The April 6 event at the Jüdischer Kulturbund (Jewish Cultural Association) in Hamburg was dedicated to dance. Elsa Caro, also known by her stage name, Juana Manorska, used challenging music not originally intended for dance as the inspiration for her performance. Since the beginning of the 20th century, the fixed, formulaic repertoire of movements in classical ballet seemed limiting and outdated to some. German dancers, among them Elsa Caro and the “half-Jewish” Gret Palucca, were at the forefront of those experimenting with new forms, a movement that gave birth to Ausdruckstanz, also known as “Expressionist Dance” or “modern dance.”
Thanks to a Rockefeller fellowship awarded to him in 1933, the distinguished Viennese economist Fritz Machlup had left Austria years before the “Anschluss.” In 1935, he was appointed Professor of Economics at the University of Buffalo. As was to be expected, after the Nazis established their hold in Austria, friends and colleagues pinned their hopes on him as a guarantor. In this April 5 missive to his friend Alfred Schütz, he expresses concern that his letters of support might lose credibility because he had written so many, but nevertheless includes a note in English offering to assist Schütz in establishing himself in the US.
By 1938, the ability of Jews to make a living had been seriously curtailed by a series of laws aimed at humiliating, isolating, and impoverishing them. While not all Jews were affected equally by these changes, the number of Jews dependent on the services of welfare organizations, such as the Jewish Winter Relief, was constantly on the rise. The level of solidarity and the support for the Winter Relief were remarkable. Much of the money came from small donations, and the Kulturbund held cultural events in support of the organization. Volunteers from women’s and youth groups assisted in the fundraising efforts.
Prof. Karl Bonhoeffer, a psychiatrist and neurologist as well as the father of two prominent opponents of the Nazi regime, Klaus and Dietrich Bonhoeffer, taught at Friedrich Wilhelm University in Berlin and was in charge of the Department for Mental and Neurological Diseases at the Charité Hospital. In this letter of recommendation, written in English for use in exile, Bonhoeffer praises the extraordinary achievements of his Jewish colleague, Dr. Herta Seidemann. While his attitude toward certain Nazi programs (such as the forced sterilization of carriers of certain congenital diseases and euthanasia) remains controversial, his efforts on behalf of several Jewish colleagues are indisputable.
The Austrian-born theater and film director Max Reinhardt emigrated to the US in October 1937, accompanied by his wife Helene Thimig, an actress. By introducing technical innovations and elevating the position of the director, Reinhardt played a pivotal role in the development of modern theater. With his production of H. von Hoffmannsthal’s “Jedermann” in 1920, he became one of the co-founders of the Salzburg Festival. Shortly after he settled down in the US, plans emerged to found “another Salzburg” festival in California. This time, he wrote his friend Arturo Toscanini, he would be working “under more favorable climatic and political conditions, and perhaps with greater financial means.” Among his achievements in the US were staging Werfel’s “The Eternal Road” (1937) and founding the Max Reinhardt Workshop for Stage, Screen and Radio, a theater and film academy in Hollywood (1937–1939). He did not think very highly of US audiences.
Wilhelm Hesse was the son of an orthodox business man. He resided in Hamburg with his wife Ruth and his two little daughters, Helen and Eva, whose early years he recorded in diaries that he kept for the children. The entries are interspersed with references to Jewish holidays and photographs of the children. In this entry, he documents proudly and in detail the progress of his daughter Helen, who is not yet five years old at this time. A lawyer with a doctorate, Hesse had been laid off already in April 1933.
The passage in July 1933 of a law allowing the government to revoke the citizenship of those naturalized after the end of WWI had given Nazi officials a tool to deprive “undesirables” of their citizenship. The law targeted the Nazis’ political adversaries as well as Jews; 16,000 Eastern European Jews had gained German citizenship between the proclamation of the republic on November 9, 1918 and the Nazi rise to power in January 1933. Among those whose names appear on the expatriation list dated March 26, 1938 are Otto Wilhelm, his wife Katharina and the couple’s three children, residents of Worms and all five of them natives of Germany.
A mere 20 years had passed since the end of World War I, during which Dr. Max Kirschner, a Frankfurt physician, had been decorated with the Iron Cross—remarkably, for extending aid to enemy infantrymen. Yet the fact that Kirschner had fought in the War as one of 100,000 German Jews, 12,000 of whom lost their lives, did not in the long run improve his standing with the authorities. In his eulogy for Hedwig Wallach, scion of an old Frankfurt family, he praised the deceased’s quiet devotion to her husband, her lively interest in her children and the quiet bravery with which she had borne her illness.
