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The Leo Baeck Institute – New York | Berlin presents the year 1938 through the eyes of Jews, whose personal documents detail their experiences and the hardships they suffered as well as the growing tensions in Europe and diminishing hope for Jews in Germany and Austria.

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21

THURSDAY

21

A Jewish cinema institute?

The Propaganda Ministry plans films to promote Jewish emigration

Berlin

According to a Jewish Telegraphic Agency report, on April 21, the Propaganda Ministry of Nazi Germany authorized the creation of a Jewish Cinema Institute. The name was misleading. It was not intended to serve the cultural enrichment of the Jewish community. The main purpose of the Institute was supposed to be the production of movies showing life in Palestine and urging German Jews to emigrate. In other words, the plan was just another part of the Nazi scheme to rid Germany of its Jews. At the same time, Der Stürmer, one of the most viciously antisemitic newspapers in Nazi Germany, declared that Jews should not be allowed inside cinemas and theaters.

TAGS: antisemitism, April 21, Berlin, cultural life, emigration, Journalism, JTA, media coverage, Nazi policies, Palestine, propaganda, segregation

SOURCE

Institution:

Jewish Telegraphic Agency

Collection:

“Reich Authorizes Films Urging Jewish Emigration”

Source available in English

2

SATURDAY

2

Repression, resilience and relief

Jewish welfare organizations alleviate suffering

Berlin

By 1938, the ability of Jews to make a living had been seriously curtailed by a series of laws aimed at humiliating, isolating, and impoverishing them. While not all Jews were affected equally by these changes, the number of Jews dependent on the services of welfare organizations, such as the Jewish Winter Relief, was constantly on the rise. The level of solidarity and the support for the Winter Relief were remarkable. Much of the money came from small donations, and the Kulturbund held cultural events in support of the organization. Volunteers from women’s and youth groups assisted in the fundraising efforts.

TAGS: April 2, Berlin, cultural life, economic persecution, impoverishment, Jewish Community, Kulturbund, Nazi laws, Nazi policies, photo, public sphere, segregation, welfare organizations, Women

SOURCE

Institution:

Leo Baeck Institute – New York | Berlin

Collection:

Photo Abraham, Speisungen, fuer viele 1000 Mark, Sammlung Heinrich Stahl, AR 7171

Original:

F 7410

29

SATURDAY

29

Religion, culture and the struggle for human dignity

Synagogues adapt to the changing needs of Jewish life.

Berlin

This drawing shows the interior of the Prinzregentenstraße Synagogue in Berlin (Wilmersdorf). Built in 1930, the building was designed to fulfill the needs of a liberal congregation. As shown in the picture, the synagogue boasted a magnificent organ. Rabbi Leo Baeck gave the sermon at the opening ceremony. From 1933, when Jews began to be pushed out of Germany’s cultural life, the synagogue also became a Jewish cultural center.

TAGS: art, Berlin, cultural life, January 29, Jewish Community, prominent people, public sphere, rabbis, religion, segregation, Synagogues

SOURCE

Institution:

Leo Baeck Institute – New York | Berlin

Collection:

"Synagogue Prinzregentenstrasse." Werner Stein Collection, AR 10775

Original:

2005.87

25

TUESDAY

25

Karl Adler’s 48th Birthday

The Jüdisches Lehrhaus Stuttgart

Stuttgart

Born in Buttenhausen, Wuerttemberg on January 25, 1890, Karl Adler studied music at the Stuttgart Conservatory, where he became Director in 1921. He was a cofounder of the Verein zur Förderung der Volksbildung, an adult-education organization, and director of its music department. In 1926, he was among the leading forces that built the Jüdisches Lehrhaus Stuttgart. After his dismissal from his position at the conservatory in 1933, he initiated and directed the Stuttgarter Jüdische Kunstgemeinschaft, a branch of the Kulturbund. In 1935, he became the head of the music department of the Mittelstelle für jüdische Erwachsenenbildung, a division of the Reichsvertretung der Juden in Deutschland dealing with adult education.

TAGS: cultural life, January 25, Kulturbund, musicians, persecution of Jewish professionals, photo, prominent people, segregation, Stuttgart

SOURCE

Institution:

Leo Baeck Institute – New York | Berlin

Collection:

Leopold Levi Collection, AR 1929

Original:

ALB-OS 19, F 84099

22

SATURDAY

22

Victory of the underdog

The theater of the Berliner Kulturbund features a powerless hero who wins over his antagonist.

Berlin

With Adolphe Adam’s comic opera “If I were King” and Ladislaus Bus-Fekete’s “Cape of Good Hope,” the Berlin Kulturbund offered its guests lighthearted distractions. The Jewish audience in Berlin in 1938 must have been receptive to an opera in which the powerless but honest hero wins and the bad guy gets his well-deserved punishment.

