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The Leo Baeck Institute – New York | Berlin presents the year 1938 through the eyes of Jews, whose personal documents detail their experiences and the hardships they suffered as well as the growing tensions in Europe and diminishing hope for Jews in Germany and Austria.

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12

MONDAY

12

Contradictory messages

The Nazi press agency spreads misinformation

[original] “A check-up revealed that so far the communique, which announced that after Jan. 1 certain streets, hotels and restaurants will again be open to Jews, and indignantly repudiated any suggestion that the Reich intends to establish a ghetto, has been released only for foreign consumption.”

Berlin

The banishment of Jews from public spaces was far advanced by now. Already in 1933, Jewish creative artists had been dismissed from state-sponsored cultural life. Since November 12th, 1938, Jews were no longer admitted even as audience members at “presentations of German culture” and were banished from concert halls, opera houses, libraries and museums. More and more restaurants and shops denied access to Jews. On Dec. 12th, 1938, the Jewish Telegraphic Agency pointed out a striking discrepancy: while abroad, the “German News Bureau,” the central news agency of the Reich which followed the directives of the Propaganda Ministry, spread the information that from January 1st, 1939, certain anti-Semitic measures would be relaxed, quite the opposite had been communicated to Jews inside the Reich. One fact, however, was not hidden: the goal was to prompt all Jews to emigrate, “also in the interest of the Jews themselves,” as the Bureau put it.

TAGS: antisemitism, artists, Berlin, cultural life, December 12, emigration, Journalism, JTA, media coverage, Nazi laws, Nazi policies, persecution, propaganda, public sphere, segregation

SOURCE

Institution:

Jewish Telegraphic Agency

Collection:

“News of Easing Anti-Jewish Curbs Not Published in Reich”

Source available in English

Chronology of major events in 1938

Aktion “Arbeitsscheu Reich”

Poster for the Reich Labor Service, 1938.

Heinrich Himmler orders a “one-time, comprehensive, surprise attack” on Arbeitsscheue. This designation, which means “work-shy” or “indolent,” includes men of working age who have rejected two job offers or who quit after a short period of time. The Gestapo, the secret police force of the National Socialists, was tasked with the endeavor and collected the necessary information in collaboration with employment offices. From April 21 through April 30, between 1,500 and 2,000 men are arrested and brought to the concentration camp Buchenwald. Hearings are not scheduled to take place until the second half of the year.

View chronology of major events in 1938

22

TUESDAY

22

Banned from his art

Not suited for the advancement of German culture

“According to the results of my examination of the facts grounded in your personal circumstances, you do not possess the requisite aptness and reliability to participate in the advancement of German culture with responsibility towards the people and the Reich.”

Berlin/Dresden

The works of the Expressionist painter and graphic artist Bruno Gimpel were classified as “degenerate” during the Third Reich. Neither his voluntary service as an aide in a military hospital during World War I nor his “mixed marriage” with an “Aryan” woman spared him the usual repressive measures. On November 22nd, 1938 he received a letter from the Reichskammer der Bildenden Künste, the Nazi authority in charge of the visual arts, which yet again denied him membership and banned him from all branches of his profession. In 1935, this institution of the Third Reich had once before rejected a request for admission by the Dresden artist. Since 1937, he had no choice but to make a living by giving drawing lessons to Jewish children.

TAGS: antisemitism, artists, Berlin, children, cultural life, document, Dresden, impoverishment, letter, Nazi policies, November 22, persecution, persecution of Jewish professionals, WWI

SOURCE

Institution:

Deutsches Historisches Museum

Collection:

Letter of Bruno Gimpel's membership application, issued by the president of the "Reichskammer der bildenden Künste" (the Third Reich's Imperial Chamber of Fine Arts)

Source available in English

10

Thursday

10

Solidarity

Jewish and Christian organizations support refugees in Brazil

“Dear Bernhard and dear Anni, please do absolutely everything you can. Our only hope for survival is attached to you.”

Gemen/Porto Alegre

Even though the climate under the Vargas regime in Brazil was becoming increasingly anti-Jewish, refugees could count on the support of allies. Already in 1933, an aid organization for German-Jewish refugees had come into being in Sao Paulo. And in 1936 in Porto Alegre, where Bernhard and Anni Wolf had recently fled from East Frisia, refugees established a Jewish culture and welfare society. The overall attitude of the Church was ambiguous; nevertheless, a Catholic aid committee for refugees lent significant aid to the newcomers. After an unsuccessful attempt to arrange their immigration to Brazil at the consulate in Cologne, Bernhard’s brother Richard and his wife Jola pinned all their hope on their relatives in Brazil.

TAGS: advocates, antisemitism, Church, cultural life, displacement, emigration, family, Gemen, immigration, immigration procedures, letter, November 10, Porto Alegre, refugees, South America, welfare organizations

SOURCE

Institution:

Leo Baeck Institute – New York | Berlin

Collection:

Bernhard Wolff Family Collection, AR 5482

Original:

Box 1, folder 9

17

MONDAY

17

Joint summer camp promotes integration

The American Friends Service Committee promotes the integration of Jewish refugees

“Of particular pedagogical significance was the cooperative carrying out of all communal work. All participants engaged in all kinds of practical household activity and were instructed in gardening and agriculture. Familiarization with physical work thus obtained was not only pedagocically important, it also was an excellent school for the body and, along with intensive swimming, strengthened people's constitutions.”

