In April 1938, Rabbi Leo Baeck, the president of the Reich Representation of Jews in Germany and as such the main representative of German Jewry, had presciently written, “And this year will be a difficult year; the wheel is turning faster and faster. It will really test our nerves and our capacity for careful thought.” Baeck had been an army chaplain in World War I and as a patriot must have been extremely pained by the persecution of German Jewry. With large parts of the community reduced to poverty, Jewish rights curtailed, Jews pushed to the margins of society, and no prospects for improvement, Rabbi Baeck’s 65th birthday on May 23 probably was quite a somber affair.
In today’s release, the Jewish Telegraphic Agency reports that the Deutsches Volksblatt in Vienna urges a “pitiless anti-Jewish boycott.” This, the paper argues, is the line demanded by Hermann Göring in his last speech in Vienna. Highly decorated in WWI as a fighter pilot, Göring had become a member of the NSDAP early on and was a member of its inner circle. He had established the Gestapo in 1933, was commander-in-chief of the German airforce (Luftwaffe) and as Plenipotentiary of the Four-Year Plan, he also wielded power over the German economy. Other than that, he is known for his pivotal role in bringing about the Anschluss and his passion for collecting art, which he often acquired in dubious ways.
After stints with various orchestras in Germany and Austria, in 1930, the conductor Erich Erck returned to Munich, where he had studied music. The Nazis forced him to relinquish his stage name and return to his family name, Eisner. His application for membership in the Reichsmusikkammer was rejected, since his Jewishness was seen as more damning than his combat service for Germany in WWI was redeeming. After he was banned from employment in 1935, he initiated the establishment of the Munich branch of the Jüdischer Kulturbund and became the executive director of its Bavarian State Association. He also took over the Orchestra of the Kulturbund (founded in 1926 as the “Jewish Chamber Orchestra”), in which capacity he appears on this photograph from the ensemble’s May 18, 1938 performance at Munich’s monumental Main Synagogue on Herzog-Max-Straße.
A few inconspicuous lines in today’s issue of the Jüdische Rundschau advertise a lecture in Berlin’s “Ohel Jizchak” Synagogue by “Miss Regina Jonas” on the topic “Religious problems of the Jewish Community today.” Regina Jonas had studied with much dedication at the Hochschule für die Wissenschaft des Judentums in Berlin and fought hard to reach her goal of becoming a rabbi. Not wishing to rock the boat in these troubled times, even liberal rabbis who might have been positively inclined toward the ordination of women, such as Leo Baeck, were not willing to ordain her. Her final thesis was a halakhic treatise on the topic “May a Woman Hold Rabbinic Office?” It was Rabbi Max Dienemann who in 1935 made her the first female rabbi in history. Interestingly, in spite of the passionate opposition in some quarters and doubts regarding the validity of Regina Jonas’s ordination, she enjoyed the respect even of some orthodox rabbis, who henceforth addressed her as Fräulein Rabbiner or “colleague.” The Jüdische Rundschau apparently preferred to play it safe.
On May 14, 1938, American moviegoers lined up to see Errol Flynn in his latest swashbuckling adventure produced by Warner Brothers. Flynn’s turn as Robin Hood was especially thrilling thanks to the lush film score by an Austrian Jew whose music was no longer welcome at home. Although a citizen and resident of Austria, composer and conductor Erich Wolfgang Korngold felt the effects of Nazi cultural policy soon after 1933, since he had often worked in Germany. In this climate, he did not have to think twice about Max Reinhardt’s invitation in 1934 to compose the score for his Hollywood production of “A Midsummer Night’s Dream.” Korngold’s symphonic film scores broke new ground and established the typical “Hollywood sound.” In 1937, while on an extensive visit to Vienna to complete the orchestration of his opera “Die Kathrin,” he received an invitation from Warner Brothers to compose the score for “The Adventures of Robin Hood.” This assignment spared him the turmoil of the Anschluss. He returned to the US well before March 12, 1938. This photograph shows what appears to be a recording session for the Robin Hood score. The actor in the photograph is Basil Rathbone, who played Robin Hood’s nemesis, Sir Guy of Gisbourne. Korngold won an Academy Award for his compelling score—his second after “Anthony Adverse” (1937).