Soma Morgenstern held a doctorate in law, but he preferred making a living as a writer, authoring feuilletons on music and theater. Born in Eastern Galicia and fluent in several languages, including Ukrainian and Yiddish, he chose German for his journalistic and literary endeavors. After his dismissal in 1933 from the Frankurter Zeitung, whose culture correspondent he had been while based in Vienna, he barely managed to stay afloat with occasional journalistic work. The annexation of Austria by Nazi Germany made his situation entirely untenable. He was forced into emigration, leaving behind his wife, a child, and many manuscripts. By March 23 he had made his way to safety in Paris, where he stayed at the Hôtel de la Poste with another famous Galician exile, his old friend, the author Joseph Roth.
Since its founding in 1904, the League of Jewish Women had worked to ensure the dignity and independence of Jewish women and especially to protect them from sexual exploitation by facilitating professional training. By 1938, another issue had come to the fore: emigration. On March 22, 1938, the Group of Professional Women within the League, represented by Dr. Käthe Mende, hosted a discussion for “female youth” about questions of career and emigration. The guest speaker was Lotte Landau-Türk, and the discussion was moderated by Prof. Cora Berliner, a former employee in the German Department of Commerce and a professor of economics who had been dismissed from public service after the Nazi rise to power in 1933.
In March 1938, Anneliese Riess was living in Rome, Italy. In addition to keeping in touch with her sister, Else (see entry from February 5), she corresponded with her parents in Berlin. As in other families scattered across several countries, the letters of the Riess family deal with everyday events and practical information about emigration. With her Italian visa about to expire, Anneliese is trying to find a new safe haven. Through their network of friends, her mother has learned that there might be a position for Anneliese in Lund, Sweden. In this letter, she advises her to find out more about it.
After more than one hundred successful years in business, the cotton weaving mill M.S. Landauer in Augsburg announces the sale of the company. Throughout the Nazi period, as part of the program of “Aryanization”, Jews were coerced into selling their property to non-Jews, usually significantly below market value. In some cases, owners preempted official orders by selling to a trusted business associate, which did not generally help them avoid major losses. Ironically, the founder of the F.C. Ploucquet company, which now owned the plant, had been of Huguenot extraction and thus himself belonged to a community that had experienced severe persecution.
The entire front page of Bratislava’s German-language religious-Zionist “Allgemeine Jüdische Zeitung” is dedicated to the Anschluss. Jews are called upon to stand by their Austrian coreligionists. An anonymous source notes the impoverished state of many Jews in Austrian lands and the resulting need to restructure social services as well as address the increasingly urgent issues of occupational retraining and emigration. The reader is reminded that Austria is still a member of the League of Nations and that Austrian law stipulates equal rights for religious and national minorities. Among other sources quoted is the British Under-Secretary of State for Foreign Affairs, Butler, who reports having received assurances that the German government would “endeavor to achieve a moderation” of its policy towards minorities. The paper also reports that the President of the World Jewish Congress, Rabbi Wise, has appealed to the League of Nations to help Austrian Jewry. The rest of the picture is bleak: newspapers suspended, prominent Jews arrested, a Jewish theater closed, Jewish physicians dismissed, and other chicanery. The paper calls upon Jews everywhere to come to the aid of their Austrian brethren.
The notoriously authoritarian Prussian education system had traditionally aimed for obedience and discipline, often breaking children’s wings early on. In the “Ahawah” (Hebr. for “love”) Children’s Home on Auguststraße in Berlin’s central borough, a different spirit reigned: children shared in decision-making through a “Children’s Council”, the goal being to transform them into citizens rather than subjects. Corporal punishment was forbidden and employees were encouraged to create the atmosphere of a home. Beate Berger, a nurse and head of the children’s home since 1922, took a group of children with her when she emigrated to Palestine in 1934 and returned to Germany many times in the ensuing years to rescue more children. The photos show costumed children at the Purim celebration of the children’s home.
Having barely begun his career as a teacher at the Goethe-Gymnasium in Frankfurt/Main, Hans Epstein lost his job shortly after the Nazi rise to power in 1933. After a brief intermezzo as a teacher at the famous “Philanthropin” in Frankfurt/Main, a progressive Jewish school with the motto “For Enlightenment and Humanity”, he became a co-founder of the “Anlernwerkstatt”, which prepared Jewish youngsters for emigration to the US. The mathematician Otto Toeplitz, a passionate educator who had lost his position at the University of Bonn in 1935, was now teaching children and organizing the emigration of students to the United States. In this letter, Epstein asks Toeplitz for a letter of recommendation and for contacts in the United States that might be useful for his endeavors.