Hyde Park, New York

Numerous Jewish organizations, such as the Hebrew Immigrant Aid Society, German Jewish Children’s Aid and the Boston Committee for Refugees were dedicated to the rescue of refugees from Nazi Germany. In 1938, it was a non-Jewish body, the American Friends Service Committee, that came up with a particularly good project: from mid-June to the beginning of September, it ran a camp in the Hudson Valley for about 70 persons, mostly Jewish refugees from Nazi Germany and about one third Americans, for the two sides to get to know each other by working, studying and singing together, sharing household chores, attending lectures and religious services and playing sports or games with each other. The author of this article in the October issue of the Aufbau is full of gratitude for what he calls “a remarkable contribution to the internal integration of our people in the country.”

TAGS: advocates, cultural life, displacement, Hyde Park NY, immigration, Journalism, media coverage, October 17, press article, refugees, religion, Sports, welfare organizations

SOURCE

Institution:

Leo Baeck Institute – New York | Berlin

Collection:

Reinhold Herz, "Nichtjuden helfen," Aufbau, Vol 4. No. 11, p. 5

16

SUNDAY

16

A man of many talents

Actor, director, designer: Friedel Dzubas' many roles

Groß-Breesen, Silesia

When Gotthold Ephraim Lessing’s tragedy “Emilia Galotti” was put on at the non-Zionist agricultural training camp run by the Reich Representation of Jews in Germany in Groß-Breesen (Silesia), the talented and energetic Friedel Dzubas, 23, was central to making it happen: not only did he direct the performance, design the costumes and design and create the stage decoration, he also played the role of Odoardo, the tragic heroine’s father. Lessing, the son of a Lutheran pastor and a central figure of the German enlightenment, had taken up the cause of the Jews early on in life and eternalized his close friend, the philosopher Moses Mendelssohn, in his play “Nathan the Wise.” His determined stance earned him a place of honor in the hearts and minds of German Jews as well as in their libraries.

TAGS: advocates, artists, cultural life, document, Groß-Breesen, October 16, prominent people, welfare organizations

SOURCE

Institution:

Dzubas Estate

Original:

Courtesy of Dzubas Estate

2

SATURDAY

2

Upheaval hits home and work

Search for a home and a job

“Now imagine, on top of all this misery the prospect of my going on a ‘long vacation’ while I need to be mom's provider. And then, yesterday, a ray of hope appeared, I got permission from the Landesverband in Berlin to conduct English classes in the provinces.”

BRESLAU/BERLIN

In August 1938, Irma Umlauf’s life had begun to unravel: she had been notified that the Jewish-owned company in Breslau for which she worked was going to be liquidated, leaving her jobless. And her landlord had terminated her lease. While there was no law in October 1938 stipulating that non-Jews could not have Jewish tenants, some landlords were eager to get rid of them. In Irma Umlauf’s case, the problem was that her Jewish co-tenants could no longer afford the place and had moved out. The non-Jewish landlord, according to Irma, was afraid to accept other Jewish tenants, and since Jews and non-Jews weren’t allowed to share living space, she had no choice but to leave. Among the other topics broached by Irma in this letter to her friend Hilde Liepelt in Berlin, is her job situation. Luckily, the Landesverband in Berlin gave her permission to do language lessons in the Jewish communities of Münsterberg and Fraustadt, both near Breslau, providing her both with means to live as well as allowing her to continue caring for her mother. A little extra income was generated by singing engagements.

TAGS: antisemitism, Berlin, Breslau, cultural life, economic persecution, emigration, family, Language skills, letter, Nazi laws, Nazi policies, October 2, welfare organizations

SOURCE

Institution:

New Synagogue Berlin – Centrum Judaicum

Original:

Letter from Irma Umlauf in Breslau, to her friend Hilde Liepelt in Berlin ; 7.379, Bl. 14

28

WEDNESDAY

28

“For the last time”

Farewell at a Bar Mitzvah

They celebrated nonetheless. Many of the families with members whose Bar Mitzvah was taking place during this September would not be in Berlin much longer. However, on this day they all came together in the synagogue for one last time.

BERLIN

It was more of a wistful farewell than a joyful Bar Mitzvah: Rabbi Manfred Swarsensky seemed to be fully conscious of the situation in which his congregants at the Prinzregentenstraße Synagogue in Berlin found themselves. In his address on the occasion of the Bar Mitzvah of 15 teenagers, he captured the mood of this day of celebration: everything clearly bears “the stamp ‘for the last time.’” Many families, whose sons celebrated their Bar Mitzvah on this day, sat on packed suitcases. One family was departing the very next day. The synagoge, in Berlin’s Wilmersdorf neighborhood, had been one of the only synagogues first built during the Weimar Republic. It had also quickly developed into a center of Jewish culture. Now, at the end of September 1938, it was clear to the rabbi that his congregation was facing major changes: “In a few years, much of what’s here today will be gone and perhaps also forgotten.”

TAGS: Bar Mitzvah, Berlin, cultural life, emigration, Jewish Community, public sphere, rabbis, refugees, religion, September 28, Sermon, Synagogues, Weimar Republic

SOURCE

Institution:

Leo Baeck Institute – New York | Berlin

Collection:

Gerhard Walter Collection, AR 11826

Original:

Box 1, folder 1

20

WEDNESDAY

20

“Jews Unmasked”

Nazi censors deem an antisemitic film politically useful

“Summary. The movie offers a cross-section of Jewish film production during the system period [derogatory term for the Weimar Republic] and proves the necessity of the Nuremberg Laws, which brought an end to this subversive activity in the fields of culture and the economy.”

