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The Leo Baeck Institute – New York | Berlin presents the year 1938 through the eyes of Jews, whose personal documents detail their experiences and the hardships they suffered as well as the growing tensions in Europe and diminishing hope for Jews in Germany and Austria.

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18

WEDNESDAY

18

Despite everything, music

Conductor Erich Erck directs Jewish Chamber Orchestra

MUNICH

After stints with various orchestras in Germany and Austria, in 1930, the conductor Erich Erck returned to Munich, where he had studied music. The Nazis forced him to relinquish his stage name and return to his family name, Eisner. His application for membership in the Reichsmusikkammer was rejected, since his Jewishness was seen as more damning than his combat service for Germany in WWI was redeeming. After he was banned from employment in 1935, he initiated the establishment of the Munich branch of the Jüdischer Kulturbund and became the executive director of its Bavarian State Association. He also took over the Orchestra of the Kulturbund (founded in 1926 as the “Jewish Chamber Orchestra”), in which capacity he appears on this photograph from the ensemble’s May 18, 1938 performance at Munich’s monumental Main Synagogue on Herzog-Max-Straße.

TAGS: antisemitism, cultural life, Jewish Community, Kulturbund, May 18, Munich, musicians, Nazi laws, Nazi policies, persecution of Jewish professionals, photo, prominent people, public sphere, segregation, Synagogues, WWI veterans

SOURCE

Institution:

Jüdisches Museum Berlin

Original:

Erich Eisner as a conductor in the Liberal Synagogue in Munich, Erich Eisner Collection, Gift of Manfred Eisner

8

SUNDAY

8

The Trial

Jewish Cultural Association features a play about Arab-Jewish reconciliation

Berlin

After Polish-born Shulamit Gutgeld’s return to Palestine from several years of study in Berlin with the greats of German theater, Erwin Piscator and Max Reinhardt, she changed her name to Bat Dori – “daughter of my generation” or “contemporary.” And that she certainly was in a very conscious way: her plays were highly political and attuned to the events of the day—so much so that the British mandatory authorities forbade the performance of her 1936 play, “The Trial,” which called for peace between Jews and Arabs and was critical of the British. The Berlin branch of the Jüdischer Kulturbund, however, decided to produce the play. The document shown here is an invitation to the May 8 performance at the Kulturbund-Theater on Kommandantenstraße under the direction of Fritz Wisten.

TAGS: artists, Berlin, cultural life, document, Kulturbund, May 08, Palestine, Polish-born Jews, politics, prominent people

SOURCE

Institution:

New Synagogue Berlin – Centrum Judaicum

Original:

Invitation to the premiere of The Trial, a play by [Shulamit] Bat-Dori, adapted by Herbert Friedenthal, at the Theater of the Jewish Cultural Federation, Kommandantenstrasse 57; CJA, 1 D Gr 1, Nr. 10, #13322, Bl. 13

27

WEDNESDAY

27

Furniture for emigrants

Avertisements mirror daily needs

Karlsruhe

Three prominently placed ads on the front page of the “Jüdisches Gemeindeblatt für Baden” make amply clear what is on people’s minds in April 1938: emigration looms large. Three businesses in Karlsruhe are offering related goods and services, such as passage to South America, Africa, and Asia, furniture for emigrants, and home sales. In the April 27 issue, the topic comes up from various perspectives: the shrinkage of congregations as a result of members going abroad, English classes for prospective emigrants, the departure of esteemed leaders, practical advice on how to get support from Jewish aid organizations during the emigration process, and more. Other parts of life seem to be taking their normal course. Lehrhaus activities, student concerts, Kulturbund events, personal ads and other topics counter-balance the abnormality of the situation.

TAGS: advertisement, April 27, cultural life, emigration, Jewish Community, Journalism, Karlsruhe, Kulturbund, Language skills, Ludwigshafen, welfare organizations

SOURCE

Institution:

Leo Baeck Institute – New York | Berlin

Collection:

Jüdisches Gemeindeblatt, Vol. 16, No. 8: 1.