From March 12 to 14, Hitler visited Linz, which he had considered his home town since his adolescence there. In his address to the local populace he stylized himself as the enforcer of the people’s will and invoked the German soldiers’ “willingness to sacrifice” and the “greatness and glory” of the German people. While many reacted with enthusiasm, others were seized by fear. In his diary, Adolph Markus captures the anxious atmosphere at his workplace in Linz days after the “Anschluss.”
After the tribulations of their forced emigration, often accompanied by a loss of status, property, and basic faith in humanity, German Jews might not have been expected to feel particularly nostalgic for their former home. This ad from the Aufbau, the New York-based German-Jewish paper published by the German-Jewish Club, shows that nevertheless, Jewish refugees from Nazi Germany were not necessarily in a hurry to give up their eating habits.
In spite of numerous signals that Austria was changing its political course, the Anschluss on March 12 caught many Austrian Jewish citizens by surprise. One of them was 25-year-old law graduate Paul Steiner. As is often the case with witnesses of cataclysmic historical events, he did not understand the magnitude of the change until it was a fact. On the day of the Anschluss, he expressed feelings of disbelief in his diary. Within just a few hours of the historical change, Steiner’s love and commitment to Austria changed into a feeling of indifference and alienation. Not seeing any hope in the new Austrian political reality, he made the quick but rational decision to leave his native land as soon as possible.
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Adolph Markus lived in Linz, Austria with his wife and two children. One month before the “Anschluss” (the annexation of Austria by Nazi Germany on March 12, 1938), he started keeping a diary which offers a gripping account of the growing tension. The situation was changing from day to day, and the Jews could only guess what would happen next. One day before the annexation, Markus wrote in his diary: “The streets are strangely calm. ‘Calm before the storm.’”
Follow a 24-hour multimedia reconstruction of the Annexation of Austria online at www.zeituhr1938.at
Live from March 11, 2018, 18:00 until March 12, 2018, 18:00 (Central European Time)
In response to numerous requests, the Prussian State Association of Jewish Congregations, a voluntary association founded in 1921, decided to provide gifts to girls in parallel with the religious books given to boys upon becoming B’nai Mitzvah. While the books given to boys were aimed at deepening Jewish knowledge, the book offered to girls, Jewish Mothers by Egon Jacobsohn and Leo Hirsch, offered biographical sketches of the mothers of Jewish luminaries including Theodor Herzl, Walter Rathenau, and Heinrich Heine. As early as the the 19th century, reform-oriented synagogues in Germany began offering a collective “confirmation” for boys and girls. In some places, an individual ceremony for girls was customary, but there was no such thing as the modern bat mitzvah ceremony in 1938.
Charles Manshel, a wealthy businessman and himself a native of Austria, promises his cousin in Baden near Vienna to prepare affidavits for her and her family once he has all the required personal information. The letter shows Manshel’s sincere efforts to not only pave the way to immigration for his relatives but also do something for the professional integration of his niece’s husband, Dr. Eduard Ehrlich. Manshel was no stranger to hardship himself, having provided for his family since his father’s premature death when he was 16 years old.
The handsome, blond, and athletic scion of a noble family in Lower Saxony, Gottfried von Cramm had all the features sought by the Nazis for propaganda purposes. Nevertheless, the two-time winner of the French Open tennis tournament (1934 and 1936) explicitly refused to be used as a poster boy for Nazi ideology and never joined the NSDAP. After repeatedly spurning opportunities to ingratiate himself with the regime, it was another issue that got him into trouble. On March 5, 1938, von Cramm was arrested under Paragraph 175 of the German penal code, which prohibited homosexual conduct. He was alleged to have had a relationship with a Galician Jew, the actor Manasse Herbst. Reformers had nearly succeeded in overturning the statute during the Weimar republic, but the Nazis tightened it after their ascent to power.
This etching by the German-Jewish artist Hermann Struck depicts the fifth British High Commissioner for Palestine, Harold MacMichael, who took office on March 3, 1938. MacMichael had previously held various positions in Africa. The High Commissioner was the highest-ranking representative of the Empire in Mandatory Palestine. The creator of the portrait, Hermann Struck, an Orthodox Jew and an early proponent of Zionism, had emigrated to Palestine in 1923 and settled in Haifa. He was renowned in particular for his masterful etchings, a technique he had taught to artists such as Chagall, Liebermann, and Ury.