Berlin

Immediately after their rise to power in January 1933, the Nazis began to extend their control over every aspect of cultural life in Germany. As a popular medium capable of reaching large numbers of people—and one perceived as being dominated by Jews—film was of central importance to the new regime. Before the production of a new movie could begin, the script had to pass pre-censorship. The final product was scrutinized by the censorship authority for film (Film-Prüfstelle) of the Reich Propaganda Ministry. Under the Nazi regime, the state’s relationship with the film industry changed. While prior to 1933, authorities had primarily sought to censor or suppress material deemed harmful, the Nazi regime actively instrumentalized the film industry to promote National Socialist ideology. The anti-Semitic film “Juden ohne Maske” (“Jews unmasked”), whose authorization card from the censors is shown here, is such a case. It received the rating “valuable to national policy”, but it was also restricted to screenings for adult audiences in the context of NSDAP events.

TAGS: antisemitism, Berlin, cultural life, document, Hate speech, July 20, Nazi laws, Nazi policies, propaganda

SOURCE

Institution:

New Synagogue Berlin – Centrum Judaicum

Original:

Authorization card from the Berlin Film Censorship Office for the Nazi propaganda film, “Juden ohne Maske” [“Jews Unmasked”] ; CJA, 7.78

21

TUESDAY

21

A weekly lifeline

The Aufbau provides advice for a new start

“575 W. 159th St., Apt. 22 - beautifully furnished front room for one or two persons, running water, inexpensive.”

New York

As the influx of refugees from Nazi Germany intensified, what had begun in 1934 as the anniversary brochure of the German Jewish Club in New York quickly turned into a professional publication and a lifeline for the uprooted. With its offer of a wide range of cultural and athletic activities, the monthly was an emotional anchor for the newcomers, but it also offered practical help getting settled in the new country. This issue of the Aufbau from June 1938 features a large number of rental ads, mostly for fully furnished rooms, often in the Washington Heights neighborhood of Northern Manhattan, thereby giving some extra income to the owners or main tenants while providing affordable housing to refugees who usually arrived with very little money and property.

TAGS: advertisement, cultural life, displacement, emigration, immigration, impoverishment, Journalism, June 21, New York, refugees, Sports

SOURCE

Institution:

Leo Baeck Institute – New York | Berlin

Collection:

Zimmernachweis, Aufbau, Vol. 4, no. 8, p. 6.

17

FRIDAY

17

Fear of free thinkers

National Socialist informers in the public sphere

“Among the places visited by the police were Trump’s, one of the most popular cafes in the city, where half a dozen Jews were picked up, and also the Meudtner Cafe.”

Berlin

On June 17, the Jewish Telegraphic Agency reports that in the last four days, the Nazi authorities have re-intensified their raids on cafés in Berlin and elsewhere in the country, which between June 13 and 17 have led to the arrests of 2,000 Jews. During the Weimar Republic, there had been a thriving Kaffeehauskultur—artists and intellectuals practically saw certain cafes as their homes, where they would spend half of their days and nights discussing art, literature, and politics. Under the Nazis, this phenomenon quickly disappeared; they suspected subversive activities among these free thinkers. The public sphere was infested with informers. By the time of the Juni-Aktion, in the context of which these raids were carried out, the original clientele had largely disappeared. Ostensibly, the raids were targeting “anti-social elements.” In fact, however, they constituted the first mass-arrest of Jews. The Minister of Propaganda, Joseph Gobbels, had summarized the intention with the pithy words: “Our password is chicanery, not the law.”

TAGS: antisemitism, artists, Berlin, cultural life, imprisonment, Journalism, JTA, June 17, Juni-Aktion, media coverage, Nazi policies, persecution, persecution of Jewish professionals, prominent people, public sphere

SOURCE

Institution:

Jewish Telegraphic Agency

Collection:

“Anti-jewish Drive ‘just Begun,’ Nazis Declare; Cafes Raided Again”

Source available in English

2

THURSDAY

2

No Jews allowed

Bad Ischl restricts Jews to specific hotels

„Ghetto Hotels to be established at Austrian Resort“

BAD ISCHL

In 19th century, the Central Association of German Citizens of Jewish Faith began to publish lists of spas and hotels at which Jewish guests were not welcome. Some resorts even advertised themselves as judenfrei (“free of Jews”). After World War I, the phenomenon known as Bäder-Antisemitismus (“spa antisemitism”) increased, and with the Nazi rise to power in 1933, it became official policy. By 1935, Jews had been effectively banned from the Northern German bathing resorts, and from spas in the interior of the country by 1937. It was not until the Anschluss in March 1938 that Jews were pushed out of Austrian spas as well. Bad Ischl and other locations in the Salzkammergut region were particularly popular with Jews, to the point that in 1922, the Austrian-Jewish writer Hugo Bettauer quipped that “it caused a stir when people suspected of being Aryans showed up.” In a notice from June 2, The Jewish Telegraphic Agency reports that at the behest of the Nazi commissioner in charge, Jews were to be “segregated in Jewish hotels and pensions” and were no longer permitted to attend cultural events in Bad Ischl.

TAGS: Anschluss, antisemitism, Bad Ischl, cultural life, Journalism, JTA, June 2, media coverage, prominent people, public sphere, segregation, WWI

SOURCE

Institution:

Jewish Telegraphic Agency

Collection:

“Ghetto Hotels to Be Established at Austrian Resort”

Source available in English

24

TUESDAY

24

Soldier, pacifist, cabaret artist

Fritz Grünbaum interned at Dachau

“I see nothing, absolutely nothing. I must have accidentally gotten myself into National Socialist culture.”