From its inception, the Horthy government had made no secret of its antisemitism. As a matter of fact, in 1920, Hungary was the first European country after World War I to introduce a numerus clausus to limit Jews’ access to higher education. First in reaction to territorial and demographic losses in WWI, later in the wake of the Great Depression, there was a striking proliferation of fascist and right wing extremist movements in Hungary, some calling themselves “national-socialist.” One such group was the rabidly antisemitic Arrow Cross Party, founded in 1935. In 1938 a bill was introduced to restrict the economic and cultural freedom of Jews in the country. This May 11 report from the Jewish Telegraphic Agency describes Count Apponyi’s vehement critique of the bill in the Chamber of Deputies. Dr. Istvan Milotaj, deputy of a right-wing party, defended the bill, claiming that Jews could not be assimilated and that even figures such as Disraeli and Blum had “spiritually remained Jews.”
After Polish-born Shulamit Gutgeld’s return to Palestine from several years of study in Berlin with the greats of German theater, Erwin Piscator and Max Reinhardt, she changed her name to Bat Dori – “daughter of my generation” or “contemporary.” And that she certainly was in a very conscious way: her plays were highly political and attuned to the events of the day—so much so that the British mandatory authorities forbade the performance of her 1936 play, “The Trial,” which called for peace between Jews and Arabs and was critical of the British. The Berlin branch of the Jüdischer Kulturbund, however, decided to produce the play. The document shown here is an invitation to the May 8 performance at the Kulturbund-Theater on Kommandantenstraße under the direction of Fritz Wisten.
While Sigmund Freud, the “father of psychoanalysis,” clearly did not underestimate the significance of the Anschluss—“Finis Austriae” was the succinct commentary he jotted down in his diary—even the search of his home and publishing house by the Nazis did not prompt him to explore emigration. As a matter of fact, he reportedly commented on the unsolicited visit of the Nazis, who had made off with a substantial amount of money, with the dry remark, “I have never taken so much for a single visit.” But when his daughter Anna, herself a renowned psychoanalyst, was interrogated by the Gestapo shortly thereafter, the usually restrained Freud’s reaction was highly emotional, and he began weighing the various offers of asylum he had received. May 6, 1938 was his last birthday in Vienna.
Three prominently placed ads on the front page of the “Jüdisches Gemeindeblatt für Baden” make amply clear what is on people’s minds in April 1938: emigration looms large. Three businesses in Karlsruhe are offering related goods and services, such as passage to South America, Africa, and Asia, furniture for emigrants, and home sales. In the April 27 issue, the topic comes up from various perspectives: the shrinkage of congregations as a result of members going abroad, English classes for prospective emigrants, the departure of esteemed leaders, practical advice on how to get support from Jewish aid organizations during the emigration process, and more. Other parts of life seem to be taking their normal course. Lehrhaus activities, student concerts, Kulturbund events, personal ads and other topics counter-balance the abnormality of the situation.
In gloomy times like these, a letter promising a work opportunity in Canada constituted a much needed ray of hope. Although in possession of what Heinrich Heine famously referred to as “the admission ticket to European culture”—a certificate of baptism—Anton Felix Perl was dismissed on “racial” grounds from his position as a resident at the General Hospital in Vienna in 1938. Luckily for Dr. Perl, he had the support of a prominent advocate, the Archbishop of Winnipeg, who gave him valuable advice regarding emigration to Canada as well as promising practical help in this letter dated April 25, 1938.
After studies at the Academy of Art in Vienna, the printmaker Michel Fingesten had traveled extensively and ultimately settled in Germany. Neither the Austrian national’s Jewish descent nor his penchant for the erotic endeared him to the Nazis. The increasingly unbearable racial politics of the regime made him decide to stay in Italy after a family visit to Trieste in 1935. Fingesten is known mainly as an illustrator and as a prolific, imaginative designer of book plates. April 18, 1938 was his 54th birthday.
