw certain cafes as their homes, where they would spend half of their days and nights discussing art, literature, and politics. Under the Nazis, this phenomenon quickly disappeared; they suspected subversive activities among these free thinkers. The public sphere was infested with informers. By the time of the Juni-Aktion, in the context of which these raids were carried out, the original clientele had largely disappeared. Ostensibly, the raids were targeting “anti-social elements.” In fact, however, they constituted the first mass-arrest of Jews. The Minister of Propaganda, Joseph Gobbels, had summarized the intention with the pithy words: “Our password is chicanery, not the law.”
Despite the patriotism often espoused by German Jews and their manifold contributions to society, the Reichsbürgergesetz (“Reich Citizen Law”) of 1935 officially assigned an inferior status to Jews, declaring them to be mere “nationals” and further segregating them from the rest of the population. Over time, supplementary decrees were issued that provided the exact Nazi definition of what made a person a Jew and forced Jewish public servants into retirement. On June 14, 1938, the third such supplementary decree stipulated that Jewish-owned businesses were to be marked as such.
The Jewish community of Eisenstadt in the Burgenland region of Austria had never been a large one, but as the oldest Jewish community in the area, it dated back to the 14th century and had a rich cultural life. The moment Austria was annexed by Nazi Germany on March 12, 1938, Jews were vulnerable. Under the deeply racist Gauleiter Tobias Portschy, the Burgenland was the first part of Austria to expel its Jewish population. In June 1938, Hilde Schlesinger Schiff was in Eisenstadt helping her parents get ready to relocate. In a birthday letter to her daughter Elisabeth, Hilde calls Elisabeth “a true Jewish child, not settled, always ready to be on the move,” in contrast with her own emotional connectedness to Eisenstadt, from which she is now forced to uproot herself. Mrs. Schlesinger Schiff writes that she hopes her parents will soon be allowed to immigrate to Czechoslovakia, but bureaucratic hurdles remain. Meanwhile, she is clearly taken aback by the eagerness of non-Jews to snatch up the family’s property at a low price, calling it “grave robbery.”
The family of Therese Wiedmann (née Toffler) in Vienna was secular and very well integrated. While the Tofflers were keenly aware of the situation in Germany, no one among Therese’s relatives foresaw that so many Austrians would be so quick to welcome Hitler and abandon Austrian independence. After the “Anschluss” in March 1938 she immediately lost her job with Tiller AG. Her grandfather, until recently the president of the company, was no longer permitted to enter his office. Her father, Emil, the executive manager, was kept around for the time being, in order to familiarize the new, “Aryan” management with the company’s operations. Luckily, he had transferred part of his assets to England before the “Anschluss.” In better days, the company was deemed sufficiently Austrian to be appointed a purveyor to the royal-imperial court, for which it produced army uniforms. This passport, issued to Therese Wiedmann on June 11, 1938, contains a visa that includes “all countries of the earth” and “return to the German Reich.”
In 1935, the Nazi party press had orchestrated a campaign to exclude Jews from public swimming pools, citing “unpleasant incidents” or warning the public of the “danger” allegedly posed by Jews. Suddenly, signs inscribed with texts like “Jews are not permitted access to this facility” were put up almost everywhere. Stölpchensee, one of the lakes just outside Berlin, was the last public bathing spot to which Berlin Jews had access. Fritz and Friedel F. were married and lived in Berlin, where Fritz owned a lamp store. In June of 1938, their weekend cottage at Stölpchensee was still a family escape from the city and harassment.
In 19th century, the Central Association of German Citizens of Jewish Faith began to publish lists of spas and hotels at which Jewish guests were not welcome. Some resorts even advertised themselves as judenfrei (“free of Jews”). After World War I, the phenomenon known as Bäder-Antisemitismus (“spa antisemitism”) increased, and with the Nazi rise to power in 1933, it became official policy. By 1935, Jews had been effectively banned from the Northern German bathing resorts, and from spas in the interior of the country by 1937. It was not until the Anschluss in March 1938 that Jews were pushed out of Austrian spas as well. Bad Ischl and other locations in the Salzkammergut region were particularly popular with Jews, to the point that in 1922, the Austrian-Jewish writer Hugo Bettauer quipped that “it caused a stir when people suspected of being Aryans showed up.” In a notice from June 2, The Jewish Telegraphic Agency reports that at the behest of the Nazi commissioner in charge, Jews were to be “segregated in Jewish hotels and pensions” and were no longer permitted to attend cultural events in Bad Ischl.