DACHAU

After three decades of making his fellow Austrians laugh, cabaret artist Fritz Grünbaum’s career was brought to an abrupt end by the Anschluss. His politics alone would have sufficed to make him intolerable for the new regime: Grünbaum had returned from action in World War I not only a decorated soldier but also an avowed pacifist. As for Nazism, he did not mince words. Since 1933, he had been getting more political, and when during a 1938 performance a power outage caused the stage lights to go out, he commented glibly, “I see nothing, absolutely nothing. I must have accidentally gotten myself into National Socialist culture.” His last performance at the famous cabaret “Simpl” in Vienna just two days before the Anschluss was followed by an artistic ban on Jews. Grünbaum and his wife Lilly, a niece of Theodor Herzl, tried to flee to Czechoslovakia but were turned back at the border. On May 24, he was interned at the Dachau concentration camp. Grünbaum was also known as a serious art collector, mostly of modernist Austrian works, and a librettist.

TAGS: Anschluss, artists, Concentration Camps, cultural life, Dachau, imprisonment, May 24, persecution of Jewish professionals, photo, politics, prominent people, refugees, Vienna, WWI, WWI veterans

SOURCE

Institution:

Jüdisches Museum Wien

Original:

Fritz Grünbaum at roll call in Dachau; Inv. No. 24631

18

WEDNESDAY

18

Despite everything, music

Conductor Erich Erck directs Jewish Chamber Orchestra

MUNICH

After stints with various orchestras in Germany and Austria, in 1930, the conductor Erich Erck returned to Munich, where he had studied music. The Nazis forced him to relinquish his stage name and return to his family name, Eisner. His application for membership in the Reichsmusikkammer was rejected, since his Jewishness was seen as more damning than his combat service for Germany in WWI was redeeming. After he was banned from employment in 1935, he initiated the establishment of the Munich branch of the Jüdischer Kulturbund and became the executive director of its Bavarian State Association. He also took over the Orchestra of the Kulturbund (founded in 1926 as the “Jewish Chamber Orchestra”), in which capacity he appears on this photograph from the ensemble’s May 18, 1938 performance at Munich’s monumental Main Synagogue on Herzog-Max-Straße.

TAGS: antisemitism, cultural life, Jewish Community, Kulturbund, May 18, Munich, musicians, Nazi laws, Nazi policies, persecution of Jewish professionals, photo, prominent people, public sphere, segregation, Synagogues, WWI veterans

SOURCE

Institution:

Jüdisches Museum Berlin

Original:

Erich Eisner as a conductor in the Liberal Synagogue in Munich, Erich Eisner Collection, Gift of Manfred Eisner

17

TUESDAY

17

The first woman rabbi

Regina Jonas on “Religious problems of the Jewish Community today"

Berlin

A few inconspicuous lines in today’s issue of the Jüdische Rundschau advertise a lecture in Berlin’s “Ohel Jizchak” Synagogue by “Miss Regina Jonas” on the topic “Religious problems of the Jewish Community today.” Regina Jonas had studied with much dedication at the Hochschule für die Wissenschaft des Judentums in Berlin and fought hard to reach her goal of becoming a rabbi. Not wishing to rock the boat in these troubled times, even liberal rabbis who might have been positively inclined toward the ordination of women, such as Leo Baeck, were not willing to ordain her. Her final thesis was a halakhic treatise on the topic “May a Woman Hold Rabbinic Office?” It was Rabbi Max Dienemann who in 1935 made her the first female rabbi in history. Interestingly, in spite of the passionate opposition in some quarters and doubts regarding the validity of Regina Jonas’s ordination, she enjoyed the respect even of some orthodox rabbis, who henceforth addressed her as Fräulein Rabbiner or “colleague.” The Jüdische Rundschau apparently preferred to play it safe.

TAGS: advertisement, Berlin, cultural life, Jewish Community, Journalism, May 17, prominent people, public sphere, rabbis, religion, Synagogues, Women

SOURCE

Institution:

Compact Memory, Universitätsbibliothek Frankfurt am Main

Collection:

“Ankündigungen,” Jüdische Rundschau, Vol. 44, issue 39, p. 7.

14

SATURDAY

14

Opening night

A swashbuckler dazzles with help from an Austrian Jew

HOLLYWOOD

On May 14, 1938, American moviegoers lined up to see Errol Flynn in his latest swashbuckling adventure produced by Warner Brothers. Flynn’s turn as Robin Hood was especially thrilling thanks to the lush film score by an Austrian Jew whose music was no longer welcome at home. Although a citizen and resident of Austria, composer and conductor Erich Wolfgang Korngold felt the effects of Nazi cultural policy soon after 1933, since he had often worked in Germany. In this climate, he did not have to think twice about Max Reinhardt’s invitation in 1934 to compose the score for his Hollywood production of “A Midsummer Night’s Dream.” Korngold’s symphonic film scores broke new ground and established the typical “Hollywood sound.” In 1937, while on an extensive visit to Vienna to complete the orchestration of his opera “Die Kathrin,” he received an invitation from Warner Brothers to compose the score for “The Adventures of Robin Hood.” This assignment spared him the turmoil of the Anschluss. He returned to the US well before March 12, 1938. This photograph shows what appears to be a recording session for the Robin Hood score. The actor in the photograph is Basil Rathbone, who played Robin Hood’s nemesis, Sir Guy of Gisbourne. Korngold won an Academy Award for his compelling score—his second after “Anthony Adverse” (1937).