A WWI veteran, Alfred Schütz had studied law, sociology, and philosophy at the University of Vienna. Since the late 1920s, he had worked for the international banking house Reitler & Co. During the German invasion of Austria, he happened to be on a business trip to France. He opted to stay abroad, leaving behind his wife and child. A friend who had visited Vienna from London writes about his conversation with Schütz’s wife, Ilse. In his letter, he dissuades Alfred from returning to Austria due to the new regime’s attitude of suspicion towards the international banking industry. In light of the impending danger, a temporary separation from his family seemed like a better option to Schütz than coming back to Vienna.
The special dietary requirements for the Passover week constituted an additional financial burden for German Jews, many of whom were scrambling to make ends meet. The Jewish Winter Relief Organization distributed 50,000 matzot to needy Jews and served about 1,000 guests at two seders. Donors to the organization’s Passover Appeal received a copy of Rabbi Selig Bamberger’s translation of the Haggadah with a sticker on the inside of the cover thanking them for their contribution. This photograph of holiday paraphernalia is from an album belonging to Heinrich Stahl, the president of the Berlin Jewish Community, who launched the Jewish Winter Relief Organization with Rabbi Leo Baeck in 1935.
Heinrich Stahl, chairman of the Berlin Jewish Community since 1934, was heavily involved in the work of the various Jewish relief organizations, for which there was growing need as Nazism took hold. On April 13, 1938, his 70th birthday, he received a gift from the Ahawah Children’s Home, a photo album which showed the wide range of activities pursued by the charges of this exceptional institution (see March 17). The album included several photographs from the Ahawah’s new branch, which had been opened in Palestine in 1934. A heartfelt warmth and gratitude shine through this rhymed dedication thanking Stahl for his service to the community.
As a leading functionary in various Zionist organizations, most notably the Hadassah Women’s Zionist Organization of North America, Rose Luria Halprin had moved to Jerusalem in 1934, where she worked as the liaison between the local Hadassah branch and the National Office in the US. Having befriended Henrietta Szold, who led the Youth Aliyah in Palestine, Halprin, too, became involved in efforts to rescue German-Jewish youth by bringing them to Palestine. The Youth Aliyah had been founded by the prescient Recha Freier, wife of a Berlin-based rabbi, on the very day the Nazis were voted into government, January 30, 1933. In the years 1935 to 1938, Halprin repeatedly visited Berlin. April 11, 1938 was her 42nd birthday.
The entry of German troops into Austria on March 12 had preempted Chancellor Schuschnigg’s planned plebiscite on unification with Germany on March 13. The Nazis rescheduled the referendum for April 10 in conjunction with the first all-German Reichstag elections. Catholic bishops, under the leadership of Archbishop Theodor Innitzer, had issued a “solemn declaration” in which they called upon Catholic voters to cast their ballots in favor of the “Anschluss.” According to official figures, close to 100% of voters affirmed what was already an established fact. The document presented here is a voter ID to be used only by the addressee named on the front page. It explicitly excludes Jews from participating.
In Austria’s new reality, opinions could change very quickly. In a news item from April 8, the Jewish Telegraphic Agency reports that Catholic clergyman, Pastor Breckle of Trinity Church in Vienna, wrote an article in “Catholic Action,” that referred to the Jews as “uninvited guests” in Europe. Breckle accused the Jews of “pushing themselves to the forefront” and praised Hitler’s approach as “free and humane.” Breckle had until recently been considered friendly toward the Jewish community.
The April 6 event at the Jüdischer Kulturbund (Jewish Cultural Association) in Hamburg was dedicated to dance. Elsa Caro, also known by her stage name, Juana Manorska, used challenging music not originally intended for dance as the inspiration for her performance. Since the beginning of the 20th century, the fixed, formulaic repertoire of movements in classical ballet seemed limiting and outdated to some. German dancers, among them Elsa Caro and the “half-Jewish” Gret Palucca, were at the forefront of those experimenting with new forms, a movement that gave birth to Ausdruckstanz, also known as “Expressionist Dance” or “modern dance.”