Unwelcome in Nazi Germany as a Jew, a socialist, and a composer of music considered “degenerate” by the regime, Kurt Weill was able to celebrate his 38th birthday on March 2 in safety. After attacks in the Nazi press and targeted protests, Weill had already emigrated to France in 1933. Rehearsals for the premiere of his opera “The Eternal Road” (libretto: Franz Werfel) provided him with an opportunity to travel to the United States in 1935. Due to numerous technical difficulties, the premiere was postponed until 1937. Weill seized the opportunity and remained in America.
In the spring of 1938, the Berlin electrician Moses Wainstein was making arrangements to join the steady stream of Jewish emigrants. His destination was faraway Montevideo. He was planning to travel from Berlin to Marseille, where he intended to board a ship for South America. On March 1, he received the requisite French transit visa. Uruguay was regarded as a country with strong democratic traditions, little pressure on newcomers to adapt, and good job prospects for tradesmen. Jewish relief organizations and travel agencies advised prospective emigrants on choosing their new home, finding the best route possible, and procuring the required papers.
Few among the immigrant New York audience expected to attend a trilingual event of the Theodor Herzl Society had ever encountered native speakers of modern Hebrew: Hence, it is no wonder the Aufbau assumed that the Hebrew part would constitute the greatest attraction. The featured artist of the evening, actor Albert Klar (Sklarz), born and raised in Tel Aviv, had begun his career in Berlin under renowned directors such as Reinhardt and Piscator. He had made his way to New York thanks to an invitation from the great Yiddish actor and director, Morris Schwartz, who hired him for his Yiddish Art Theater. The venue was Ansche Chesed, a synagogue on the Upper West Side founded by German immigrants.
Despite the restrictive immigration policy of the British colonial power, twenty-year-old Paul Egon Cahn, a car mechanic from Cologne, managed to flee to Kenya with the help of this passport. Paul’s sisters, Erika and Inge, reached safety in England and Australia respectively. The siblings’ parents, Siegfried and Regina Cahn, remained behind in Germany. In many cases, refugees not only had to cope with the loss of their homes and property and the separation from their relatives but were also forced to take on the challenges posed by foreign climate zones and cultures.
By 1938, the Hirsch family from Hamburg had emigrated to Italy. In light of the volatile situation in Europe, members of the family began to look into options for emigration to the United States or South America. Julius Hirsch had met Elisabeth Schiff on a visit to Belgium in 1935 and fallen in love with her. The Schiff family had no plans to leave Europe, and when visas for El Salvador were procured for Julius and other members of his family, he must have been pained at the prospect of being so distant from his beloved. This letter from a friend in Hamburg reassures him that a temporary separation is not such a bad thing. Forced to remain in Italy because the US denied him the necessary transit visa, Julius ultimately reunited with Elisabeth in England.
In the traveling exhibition “Degenerate Art,” initiated in Munich in 1937, the Nazis used 650 works of art confiscated from 32 museums in order to force their idea of art upon the populace: newer trends like expressionism, surrealism, or fauvism, to name just a few, were regarded as “Jewish-Bolshevist” and roundly disparaged. The front page of the exhibition catalog shows a piece titled “Large Head” from the workshop of the German-Jewish artist Otto Freundlich, one of the first exponents of abstract art. It was created in 1912 to symbolize hope for a new beginning. Even apart from Freundlich’s Jewish background and his artistic leanings, being a communist made him politically unacceptable in the eyes of the regime.
This view of Ben Yehuda Street in Tel Aviv shows some of the typical buildings in the background to which it owes its unofficial name, “The White City.” Since 1933 and especially after the “Reichsbürgergesetz” came into effect in 1935, Bauhaus-trained architects had left Germany and were now putting their mark on Tel Aviv, either through their own creations or through their influence on others. The photo is dominated by the Migdalor building, which was built in 1935 and housed the city’s first air-conditioned movie theater. On the external wall there is a huge advertisement for Jean Renoir’s 1937 movie “Grand Illusion,” which due to its pacifist message was banned in Nazi Germany.
Between the Nazis’ rise to power in 1933 and the year 1938, about 16.000 Jews had immigrated to the United States. Many German Jews had made their home in New York, especially in the neighborhood of Washington Heights in northern Manhattan, gaining it the nickname “Frankfurt on the Hudson.” The event schedule of the German-Jewish Club lists a “Family evening with Kaffee-Klatsch” which offers “artistic and musical interludes.” The event is geared towards the needs of the older members of the community, as “a substitute for lodge, singing club, social club and other associations,” promising participants an opportunity to discuss what they had on their minds. In addition to cultural activities in German, the massive influx of German-speaking Jews to Washington Heights led to the establishment of numerous new synagogues, beginning with “Tikvoh Chadoshoh”—“New Hope.”