TAGS: Anschluss, antisemitism, cultural life, displacement, emigration, Hollywood, May 14, musicians, photo, prominent people, refugees, Vienna

SOURCE

Institution:

Leo Baeck Institute – New York | Berlin

Collection:

Picture of Erich Korngold orchestrating the 1938 American film “Robin Hood.” The star of the movie, Basil Rathbone, on the right.

9

MONDAY

9

Abortion and politics

German-Jewish Club organizes lecture with physician from Germany

New York

On May 9, the Ärztegruppe of the German-Jewish Club (an informal association of physicians within the city’s main German émigré organization) in New York offered a lecture on the topic of abortion. During the Weimar Republic, repeated efforts had been made to abolish or at least reform the anti-abortion paragraph (§218). Its opponents pointed out that it put the working class at a disadvantage, since poverty was the chief motivation for abortion. In 1926, a member of the Reichstag representing a coalition of three right-wing parties, including the NSDAP, proposed legalizing abortion for Jews only. Under the Nazi regime, which promoted the production of “racially valuable” offspring, abortion was illegal unless it prevented the birth of children considered “undesirable.” In the US, the depression had led to an increased demand for abortion, and by the beginning of the 1930s hundreds of birth control clinics had sprung up. Poverty and the lack of access to qualified practitioners often led to the injury or death of pregnant women through self-induced miscarriage. The lecturer, Dr. Walter M. Fürst, was a recent arrival from Hamburg.

TAGS: advertisement, antisemitism, cultural life, Great Depression, Hamburg, Journalism, May 9, Nazi laws, Nazi policies, New York, politics, segregation

SOURCE

Institution:

Leo Baeck Institute – New York | Berlin

Collection:

„Ärztegruppe der German-Jewish Club“, Aufbau, Vol. 4, Nr. 6, S. 4.

8

SUNDAY

8

The Trial

Jewish Cultural Association features a play about Arab-Jewish reconciliation

Berlin

After Polish-born Shulamit Gutgeld’s return to Palestine from several years of study in Berlin with the greats of German theater, Erwin Piscator and Max Reinhardt, she changed her name to Bat Dori – “daughter of my generation” or “contemporary.” And that she certainly was in a very conscious way: her plays were highly political and attuned to the events of the day—so much so that the British mandatory authorities forbade the performance of her 1936 play, “The Trial,” which called for peace between Jews and Arabs and was critical of the British. The Berlin branch of the Jüdischer Kulturbund, however, decided to produce the play. The document shown here is an invitation to the May 8 performance at the Kulturbund-Theater on Kommandantenstraße under the direction of Fritz Wisten.

TAGS: artists, Berlin, cultural life, document, Kulturbund, May 08, Palestine, Polish-born Jews, politics, prominent people

SOURCE

Institution:

New Synagogue Berlin – Centrum Judaicum

Original:

Invitation to the premiere of The Trial, a play by [Shulamit] Bat-Dori, adapted by Herbert Friedenthal, at the Theater of the Jewish Cultural Federation, Kommandantenstrasse 57; CJA, 1 D Gr 1, Nr. 10, #13322, Bl. 13

27

WEDNESDAY

27

Furniture for emigrants

Avertisements mirror daily needs

Karlsruhe

Three prominently placed ads on the front page of the “Jüdisches Gemeindeblatt für Baden” make amply clear what is on people’s minds in April 1938: emigration looms large. Three businesses in Karlsruhe are offering related goods and services, such as passage to South America, Africa, and Asia, furniture for emigrants, and home sales. In the April 27 issue, the topic comes up from various perspectives: the shrinkage of congregations as a result of members going abroad, English classes for prospective emigrants, the departure of esteemed leaders, practical advice on how to get support from Jewish aid organizations during the emigration process, and more. Other parts of life seem to be taking their normal course. Lehrhaus activities, student concerts, Kulturbund events, personal ads and other topics counter-balance the abnormality of the situation.

TAGS: advertisement, April 27, cultural life, emigration, Jewish Community, Journalism, Karlsruhe, Kulturbund, Language skills, Ludwigshafen, welfare organizations

SOURCE

Institution:

Leo Baeck Institute – New York | Berlin

Collection:

Jüdisches Gemeindeblatt, Vol. 16, No. 8: 1.

21

THURSDAY

21

A Jewish cinema institute?

The Propaganda Ministry plans films to promote Jewish emigration

Berlin

According to a Jewish Telegraphic Agency report, on April 21, the Propaganda Ministry of Nazi Germany authorized the creation of a Jewish Cinema Institute. The name was misleading. It was not intended to serve the cultural enrichment of the Jewish community. The main purpose of the Institute was supposed to be the production of movies showing life in Palestine and urging German Jews to emigrate. In other words, the plan was just another part of the Nazi scheme to rid Germany of its Jews. At the same time, Der Stürmer, one of the most viciously antisemitic newspapers in Nazi Germany, declared that Jews should not be allowed inside cinemas and theaters.