In 1933, the distinguished philosopher of religion Martin Buber decided to relinquish his honorary professorship at Goethe University in Frankfurt/Main in protest against the Nazi rise to power. Consequently, the regime forbade him to give public lectures. In the years to follow, Buber founded the Central Office for Jewish Adult Education and countered the Nazis’ efforts to marginalize and destroy German Jewry by strengthening Jewish identity through education. It was not until May 1938 that he followed a call to the Hebrew University to assume the new chair for Social Philosophy and moved to Jerusalem with his wife Paula, a writer. The couple settled down in the Talbiyeh neighborhood in the Western part of the city, which at the time was inhabited by both Jews and Arabs. It borders on Rehavia, then a major stronghold of immigrants from Germany. Buber was among those envisioning peaceful coexistence in a bi-national state.
On May 27, 15 year-old Heinz Alfred (later Henry) Kissinger celebrated his birthday in his native Fürth one last time. Heinz had attended the Jewish elementary school and a Gymnasium in his home town. From 1933, Jewish children were no longer allowed to attend public schools, so that only the Israelitische Realschule was open to him and his younger brother, Walter. Elsewhere, too, the new times made themselves felt in the children’s lives. Suddenly, they were no longer allowed to join the other kids and swim in the river Altmühl when they were visiting with their grandparents in Leutershausen. Heinz was an avid fan of the local soccer team and a player himself, but under the Nazis, Jews were prohibited from attending their games. Even though his father, Louis, had been put on permanent furlough from his job as a teacher at a girls school when the Law for the Restoration of the Professional Civil Service came into effect in 1933, he was inclined to stick it out in Germany. It was thanks to his resolute mother, Paula (née Stern), that in April 1938, Louis Kissinger applied for passports. By May, the family’s preparations for emigration were in full gear. Relatives of hers had emigrated to the US already before 1933 and were now helping with the bureaucratic groundwork.
Since 1937, Lina and Siegmund Günzburger of Lörrach in southwest Germany and their son, Herbert, had been preparing their paperwork for emigration. The requirements amounted to nothing short of a nightmare. Prospective emigrants had to procure numerous personal documents, letters of recommendation, and affidavits. They were also required to prepare an inventory of all their belongings and to document that they had paid all their taxes. Apparently, the required documents also included this copy of the marriage certificate for Siegmund’s grandparents. Especially perfidious was the so-called “Reich Flight Tax.” Originally introduced in the waning days of the Weimar Republic to prevent capital flight in reaction to the government’s austerity policy, under the Nazis, it became a tool to cynically punish the Jews for leaving a country that was doing everything it could to make it unbearable for them to stay.
In April 1938, Rabbi Leo Baeck, the president of the Reich Representation of Jews in Germany and as such the main representative of German Jewry, had presciently written, “And this year will be a difficult year; the wheel is turning faster and faster. It will really test our nerves and our capacity for careful thought.” Baeck had been an army chaplain in World War I and as a patriot must have been extremely pained by the persecution of German Jewry. With large parts of the community reduced to poverty, Jewish rights curtailed, Jews pushed to the margins of society, and no prospects for improvement, Rabbi Baeck’s 65th birthday on May 23 probably was quite a somber affair.
The writer of this letter was a young man from Hildesheim, Fritz Schürmann (later Frank Shurman), born in 1915. Even though he is said to have struggled with antisemitism well before the Nazis rose to power, he joined the Deutscher Vortrupp (“German Vanguard”) in 1934, a group of young, extremely nationalistic Jews whose slogan was “Ready for Germany” and who hailed National Socialism as a force preventing Germany’s downfall. Given these views, it must have been especially painful for him to confront the bitter reality of rejection by German society. In this letter, he thanks a Mr. Dilthey in Berlin for the distinction of having spent time with him and dramatically informs him of his Jewish identity. “I am a Jew! A Jew in a desperate position: a Jewish German who in spite of everything that has befallen him or perhaps because of it cannot shed his ties to Germany […].” Denied his identity as a German by the Nazi regime, the writer communicates the crippling effects of the political situation on his psyche and the absurd notion of having to leave Germany in order to be able to be German.