6

WEDNESDAY

6

Ausdruckstanz

Jewish Cultural Association presents Elsa Caro

Hamburg

The April 6 event at the Jüdischer Kulturbund (Jewish Cultural Association) in Hamburg was dedicated to dance. Elsa Caro, also known by her stage name, Juana Manorska, used challenging music not originally intended for dance as the inspiration for her performance. Since the beginning of the 20th century, the fixed, formulaic repertoire of movements in classical ballet seemed limiting and outdated to some. German dancers, among them Elsa Caro and the “half-Jewish” Gret Palucca, were at the forefront of those experimenting with new forms, a movement that gave birth to Ausdruckstanz, also known as “Expressionist Dance” or “modern dance.”

TAGS: April 6, artists, cultural life, document, Hamburg, Kulturbund, musicians, prominent people

SOURCE

Institution:

Leo Baeck Institute – New York | Berlin

Collection:

Hamburg Jewish Community Collection, AR 193

Original:

Box 1, folder 4

2

SATURDAY

2

Repression, resilience and relief

Jewish welfare organizations alleviate suffering

Berlin

By 1938, the ability of Jews to make a living had been seriously curtailed by a series of laws aimed at humiliating, isolating, and impoverishing them. While not all Jews were affected equally by these changes, the number of Jews dependent on the services of welfare organizations, such as the Jewish Winter Relief, was constantly on the rise. The level of solidarity and the support for the Winter Relief were remarkable. Much of the money came from small donations, and the Kulturbund held cultural events in support of the organization. Volunteers from women’s and youth groups assisted in the fundraising efforts.

TAGS: April 2, Berlin, cultural life, economic persecution, impoverishment, Jewish Community, Kulturbund, Nazi laws, Nazi policies, photo, public sphere, segregation, welfare organizations, Women

SOURCE

Institution:

Leo Baeck Institute – New York | Berlin

Collection:

Photo Abraham, Speisungen, fuer viele 1000 Mark, Sammlung Heinrich Stahl, AR 7171

Original:

F 7410

25

TUESDAY

25

Karl Adler’s 48th Birthday

The Jüdisches Lehrhaus Stuttgart

Stuttgart

Born in Buttenhausen, Wuerttemberg on January 25, 1890, Karl Adler studied music at the Stuttgart Conservatory, where he became Director in 1921. He was a cofounder of the Verein zur Förderung der Volksbildung, an adult-education organization, and director of its music department. In 1926, he was among the leading forces that built the Jüdisches Lehrhaus Stuttgart. After his dismissal from his position at the conservatory in 1933, he initiated and directed the Stuttgarter Jüdische Kunstgemeinschaft, a branch of the Kulturbund. In 1935, he became the head of the music department of the Mittelstelle für jüdische Erwachsenenbildung, a division of the Reichsvertretung der Juden in Deutschland dealing with adult education.

TAGS: cultural life, January 25, Kulturbund, musicians, persecution of Jewish professionals, photo, prominent people, segregation, Stuttgart

SOURCE

Institution:

Leo Baeck Institute – New York | Berlin

Collection:

Leopold Levi Collection, AR 1929

Original:

ALB-OS 19, F 84099

22

SATURDAY

22

Victory of the underdog

The theater of the Berliner Kulturbund features a powerless hero who wins over his antagonist.

Berlin

With Adolphe Adam’s comic opera “If I were King” and Ladislaus Bus-Fekete’s “Cape of Good Hope,” the Berlin Kulturbund offered its guests lighthearted distractions. The Jewish audience in Berlin in 1938 must have been receptive to an opera in which the powerless but honest hero wins and the bad guy gets his well-deserved punishment.

TAGS: advertisement, artists, Berlin, cultural life, January 22, Jewish Community, Kulturbund, musicians, public sphere, segregation

SOURCE

Institution:

Leo Baeck Institute – New York | Berlin

Collection:

Kulturbundbühne (Berlin): Kulturbund deutscher Juden, MF B1080

Original:

Vol. 6, no. 1: 11

14

FRIDAY

14

Staged normalcy

The Berlin Jewish Community: Between practical and intellectual needs

Berlin

The January issue of the Berlin Kulturbund magazine conveys a sense of normalcy—local businesses advertise merchandise and services like cosmetics, women’s apparel and car repairs, while the Kulturbund schedule offers Eugene Scribe’s “The Ladies’ Battle.” The comedy must have provided a welcome respite from the worrisome situation.