TAGS: antisemitism, April 21, Berlin, cultural life, emigration, Journalism, JTA, media coverage, Nazi policies, Palestine, propaganda, segregation

SOURCE

Institution:

Jewish Telegraphic Agency

Collection:

“Reich Authorizes Films Urging Jewish Emigration”

Source available in English

16

SATURDAY

16

At-risk youth

Passover in a home for boys

Berlin

In 1938, the first day of Passover fell on April 16. As they did every year, the inhabitants of the Jewish Residential Home for Youth and Apprentices in Berlin gathered around a festively set dinner table for the second Seder. Under the dedicated management of Paul and Friedel Joseph, the home provided its charges with opportunities that went well beyond practical needs like housing and vocational training. They also strove to provide them with cultural and intellectual stimulation that would expand their horizons. The boys and young men, ranging in age from 14 to 21, had been removed from their homes due to behavioral problems. According to Friedel Joseph, life in the home was still going on “relatively unimpeded” at this point, but the political situation cannot have been lost on its inhabitants. The Passover message of liberation from bondage under a tyrannical ruler must have resonated very strongly at this year’s celebration.

TAGS: April 16, Berlin, cultural life, Jewish Community, Jewish holidays, photo, religion, welfare organizations

SOURCE

Institution:

Leo Baeck Institute – New York | Berlin

Collection:

Heinrich Stahl Collection, AR 7171

Original:

ALB 69

9

SATURDAY

9

Carnival jesters at the passover ball

Jewish National Workers Alliance offers temporary cheer in Washington Heights

NEW YORK

Usually the Jewish National Workers Alliance, as the Labor Zionist fraternal order was known, occupied itself with serious matters. Among other things, it strove to strengthen the working class and offered help in cases of economic hardship, illness, or death of its members. In 1911, it had established the first modern insurance system for Jewish workers. On April 9, 1938 it strayed from its core mission and held a Passover Ball in the German-Jewish stronghold of Washington Heights in New York. Among other items, the program featured “Cologne humorists.” German immigrants would have understood that this referred to Cologne carnival jesting, a tradition associated with the Catholic carnival season that dates back to the Middle Ages. The venue was the ballroom of the Paramount Mansion, which also housed several institutions that promoted the interests of German Jewish immigrants.

TAGS: advertisement, April 9, Cologne, cultural life, immigration, Jewish Community, Jewish holidays, Journalism, New York, politics, religion, welfare organizations

SOURCE

Institution:

Leo Baeck Institute – New York | Berlin

Collection:

“Pessach Ball”, Aufbau, Vol. 5, no. 5, p. 7.

6

WEDNESDAY

6

Ausdruckstanz

Jewish Cultural Association presents Elsa Caro

Hamburg

The April 6 event at the Jüdischer Kulturbund (Jewish Cultural Association) in Hamburg was dedicated to dance. Elsa Caro, also known by her stage name, Juana Manorska, used challenging music not originally intended for dance as the inspiration for her performance. Since the beginning of the 20th century, the fixed, formulaic repertoire of movements in classical ballet seemed limiting and outdated to some. German dancers, among them Elsa Caro and the “half-Jewish” Gret Palucca, were at the forefront of those experimenting with new forms, a movement that gave birth to Ausdruckstanz, also known as “Expressionist Dance” or “modern dance.”

TAGS: April 6, artists, cultural life, document, Hamburg, Kulturbund, musicians, prominent people

SOURCE

Institution:

Leo Baeck Institute – New York | Berlin

Collection:

Hamburg Jewish Community Collection, AR 193

Original:

Box 1, folder 4

2

SATURDAY

2

Repression, resilience and relief

Jewish welfare organizations alleviate suffering

Berlin

By 1938, the ability of Jews to make a living had been seriously curtailed by a series of laws aimed at humiliating, isolating, and impoverishing them. While not all Jews were affected equally by these changes, the number of Jews dependent on the services of welfare organizations, such as the Jewish Winter Relief, was constantly on the rise. The level of solidarity and the support for the Winter Relief were remarkable. Much of the money came from small donations, and the Kulturbund held cultural events in support of the organization. Volunteers from women’s and youth groups assisted in the fundraising efforts.

TAGS: April 2, Berlin, cultural life, economic persecution, impoverishment, Jewish Community, Kulturbund, Nazi laws, Nazi policies, photo, public sphere, segregation, welfare organizations, Women

SOURCE

Institution:

Leo Baeck Institute – New York | Berlin

Collection:

Photo Abraham, Speisungen, fuer viele 1000 Mark, Sammlung Heinrich Stahl, AR 7171

Original:

F 7410

29

TUESDAY

29

A second Salzburg?

Max Reinhardt rebuilds his life and career in California

HOLLYWOOD

The Austrian-born theater and film director Max Reinhardt emigrated to the US in October 1937, accompanied by his wife Helene Thimig, an actress. By introducing technical innovations and elevating the position of the director, Reinhardt played a pivotal role in the development of modern theater. With his production of H. von Hoffmannsthal’s “Jedermann” in 1920, he became one of the co-founders of the Salzburg Festival. Shortly after he settled down in the US, plans emerged to found “another Salzburg” festival in California. This time, he wrote his friend Arturo Toscanini, he would be working “under more favorable climatic and political conditions, and perhaps with greater financial means.” Among his achievements in the US were staging Werfel’s “The Eternal Road” (1937) and founding the Max Reinhardt Workshop for Stage, Screen and Radio, a theater and film academy in Hollywood (1937–1939). He did not think very highly of US audiences.

TAGS: artists, cultural life, displacement, emigration, Hollywood, March 29, musicians, persecution of Jewish professionals, photo, prominent people, refugees, Salzburg

SOURCE

Institution:

Leo Baeck Institute – New York | Berlin

Collection:

Portrait of Max Reinhardt, Phot. Hänse-Hermann, Berlin, 1906.