TAGS: advertisement, artists, Berlin, cultural life, January 22, Jewish Community, Kulturbund, musicians, public sphere, segregation

SOURCE

Institution:

Leo Baeck Institute – New York | Berlin

Collection:

Kulturbundbühne (Berlin): Kulturbund deutscher Juden, MF B1080

Original:

Vol. 6, no. 1: 11

14

FRIDAY

14

Staged normalcy

The Berlin Jewish Community: Between practical and intellectual needs

Berlin

The January issue of the Berlin Kulturbund magazine conveys a sense of normalcy—local businesses advertise merchandise and services like cosmetics, women’s apparel and car repairs, while the Kulturbund schedule offers Eugene Scribe’s “The Ladies’ Battle.” The comedy must have provided a welcome respite from the worrisome situation.

TAGS: advertisement, Berlin, cultural life, January 14, Jewish Community, Journalism, Kulturbund, public sphere, segregation

SOURCE

Institution:

Leo Baeck Institute – New York | Berlin

Collection:

Kulturbundbühne (Berlin): Kulturbund deutscher Juden, MF B1080

Original:

Vol. 6, no.1

11

TUESDAY

11

“Who won’t betray us in the end?”

Theater becomes the last cultural resort

Berlin

As German Jews were getting arrested or being forced to leave the country, the performances put on by the local branches of the Jewish Kulturbund (Culture Association) were among the few places of refuge where Jews could enjoy culture as in earlier days. Among other things, in the winter season of 1937/1938 the Jüdischer Kulturbund Berlin performed Tchaikovsky’s Eugene Onegin (Director: Dr. Kurt Singer) and Scribe’s The Ladies’ Battle (Director: Fritz Wisten). Since 1935, the Kulturbund’s venue had been the theater at 57 Kommandantenstrasse, the former Herrnfeld Theater, where popular Jewish plays had once been staged.

TAGS: advertisement, artists, Berlin, cultural life, January 11, Jewish Community, Journalism, Kulturbund, musicians, prominent people, public sphere, segregation

SOURCE

Institution:

Leo Baeck Institute – New York | Berlin

Collection:

Kulturbundbühne (Berlin): Kulturbund deutscher Juden, MF B1080

Original:

Vol. 6, no. 1: 3

9

SUNDAY

9

Where strength and joy flow

A new Jewish Community Center in Hamburg

“We are responsible for the spirits and souls of the people. We cannot let them be crushed by everyday worries and hardship, be beaten down by the running battle of life, or whither away in the close air and restless drudgery.” (p.3)

Hamburg

In his opening speech at the inauguration ceremony for the new Jewish community center in Hamburg, Max M. Warburg, scion of a renowned family of bankers, describes the challenges the community is facing at the present moment and states the mission of the building and its leadership in troubled times. Describing theater as a source not only of “uplift and joy” but also of “moral fortitude,” Warburg declares the community center to be intended first and foremost as a home for the performances of actors and musicians of the Jewish Kulturbund.

TAGS: artists, cultural life, Hamburg, January 9, Jewish Community, Kulturbund, musicians, prominent people, public sphere, segregation, Speech

SOURCE

Institution:

Leo Baeck Institute – New York | Berlin

Collection:

Max M. Warburg Collection, AR 1211

7

FRIDAY

7

Improvisation impinged

Werner Dambitsch and his “Excentric [sic] Jazz Orchester”

This ID grants permission to participate in Jewish events. The holder is permitted to work, but the Reich Association does not guarantee employment.   

Breslau/ Berlin

Werner Wilhelm Dambitsch was born on June 23, 1913 in Breslau (today Wroclaw, Poland). Werner was interested in music from an early age, but he had to purchase his first instrument, a saxophone, with money he had earned himself. He did this in 1932 at the age of 19 and founded with four friends the ‘Excentric [sic] Jazz Orchester’. In order to perform, the combo had to join the “Reichsverband der jüdischen Kulturbünde in Deutschland” (Reich Association of Jewish Cultural Federations) and was forced to change the name to “Erstes Jüdisches Jazz-Orchester” (First Jewish Jazz Orchestra). While the association did not guarantee steady income or employment, at least it allowed the artists to perform at events attended by Jewish audiences. This image shows Werner Dambitsch’s Kulturbund membership card.

TAGS: Berlin, Breslau, cultural life, document, ID, January 7, Kulturbund, musicians, Nazi laws, Nazi policies, public sphere, segregation

SOURCE

Institution:

Leo Baeck Institute – New York | Berlin

Collection:

Werner Dambitsch Collection, AR 11719

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