Thanks to a Rockefeller fellowship awarded to him in 1933, the distinguished Viennese economist Fritz Machlup had left Austria years before the “Anschluss.” In 1935, he was appointed Professor of Economics at the University of Buffalo. As was to be expected, after the Nazis established their hold in Austria, friends and colleagues pinned their hopes on him as a guarantor. In this April 5 missive to his friend Alfred Schütz, he expresses concern that his letters of support might lose credibility because he had written so many, but nevertheless includes a note in English offering to assist Schütz in establishing himself in the US.
Prof. Karl Bonhoeffer, a psychiatrist and neurologist as well as the father of two prominent opponents of the Nazi regime, Klaus and Dietrich Bonhoeffer, taught at Friedrich Wilhelm University in Berlin and was in charge of the Department for Mental and Neurological Diseases at the Charité Hospital. In this letter of recommendation, written in English for use in exile, Bonhoeffer praises the extraordinary achievements of his Jewish colleague, Dr. Herta Seidemann. While his attitude toward certain Nazi programs (such as the forced sterilization of carriers of certain congenital diseases and euthanasia) remains controversial, his efforts on behalf of several Jewish colleagues are indisputable.
The Austrian-born theater and film director Max Reinhardt emigrated to the US in October 1937, accompanied by his wife Helene Thimig, an actress. By introducing technical innovations and elevating the position of the director, Reinhardt played a pivotal role in the development of modern theater. With his production of H. von Hoffmannsthal’s “Jedermann” in 1920, he became one of the co-founders of the Salzburg Festival. Shortly after he settled down in the US, plans emerged to found “another Salzburg” festival in California. This time, he wrote his friend Arturo Toscanini, he would be working “under more favorable climatic and political conditions, and perhaps with greater financial means.” Among his achievements in the US were staging Werfel’s “The Eternal Road” (1937) and founding the Max Reinhardt Workshop for Stage, Screen and Radio, a theater and film academy in Hollywood (1937–1939). He did not think very highly of US audiences.
In another dramatic report from Vienna, the Jewish Telegraphic Agency describes panicked Jews flocking to the US Consulate hoping in vain to receive some kind of support. Especially prominent Jewish citizens faced harassment and arrest by the secret police. Austrian Jewish leaders were forced to inform the police about their activities, while their German counterparts were unable to come to their support due to border restrictions. The situation of thousands of Jewish actors had become so desperate that even the Nazi representative of the Austrian Theater Guild acknowledged it and permitted a campaign in their support.
Soma Morgenstern held a doctorate in law, but he preferred making a living as a writer, authoring feuilletons on music and theater. Born in Eastern Galicia and fluent in several languages, including Ukrainian and Yiddish, he chose German for his journalistic and literary endeavors. After his dismissal in 1933 from the Frankurter Zeitung, whose culture correspondent he had been while based in Vienna, he barely managed to stay afloat with occasional journalistic work. The annexation of Austria by Nazi Germany made his situation entirely untenable. He was forced into emigration, leaving behind his wife, a child, and many manuscripts. By March 23 he had made his way to safety in Paris, where he stayed at the Hôtel de la Poste with another famous Galician exile, his old friend, the author Joseph Roth.
Since its founding in 1904, the League of Jewish Women had worked to ensure the dignity and independence of Jewish women and especially to protect them from sexual exploitation by facilitating professional training. By 1938, another issue had come to the fore: emigration. On March 22, 1938, the Group of Professional Women within the League, represented by Dr. Käthe Mende, hosted a discussion for “female youth” about questions of career and emigration. The guest speaker was Lotte Landau-Türk, and the discussion was moderated by Prof. Cora Berliner, a former employee in the German Department of Commerce and a professor of economics who had been dismissed from public service after the Nazi rise to power in 1933.