Original:

F 4068A

18

FRIDAY

18

A new mission for World Jewry

Bratislava's Jewish paper calls for solidarity with Austrian Jews

“Austrian Jews have an old tradition as fully equal citizens who have always put their forces into the service of their homeland and have contributed to the latter's prosperity in all economic, social, and cultural fields”.

Vienna

The entire front page of Bratislava’s German-language religious-Zionist “Allgemeine Jüdische Zeitung” is dedicated to the Anschluss. Jews are called upon to stand by their Austrian coreligionists. An anonymous source notes the impoverished state of many Jews in Austrian lands and the resulting need to restructure social services as well as address the increasingly urgent issues of occupational retraining and emigration. The reader is reminded that Austria is still a member of the League of Nations and that Austrian law stipulates equal rights for religious and national minorities. Among other sources quoted is the British Under-Secretary of State for Foreign Affairs, Butler, who reports having received assurances that the German government would “endeavor to achieve a moderation” of its policy towards minorities. The paper also reports that the President of the World Jewish Congress, Rabbi Wise, has appealed to the League of Nations to help Austrian Jewry. The rest of the picture is bleak: newspapers suspended, prominent Jews arrested, a Jewish theater closed, Jewish physicians dismissed, and other chicanery. The paper calls upon Jews everywhere to come to the aid of their Austrian brethren.

TAGS: Anschluss, antisemitism, Bratislava, commentary, cultural life, impoverishment, Jewish Community, Journalism, League of Nations, March 18, media coverage, Nazi policies, persecution of Jewish professionals, politics, press article, prominent people, rabbis, Vienna, Zionism

SOURCE

Institution:

Leo Baeck Institute – New York | Berlin

Collection:

Nationalsozialistisches Regime in Ősterreich, Allgemeine Jüdische Zeitung, Vol. 6, p. 1.

Original:

Vol. 6, p. 1

Chronology of major events in 1938

The National Socialists arrest 150 public figures

A raid on the Jewish Community offices in Vienna on March 18, 1938. Bundesarchiv Bild 152-05 - 15A.

The spring of 1938 is marked by a series of assaults on Jews in Vienna and a number of other European cities. These Anschluss pogroms constitute an escalation of the National Socialist policy of persecution. Citizens humiliate, bully, and attack Jews publicly. Shortly after the Annexation, National Socialists in Austria arrest about 150 public figures. A third of those arrested are Jews, including writer Heinrich Jacob, librettist Fritz Löhner-Beda, cabaret artist Fritz Grünbaum, Social-Democratic politician and lawyer Robert Danneberg, laywer Jakob Ehrlich, lawyer and president of the Jewish Community in Vienna, Desider Friedmann, and spice dealer Hans Kotányi. In April, the National Socialists will deport the group in an action referred to as the Prominententransport (“VIP-transport”). It will be the first deportation to the concentration camp Dachau.

View chronology of major events in 1938

2

WEDNESDAY

2

End of “The Eternal Road”

Kurt Weill celebrates his 38th Birthday in New York

New York

Unwelcome in Nazi Germany as a Jew, a socialist, and a composer of music considered “degenerate” by the regime, Kurt Weill was able to celebrate his 38th birthday on March 2 in safety. After attacks in the Nazi press and targeted protests, Weill had already emigrated to France in 1933. Rehearsals for the premiere of his opera “The Eternal Road” (libretto: Franz Werfel) provided him with an opportunity to travel to the United States in 1935. Due to numerous technical difficulties, the premiere was postponed until 1937. Weill seized the opportunity and remained in America.

TAGS: cultural life, displacement, emigration, March 2, musicians, New York, photo, prominent people, refugees

SOURCE

Institution:

Leo Baeck Institute – New York | Berlin

Collection:

Kurt Weill Collection, AR 2754. Photo c. 1929

Original:

F 3483

27

SUNDAY

27

Three Jewish Mother Tongues

A Tel-Aviv born actor brings “new Palestinian poetry” to New York

“His Hebrew program numbers are especially likely to draw major attention, since it can safely be assumed that no actor in New York has ever rendered the Bible and modern poetry in Hebrew in so sublime a fashion.”

New York

Few among the immigrant New York audience expected to attend a trilingual event of the Theodor Herzl Society had ever encountered native speakers of modern Hebrew: Hence, it is no wonder the Aufbau assumed that the Hebrew part would constitute the greatest attraction. The featured artist of the evening, actor Albert Klar (Sklarz), born and raised in Tel Aviv, had begun his career in Berlin under renowned directors such as Reinhardt and Piscator. He had made his way to New York thanks to an invitation from the great Yiddish actor and director, Morris Schwartz, who hired him for his Yiddish Art Theater. The venue was Ansche Chesed, a synagogue on the Upper West Side founded by German immigrants.

TAGS: artists, Berlin, cultural life, February 27, Jewish Community, Journalism, Language skills, New York, Palestine, press article, prominent people, religion, Synagogues, Tel Aviv

SOURCE

Institution:

Leo Baeck Institute – New York | Berlin

Collection:

“Hebräisch-Jiddisch-Deutsch,” Aufbau, Vol. 5, no. 3, p. 4.

24

THURSDAY

24

“Degenerate”

Nazi Germany's break with modernity

Munich

In the traveling exhibition “Degenerate Art,” initiated in Munich in 1937, the Nazis used 650 works of art confiscated from 32 museums in order to force their idea of art upon the populace: newer trends like expressionism, surrealism, or fauvism, to name just a few, were regarded as “Jewish-Bolshevist” and roundly disparaged. The front page of the exhibition catalog shows a piece titled “Large Head” from the workshop of the German-Jewish artist Otto Freundlich, one of the first exponents of abstract art. It was created in 1912 to symbolize hope for a new beginning. Even apart from Freundlich’s Jewish background and his artistic leanings, being a communist made him politically unacceptable in the eyes of the regime.