In today’s release, the Jewish Telegraphic Agency reports that the Deutsches Volksblatt in Vienna urges a “pitiless anti-Jewish boycott.” This, the paper argues, is the line demanded by Hermann Göring in his last speech in Vienna. Highly decorated in WWI as a fighter pilot, Göring had become a member of the NSDAP early on and was a member of its inner circle. He had established the Gestapo in 1933, was commander-in-chief of the German airforce (Luftwaffe) and as Plenipotentiary of the Four-Year Plan, he also wielded power over the German economy. Other than that, he is known for his pivotal role in bringing about the Anschluss and his passion for collecting art, which he often acquired in dubious ways.
After stints with various orchestras in Germany and Austria, in 1930, the conductor Erich Erck returned to Munich, where he had studied music. The Nazis forced him to relinquish his stage name and return to his family name, Eisner. His application for membership in the Reichsmusikkammer was rejected, since his Jewishness was seen as more damning than his combat service for Germany in WWI was redeeming. After he was banned from employment in 1935, he initiated the establishment of the Munich branch of the Jüdischer Kulturbund and became the executive director of its Bavarian State Association. He also took over the Orchestra of the Kulturbund (founded in 1926 as the “Jewish Chamber Orchestra”), in which capacity he appears on this photograph from the ensemble’s May 18, 1938 performance at Munich’s monumental Main Synagogue on Herzog-Max-Straße.
After the so-called “Aryan Paragraph” of the “Law for the Restoration of the Professional Civil Service” of April 7, 1933 came into effect, members of certain professions were required to prove their “purely Aryan descent” in order to continue practicing their professions. The 38 year-old surgeon Dr. Walter Bernhard Kunze of Freiberg in Saxony was among those who had to fill in a form regarding his lineage for the “Aryan certificate.” The form, dated May 15, 1938, contains personal data reaching back to the generation of his grandparents. To the form, the corresponding documents from the civil registry office and the parish office had to be attached. Obtaining the numerous copies from the church and communal offices in the places of birth and residence of the grandparents often entailed a significant bureaucratic burden to the individual. The “Aryan certificate” was an effective tool of National Socialist racial policy by which persons seen as “non-Aryan” could be stigmatized and increasingly marginalized.
On May 14, 1938, American moviegoers lined up to see Errol Flynn in his latest swashbuckling adventure produced by Warner Brothers. Flynn’s turn as Robin Hood was especially thrilling thanks to the lush film score by an Austrian Jew whose music was no longer welcome at home. Although a citizen and resident of Austria, composer and conductor Erich Wolfgang Korngold felt the effects of Nazi cultural policy soon after 1933, since he had often worked in Germany. In this climate, he did not have to think twice about Max Reinhardt’s invitation in 1934 to compose the score for his Hollywood production of “A Midsummer Night’s Dream.” Korngold’s symphonic film scores broke new ground and established the typical “Hollywood sound.” In 1937, while on an extensive visit to Vienna to complete the orchestration of his opera “Die Kathrin,” he received an invitation from Warner Brothers to compose the score for “The Adventures of Robin Hood.” This assignment spared him the turmoil of the Anschluss. He returned to the US well before March 12, 1938. This photograph shows what appears to be a recording session for the Robin Hood score. The actor in the photograph is Basil Rathbone, who played Robin Hood’s nemesis, Sir Guy of Gisbourne. Korngold won an Academy Award for his compelling score—his second after “Anthony Adverse” (1937).
The annexation of Austria by Nazi Germany in March 1938 had brought an abrupt end to 1,000 years of Jewish life in the Burgenland region, Austria’s easternmost state. The expulsion of the small Jewish population, carried out by the SS, local Nazi officials, and civilian collaborators, commenced immediately. This article by the Jewish Telegraphic Agency reports on the League of Nations’ intervention on behalf of 56 expellees who had ended up in “no man’s land” in the border area between Austria and Yugoslavia. The League’s High Commissioner for German Refugees requested the temporary accommodation of the displaced persons by Yugoslavia, to be followed by permanent resettlement elsewhere.