TAGS: advertisement, Berlin, cultural life, January 14, Jewish Community, Journalism, Kulturbund, public sphere, segregation

SOURCE

Institution:

Leo Baeck Institute – New York | Berlin

Collection:

Kulturbundbühne (Berlin): Kulturbund deutscher Juden, MF B1080

Original:

Vol. 6, no.1

11

TUESDAY

11

“Who won’t betray us in the end?”

Theater becomes the last cultural resort

Berlin

As German Jews were getting arrested or being forced to leave the country, the performances put on by the local branches of the Jewish Kulturbund (Culture Association) were among the few places of refuge where Jews could enjoy culture as in earlier days. Among other things, in the winter season of 1937/1938 the Jüdischer Kulturbund Berlin performed Tchaikovsky’s Eugene Onegin (Director: Dr. Kurt Singer) and Scribe’s The Ladies’ Battle (Director: Fritz Wisten). Since 1935, the Kulturbund’s venue had been the theater at 57 Kommandantenstrasse, the former Herrnfeld Theater, where popular Jewish plays had once been staged.

TAGS: advertisement, artists, Berlin, cultural life, January 11, Jewish Community, Journalism, Kulturbund, musicians, prominent people, public sphere, segregation

SOURCE

Institution:

Leo Baeck Institute – New York | Berlin

Collection:

Kulturbundbühne (Berlin): Kulturbund deutscher Juden, MF B1080

Original:

Vol. 6, no. 1: 3

9

SUNDAY

9

Where strength and joy flow

A new Jewish Community Center in Hamburg

“We are responsible for the spirits and souls of the people. We cannot let them be crushed by everyday worries and hardship, be beaten down by the running battle of life, or whither away in the close air and restless drudgery.” (p.3)

Hamburg

In his opening speech at the inauguration ceremony for the new Jewish community center in Hamburg, Max M. Warburg, scion of a renowned family of bankers, describes the challenges the community is facing at the present moment and states the mission of the building and its leadership in troubled times. Describing theater as a source not only of “uplift and joy” but also of “moral fortitude,” Warburg declares the community center to be intended first and foremost as a home for the performances of actors and musicians of the Jewish Kulturbund.

TAGS: artists, cultural life, Hamburg, January 9, Jewish Community, Kulturbund, musicians, prominent people, public sphere, segregation, Speech

SOURCE

Institution:

Leo Baeck Institute – New York | Berlin

Collection:

Max M. Warburg Collection, AR 1211

7

FRIDAY

7

Improvisation impinged

Werner Dambitsch and his “Excentric [sic] Jazz Orchester”

This ID grants permission to participate in Jewish events. The holder is permitted to work, but the Reich Association does not guarantee employment.   

Breslau/ Berlin

Werner Wilhelm Dambitsch was born on June 23, 1913 in Breslau (today Wroclaw, Poland). Werner was interested in music from an early age, but he had to purchase his first instrument, a saxophone, with money he had earned himself. He did this in 1932 at the age of 19 and founded with four friends the ‘Excentric [sic] Jazz Orchester’. In order to perform, the combo had to join the “Reichsverband der jüdischen Kulturbünde in Deutschland” (Reich Association of Jewish Cultural Federations) and was forced to change the name to “Erstes Jüdisches Jazz-Orchester” (First Jewish Jazz Orchestra). While the association did not guarantee steady income or employment, at least it allowed the artists to perform at events attended by Jewish audiences. This image shows Werner Dambitsch’s Kulturbund membership card.

TAGS: Berlin, Breslau, cultural life, document, ID, January 7, Kulturbund, musicians, Nazi laws, Nazi policies, public sphere, segregation

SOURCE

Institution:

Leo Baeck Institute – New York | Berlin

Collection:

Werner Dambitsch Collection, AR 11719

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