TAGS: antisemitism, artists, Communists, cultural life, document, February 24, Munich, Nazi policies, prominent people, public sphere

SOURCE

Institution:

Leo Baeck Institute – New York | Berlin

Collection:

Fritz Kaiser, Führer durch die Austellung Entartete Kunst, 193-?

Chronology of major events in 1938

Austrian Chancellor takes a stand for Austrian independence

Portrait of Kurt Schuschnigg in his office. Encyclopedia Brittanica.

In a dramatic speech to Parliament, Austrian Chancellor Kurt von Schuschnigg takes a stand for the independence of Austria. The Christian-Socialist chancellor declares that his government, including the National Socialist ministers Seyß-Inquart und Glaise-Horstenau, will uphold the constitution of 1934. Several European and US radio stations broadcast the speech. Von Schuschnigg warns Austrian and German National Socialists seeking an alliance that “Austria will go thus far and no further [. . .] Red-White-Red, until we are dead!”

View chronology of major events in 1938

23

WEDNESDAY

23

Tel Aviv, Bauhaus, and “Grand Illusion”

Ben Yehuda Street in Tel Aviv

Tel Aviv

This view of Ben Yehuda Street in Tel Aviv shows some of the typical buildings in the background to which it owes its unofficial name, “The White City.” Since 1933 and especially after the “Reichsbürgergesetz” came into effect in 1935, Bauhaus-trained architects had left Germany and were now putting their mark on Tel Aviv, either through their own creations or through their influence on others. The photo is dominated by the Migdalor building, which was built in 1935 and housed the city’s first air-conditioned movie theater. On the external wall there is a huge advertisement for Jean Renoir’s 1937 movie “Grand Illusion,” which due to its pacifist message was banned in Nazi Germany.

TAGS: artists, cultural life, displacement, emigration, February 23, Nazi laws, Nazi policies, photo, public sphere, refugees, Tel Aviv

SOURCE

Institution:

Leo Baeck Institute – New York | Berlin

Collection:

“Tel-Aviv Towns and Villages”, Arthur Prinz Collection, AR 5103

Original:

F 27204

Chronology of major events in 1938

The Port of Tel Aviv opens

The opening of the port in Tel-Aviv. National Photograph Collection of Israel.

The port of Tel Aviv is completed and officially opened. When the Arab city of Jaffa closed its port in 1936 to counteract the rising number of Jewish immigrants, Tel Aviv established a port known as Sha’ar Zion, the Gate to Zion. During two years of construction, the capacity of the port was very limited, but it nevertheless took on an enormous symbolic importance for the Jews fleeing the National Socialists. With the official opening of the port, regular cargo traffic begins immediately, and the first passenger will arrive in April 1938. Two years later, when escape from Germany has become impossible and World War II has begun, the port will be closed for civilian usage and serve exclusively as a military port.

View chronology of major events in 1938

22

TUESDAY

22

Coffee and cake in “Frankfurt on Hudson”

A New Life in Washington Heights, NYC

While enjoying coffee, cake, card games and a pleasant entertainment program, those present will have the opportunity to talk about their concerns.

New York

Between the Nazis’ rise to power in 1933 and the year 1938, about 16.000 Jews had immigrated to the United States. Many German Jews had made their home in New York, especially in the neighborhood of Washington Heights in northern Manhattan, gaining it the nickname “Frankfurt on the Hudson.” The event schedule of the German-Jewish Club lists a “Family evening with Kaffee-Klatsch” which offers “artistic and musical interludes.” The event is geared towards the needs of the older members of the community, as “a substitute for lodge, singing club, social club and other associations,” promising participants an opportunity to discuss what they had on their minds. In addition to cultural activities in German, the massive influx of German-speaking Jews to Washington Heights led to the establishment of numerous new synagogues, beginning with “Tikvoh Chadoshoh”—“New Hope.”

TAGS: advertisement, cultural life, displacement, emigration, February 22, immigration, Jewish Community, New York, public sphere, refugees, religion, Synagogues

SOURCE

Institution:

Leo Baeck Institute – New York | Berlin

Collection:

“Februar-Programm des Deutsch-Jüdischen Clubs”, Aufbau, no. 3, 4

Original:

Vol. 3, no. 4: 3

6

SUNDAY

6

Émigrés on ice

The rich social-life of German-Jewish refugees in New York includes winter sports.

Yonkers, New York

Among the many kinds of physical activity offered to the readers of the Aufbau by the German-Jewish Club, such as ping-pong, skiing, swimming and even a Katerbummel (a morning stroll after a night of heavy drinking), there was also an invitation to go ice-skating in Tibbetts Brook Park in Yonkers, New York. A familiar activity among sympathetic fellow German-speakers at a venue featuring a Tudor revival bathhouse may have awakened memories of better days in Europe. Despite their traumatic experiences under Nazism and their forced departure, many German Jews continued to feel a profound cultural connection to the country they had called their home.

TAGS: advertisement, cultural life, displacement, emigration, February 6, Jewish Community, New York, refugees, Sports, Yonkers NY

SOURCE

Institution:

Leo Baeck Institute – New York | Berlin

Collection:

“Februar-Programm des deutsch-jüdischen Clubs,” Aufbau, Vol. 4, no. 3, p. 3.

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