The entire front page of Bratislava’s German-language religious-Zionist “Allgemeine Jüdische Zeitung” is dedicated to the Anschluss. Jews are called upon to stand by their Austrian coreligionists. An anonymous source notes the impoverished state of many Jews in Austrian lands and the resulting need to restructure social services as well as address the increasingly urgent issues of occupational retraining and emigration. The reader is reminded that Austria is still a member of the League of Nations and that Austrian law stipulates equal rights for religious and national minorities. Among other sources quoted is the British Under-Secretary of State for Foreign Affairs, Butler, who reports having received assurances that the German government would “endeavor to achieve a moderation” of its policy towards minorities. The paper also reports that the President of the World Jewish Congress, Rabbi Wise, has appealed to the League of Nations to help Austrian Jewry. The rest of the picture is bleak: newspapers suspended, prominent Jews arrested, a Jewish theater closed, Jewish physicians dismissed, and other chicanery. The paper calls upon Jews everywhere to come to the aid of their Austrian brethren.
From March 12 to 14, Hitler visited Linz, which he had considered his home town since his adolescence there. In his address to the local populace he stylized himself as the enforcer of the people’s will and invoked the German soldiers’ “willingness to sacrifice” and the “greatness and glory” of the German people. While many reacted with enthusiasm, others were seized by fear. In his diary, Adolph Markus captures the anxious atmosphere at his workplace in Linz days after the “Anschluss.”
After their triumphant entry into Austria, the Nazis lost no time in intimidating the country’s Jews and forcing them out of positions of influence and out of society at large. Prominent bankers and businessmen were arrested, other Jews—especially those employed in fields that were considered “Jewish,” such as the theater and the press—removed from office and replaced by “Aryans.” At the same time that the atmosphere in Austria became unbearably hostile towards Jews, organizations aiming to facilitate Jewish emigration to Palestine were raided and it was announced that the passports of “certain people” would be voided. It bears mentioning that the number of Jews in Austria in March 1938 was about 206,000—no more than 3% of the total population.
The soccer team Hakoah Wien’s match against SV Straßenbahn Wien, the sports club of the Vienna tramway company, ended in a 2:2 tie on March 7, 1938. Hakoah was part of the famous Viennese Jewish sports club, Sportverein Hakoah Wien. The club had been established in 1909 as a result of the changing attitude towards the body and health in the liberal Jewish community. This membership card belonged to one of the club’s foremost coaches, the swim coach Zsigo Wertheimer. Wertheimer had coached Ruth Langer, who famously refused to join the Austrian Olympic team in 1936, when she was just 15 years old.
The handsome, blond, and athletic scion of a noble family in Lower Saxony, Gottfried von Cramm had all the features sought by the Nazis for propaganda purposes. Nevertheless, the two-time winner of the French Open tennis tournament (1934 and 1936) explicitly refused to be used as a poster boy for Nazi ideology and never joined the NSDAP. After repeatedly spurning opportunities to ingratiate himself with the regime, it was another issue that got him into trouble. On March 5, 1938, von Cramm was arrested under Paragraph 175 of the German penal code, which prohibited homosexual conduct. He was alleged to have had a relationship with a Galician Jew, the actor Manasse Herbst. Reformers had nearly succeeded in overturning the statute during the Weimar republic, but the Nazis tightened it after their ascent to power.
This etching by the German-Jewish artist Hermann Struck depicts the fifth British High Commissioner for Palestine, Harold MacMichael, who took office on March 3, 1938. MacMichael had previously held various positions in Africa. The High Commissioner was the highest-ranking representative of the Empire in Mandatory Palestine. The creator of the portrait, Hermann Struck, an Orthodox Jew and an early proponent of Zionism, had emigrated to Palestine in 1923 and settled in Haifa. He was renowned in particular for his masterful etchings, a technique he had taught to artists such as Chagall, Liebermann, and Ury.
Unwelcome in Nazi Germany as a Jew, a socialist, and a composer of music considered “degenerate” by the regime, Kurt Weill was able to celebrate his 38th birthday on March 2 in safety. After attacks in the Nazi press and targeted protests, Weill had already emigrated to France in 1933. Rehearsals for the premiere of his opera “The Eternal Road” (libretto: Franz Werfel) provided him with an opportunity to travel to the United States in 1935. Due to numerous technical difficulties, the premiere was postponed until 1937. Weill seized the opportunity and remained in America.