Leo Baeck Institute works to preserve and promote the history and culture of German-speaking Jews.
SAN DIEGO: Racism in American and German Cinema of the Twenties: From the Ancient Law to The Jazz Singer.
The Art of Exile: Paintings by German-Jewish Refugees
Help LBI keep the past present with a financial donation or by contributing historical materials.
Caring for a library of over 80,000 physical volumes is a hands-on job, according to Lauren Paustian, an associate librarian who handles many of the LBI Library’s preservation efforts. During “National Preservation Week” (April 26 – March 3, 2015), Paustian offered visitors to the Center for Jewish History (CJH) an overview of what it takes to preserve these materials for future generations.
Here you can see a variety of past preservation measures that actually compromised the condition of the books. Acidic tape was used in an effort to stabilize these books, but now it is decaying. In some cases the covers were cut off, and in one case, the dust jacket was affixed permanently with acidic tape. We can’t undo these measures without damaging the books, but if we were to receive a donation of any copies in better condition, we would replace them.
Today, we make every effort not to alter or affix anything to books at all. Nearly every book that’s not a recent hardcover gets its own enclosure, which ranges from a Mylar wrap to protect the dust jacket to custom-built boxes with stiff backing to protect the spine and cover of the book.
Rare books get special treatment. Even when they’ve been digitized and their content has long been in the public domain, rare books see a lot of use, mostly for exhibitions. The gold-standard for protecting such fragile and rare books is a custom-made clamshell case like the ones pictured below. I’ve taken courses on building these, and they are made to such exacting specifications that each one takes several hours of work. We use an external vendor for our clamshell cases, and they start at about $70 for a small book like this one and go up from there.
Before the early twentieth century, the printing and bookbinding industries used more durable materials like animal hides and recycled textiles. We have a good idea how those materials hold up over time, but no one is really sure what’s going to happen to the wood-pulp paper used for newsprint. Libraries have typically bound these materials in large volumes, but even so they often become too fragile to handle without damaging them.
At that point microfilming and digitization is really the best way to preserve them.
Planning and securing funding for preservation is at least as much work as the actual preservation measures. For example, we often apply for NEH grants for preservation, but it’s a two step process. First we apply for funds for a preservation specialist to survey the collections and identify books in need of special protection measures. Then, in a separate process, we apply for the funds to actually measure the books and have the enclosures made. It’s a painstaking effort, and the entire cycle can take three years. It’s worth doing, though, because if we don’t get it right, the collections are at risk.